2025 Past Events
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Wednesday, April 2, 2025
By Luwei Wang, Ph.D. Candidate
University of Wisconsin, Madison
Olin Humanities, Room 102 5:30 pm EDT/GMT-4
The imagination of surveillance cameras and the digital media as “compound eyes” is a dominant motif in contemporary Chinese critical and cultural production. This concept resonates deeply within Chinese visual culture and film, where the compound eye functions as both a technological reality and a symbolic structure. In this talk, I examine this intersection through Xu Bing’s experimental art film Dragonfly Eyes (2017). My analysis focuses on Xu Bing’s distinctive approach of repurposing the found surveillance footage, through which he subverts traditional power dynamics, and transforms the surveillance apparatus into an object of critical reflection. By defamiliarizing audiences from the machine vision they have grown accustomed to, the film disrupts the neutrality of digital seeing. In doing so, it prompts reflection on deep-
seated anxieties in the digital age—including the takeover of visual representation by digital media, the alienation from lived experience, the obsession with achieving a totalized and comprehensive replication of reality, and the estrangement from nature. I argue that Dragonfly Eyes fundamentally engages with these concerns by constructing an intricate relationship between surveillance footage, webcam recordings, the film’s protagonists, and the audience. Blurring the boundaries between viewing subject and object, the film positions its protagonists as both narrators and characters, oscillating between reality and fiction, observer and observed. Through this interplay, Dragonfly Eyes invites contemplation on the pervasive impact of digital surveillance and the shifting nature of visuality in the contemporary world.
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Tuesday, April 1, 2025
Please join us weekly. Stay for as long as you like.
Kline, College Room 6:00 pm – 7:00 pm EDT/GMT-4
Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.
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Tuesday, April 1, 2025
Please join us weekly. Stay for as long as you like.
Kline, College Room 5:00 pm – 6:00 pm EDT/GMT-4
Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.
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Friday, March 28, 2025
Preston Theater 7:00 pm EDT/GMT-4
In the Mood for Love 花样年华 (2000) is perhaps the most acclaimed work of Wong Kar-wai, the renowned Hong Kong filmmaker, known for his distinctive and visually captivating style. Set in 1960s Hong Kong, the film tells the romance unfolding between two neighbors, Mr. Chow (played by Tony Leung) and Mrs. Chan (played by Maggie Cheung), who develop feelings for each other but never act on them. The film is considered a visual masterpiece and explores themes of longing, isolation, and intimacy, common in many of Wong Kar-wai's films. Snacks and light refreshments will be served.
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Tuesday, March 25, 2025
Please join us weekly. Stay for as long as you like.
Kline, College Room 6:00 pm – 7:00 pm EDT/GMT-4
Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.
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Tuesday, March 25, 2025
Please join us weekly. Stay for as long as you like.
Kline, College Room 5:00 pm – 6:00 pm EDT/GMT-4
Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.
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Tuesday, March 18, 2025
Please join us weekly. Stay for as long as you like.
Kline, College Room 6:00 pm – 7:00 pm EDT/GMT-4
Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.
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Tuesday, March 18, 2025
Please join us weekly. Stay for as long as you like.
Kline, College Room 5:00 pm – 6:00 pm EDT/GMT-4
Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.
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Tuesday, March 11, 2025
Please join us weekly. Stay for as long as you like.
Kline, College Room 6:00 pm – 7:00 pm EDT/GMT-4
Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.
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Tuesday, March 11, 2025
Please join us weekly. Stay for as long as you like.
Kline, College Room 5:00 pm – 6:00 pm EDT/GMT-4
Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.
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Monday, March 10, 2025
Online Event 2:00 pm – 3:00 pm EDT/GMT-4
CLICK HERE FOR THE LECTURE LINK!
The talk will focus on the introduction of oracle bone inscriptions (OBI), the archaic Chinese used in Shang dynasty ca. 1600-1100 BCE, including the samples of inscriptions on ox bones and turtle shells and how to read them, even with a minimal knowledge in modern Chinese. The talk will then explain the pivotal role of OBI in studying the beginning of Chinese writing long before 1600 BCE, and in tracing the Chinese writing long after 1046 BCE till modern age.
