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Asian Studies

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Asian Studies News

Bomb Magazine Interviews Artist and Filmmaker Tiffany Sia ’10 about Her New Book, On and Off-Screen Imaginaries

Bard alumna Tiffany Sia ’10 thinks and works across text and film. Her newest book, On and Off-Screen Imaginaries, is a collection of six essays that grapple with the complexities of post-colonial experience. The first three essays focus on new Hong Kong cinema and examine the national security policies, censorship, surveillance that followed Hong Kong’s mass protests in 2019 and 2020. The second half of the book “abruptly drifts toward other geographies,” says Sia.

Bomb Magazine Interviews Artist and Filmmaker Tiffany Sia ’10 about Her New Book, On and Off-Screen Imaginaries

Bard alumna Tiffany Sia ’10 thinks and works across text and film. Her newest book, On and Off-Screen Imaginaries, is a collection of six essays that grapple with the complexities of post-colonial experience. The first three essays focus on new Hong Kong cinema and examine the national security policies, censorship, surveillance that followed Hong Kong’s mass protests in 2019 and 2020. The second half of the book “abruptly drifts toward other geographies, specifically the US, as I challenge how dominant Asian American aesthetics conceive of a falsely unified imaginary of Asia and its politics,” says Sia. She reimagines the work of Vietnamese American photographer An-My Lê in one essay and the work of Taiwanese filmmaker King Hu in another. “The essays trace a shift in my focus beyond Hong Kong––toward the ‘elsewhere’ sites of the Cold War, such as Vietnam, Taiwan, and even Lithuania and Turkey, in brief mention––and facile East-West tensions to illuminate a lattice of North-South tensions and their vexing histories and politics,” says Sia, who recently won the prestigious 2024 Art Baloise Prize, which carries an award of approximately $33,400.
Read the interview in Bomb

Post Date: 07-09-2024

Bard Students Win Honors for Chinese Calligraphy Works in National Expo

Under the guidance of Visiting Assistant Professor of Chinese Huiwen Li, five Bard College students, Timothy Weigand ’25, Lydia Lu ’26, Margo Ganton ’25, Jiyu Kwon ’26, and Yimeng Zhao ’26, were selected as finalists to exhibit their works of Chinese calligraphy in the National Chinese Expo of Student Works, an annual event organized by the American Academy of International Culture and Education (AAICE).

Bard Students Win Honors for Chinese Calligraphy Works in National Expo

Under the guidance of Visiting Assistant Professor of Chinese Huiwen Li, five Bard College students, Timothy Weigand ’25, Lydia Lu ’26, Margo Ganton ’25, Jiyu Kwon ’26, and Yimeng Zhao ’26, were selected as finalists to exhibit their works of Chinese calligraphy in the National Chinese Expo of Student Works. This annual event, organized by the American Academy of International Culture and Education (AAICE), aims to promote cultural understanding between the peoples of China and the United States and to help students become cultural ambassadors. The theme of this year’s expo was “The Joy of Chinese Language and Culture Learning.” The Bard College team was honored with a trophy, and professor Huiwen Li received a certificate of appreciation for their participation in the final exhibition.
See selected works by Bard students at AAICE

Post Date: 02-29-2024

Ian Buruma for New York Times Opinion: “The 17th-Century Heretic We Could Really Use Now”

“The Enlightenment philosopher Baruch Spinoza almost died for his ideals one day in 1672,” writes Ian Buruma, Paul W. Williams Professor of Human Rights and Journalism, in an opinion piece for the New York Times. In the United States in 2024, “in a time of book-banning, intellectual intolerance, religious bigotry, and populist demagoguery, [Spinoza’s] radical advocacy of freedom still seems fresh and urgent,” Buruma argues.

Ian Buruma for New York Times Opinion: “The 17th-Century Heretic We Could Really Use Now”

“The Enlightenment philosopher Baruch Spinoza almost died for his ideals one day in 1672,” writes Ian Buruma, Paul W. Williams Professor of Human Rights and Journalism, in an opinion piece for the New York Times. Buruma writes that, during Spinoza’s lifetime, his arguments for reason and intellectual liberty “were considered so inflammatory that his authorship had to be disguised.” Now, in the United States in 2024, “in a time of book-banning, intellectual intolerance, religious bigotry, and populist demagoguery, his radical advocacy of freedom still seems fresh and urgent,” Buruma argues.
Read More in the New York Times

Post Date: 02-20-2024
More Asian Studies News
  • Bard College Broadens Summer Engagement in China

    Bard College Broadens Summer Engagement in China

    Despite China’s status as a major world leader, few American students are returning to study abroad in China. Last semester, only about 700 US students were in China, compared to more than 11,000 prior to the pandemic. In opposition to this trend, Bard is expanding its engagement in China. 

    Malia Du Mont ’95, Bard’s Vice President for Strategy and Policy and the first person to earn a BA in Chinese from Bard, stated, “The US and China will play a major role in determining the future of the planet we share, so it is our responsibility as educators to create opportunities for young people from both countries to learn from each other. In the context of challenging political relations and the rise of artificial intelligence, we must strengthen our commitment to the humanities and nurture many forms of communication, including through music and the arts.”

    Underscoring the College’s commitment, President Leon Botstein returned to China in June to spend two weeks in the cities of Xiamen and Ningbo, where he conducted concerts and met with high school and university students and administrators. President Botstein also attended a concert in Ningbo conducted by Oscar-winning composer and Dean of the Bard College Conservatory of Music Tan Dun.

    In July, Bard College Conservatory of Music Director Frank Corliss taught for a week at the Shandong University of the Arts (SUA) in Jinan, concluding with a performance by the students and Corliss with members of the faculty and the director of SUA. The director of SUA, GQ