Kuang Yu Chen received his Ph.D. degree in chemistry from Yale University. He is Distinguished professor (emeritus) of chemistry and an adjunct Professor of east Asian Languages and cultures at Rutgers University in New Jersey. He has published over 120 papers in chemistry. He is an elected fellow of AAAS (American Association for the Advancement of Science) for his work in chemistry, particularly polyamine biochemistry and cell aging, and molecular biology. His interests include humanities areas centered around Shang oracle bone inscriptions, genesis of pristine writings, and molecular archaeology. He has published over 50 articles in these areas. His book 商代甲骨中英讀本 Reading of Shang Inscriptions was published by Shanghai People's Publishing House in 2017. The book has been translated into French, Korean, and English. A Spanish translation is in the final phase of preparation. His other book 秦簡中英讀本 Reading of Qin Bamboo Slips was published in 2024. He was one of the keynote speakers at the first World Conference of Classics held in Beijing in November 2024.
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Tuesday, March 4, 2025
Please join us weekly. Stay for as long as you like.
Kline, College Room 6:00 pm – 7:00 pm EST/GMT-5
Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.
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Tuesday, March 4, 2025
Please join us weekly. Stay for as long as you like.
Kline, College Room 5:00 pm – 6:00 pm EST/GMT-5
Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.
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Thursday, February 27, 2025
Andrew Campana, Assistant Professor, Cornell University
Olin Humanities, Room 102 5:00 pm – 6:30 pm EST/GMT-5
This talk will draw from the just-published book, Expanding Verse, and look at experimental poetic practice in Japan over the last hundred years, focusing on poetry in engagement with cinema in the 1920s and Augmented Reality poetry in the 2010s. Drawing together approaches from literary, media, and disability studies, we will consider how poets push back against the new media technologies of their day, find new possibilities at the edge of media, and in so doing challenge dominant conceptions of both who counts as a poet, and what counts as poetry.
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Tuesday, February 25, 2025
Please join us weekly. Stay for as long as you like.
Kline, College Room 6:00 pm – 7:00 pm EST/GMT-5
Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.
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Tuesday, February 25, 2025
Please join us weekly. Stay for as long as you like.
Kline, College Room 5:00 pm – 6:00 pm EST/GMT-5
Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.
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Tuesday, February 18, 2025
Please join us weekly. Stay for as long as you like.
Kline, College Room 6:00 pm – 7:00 pm EST/GMT-5
Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.
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Tuesday, February 18, 2025
A talk by Soonyoung Lee
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium 5:30 pm – 6:30 pm EST/GMT-5
This talk explores two prominent imaginaries of the future in South Korean science fiction: the dystopian visions portrayed in Netflix’s global hits such as Hellbound, All of Us Are Dead, and Sweet Home, and the radical futures articulated in women’s science fiction literature by authors like Kim Bo-young and Yun Ihyŏng. Netflix dramas employ horror and fantasy genres to critique societal issues such as class inequality, school violence, and systemic corruption, yet paradoxically normalize militaristic and Cold War ideologies. In contrast, South Korean women’s science fiction uses feminist and ecological frameworks to challenge established binaries while addressing Anthropocene crises and women’s lived experiences. Together, these narratives critique contemporary social structures and envision alternative futures, offering profound insights into the intersection of culture, politics, and imagination.
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Tuesday, February 18, 2025
Please join us weekly. Stay for as long as you like.
Kline, College Room 5:00 pm – 6:00 pm EST/GMT-5
Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.
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Tuesday, February 11, 2025
Please join us weekly. Stay for as long as you like.
Kline, College Room 6:00 pm – 7:00 pm EST/GMT-5
Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.
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Tuesday, February 11, 2025
Please join us weekly. Stay for as long as you like.
Kline, College Room 5:00 pm – 6:00 pm EST/GMT-5
Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.
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Monday, February 10, 2025
A talk by Aliju Kim
Olin Humanities, Room 102 5:30 pm – 6:30 pm EST/GMT-5
Korean travel writings under Japanese colonial rule (1910–1945) are often interpreted as imperial propaganda, yet this narrative overlooks the subversive potential of decadence as a literary aesthetic in these works. This talk examines two examples of Korean travel writings that are set in colonial or semi-colonial cities, written around the Second Sino-Japanese War: Yi Hyosŏk’s Harbin (Haŏlbin), set in Harbin, and Chŏng Pisŏk’s This Atmosphere (I punwigi), set in Beijing. In these stories, the foreign cities present as disquietingly uncanny sites of identification and critique for the Korean travelers. Where Yi’s Harbin laments the loss of urban utopia, Chŏng’s This Atmosphere envisions a violent renewal through the city’s destruction. Together, these works show a resistance to the narrative of capitalist-imperial modernity as progress. Situating the texts within the broader goals of imperial propaganda, this talk highlights the imaginative possibilities that emerge through decadence.
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Thursday, February 6, 2025
A talk by Soonyoung Lee
Olin Humanities, Room 102 5:30 pm – 6:30 pm EST/GMT-5
This talk explores two prominent imaginaries of the future in South Korean science fiction: the dystopian visions portrayed in Netflix’s global hits such as Hellbound, All of Us Are Dead, and Sweet Home, and the radical futures articulated in women’s science fiction literature by authors like Kim Bo-young and Yun Ihyŏng. Netflix dramas employ horror and fantasy genres to critique societal issues such as class inequality, school violence, and systemic corruption, yet paradoxically normalize militaristic and Cold War ideologies. In contrast, South Korean women’s science fiction uses feminist and ecological frameworks to challenge established binaries while addressing Anthropocene crises and women’s lived experiences. Together, these narratives critique contemporary social structures and envision alternative futures, offering profound insights into the intersection of culture, politics, and imagination.
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Tuesday, February 4, 2025
Please join us weekly. Stay for as long as you like.
Kline, College Room 6:00 pm – 7:00 pm EST/GMT-5
Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.
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Tuesday, February 4, 2025
Monica W. Cho
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium 5:30 pm – 6:30 pm EST/GMT-5
This talk illuminates the troubling figure of the postwar yŏdaesaeng (female college student) in two short stories: Han Mu-suk’s “Abyss with Emotions” (Kamjŏngi innŭn simyŏn, 1957) and Son So-hŭi’s “The Sunlight of That Day” (Kunalŭi haetbitŭn, 1960). Yŏdaesaeng encapsulates the troubling memories of Japanese colonialism and the Korean War, as well as principles of the postwar ideologies within her youthful college-educated body in the two stories. I discuss the yŏdaesaeng by first historicizing her colonial progenitor, yŏhaksaeng (schoolgirl), to historically contextualize the Han and Son’s experiences as yŏhaksaeng. I also touch on how colonial writers have mobilized the yŏhaksaeng figure and their descent into madness as fictional representations of modernity and ethnonationalism. In examining Han and Son’s postwar yŏdaesaeng and their descent into madness as both an escape from censorship and as a method of radical resistance against patriarchy, this talk shows how postwar women writers reclaim the exploited figure of the yŏhaksaeng and their madness by rejecting the very use of national representation by focusing on yŏdaesaeng’s feminine desires and experiences. This kind of writing practice has allowed women writers to recuperate their own autonomy as writers, women, and yŏhaksaeng-pasts in the immediate postwar era.
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Tuesday, February 4, 2025
Please join us weekly. Stay for as long as you like.
Kline, College Room 5:00 pm – 6:00 pm EST/GMT-5
Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.
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Tuesday, January 28, 2025
Please join us weekly. Stay for as long as you like.
Kline, College Room 6:00 pm – 7:00 pm EST/GMT-5
Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.
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Tuesday, January 28, 2025
Please join us weekly. Stay for as long as you like.
Kline, College Room 5:00 pm – 6:00 pm EST/GMT-5
Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.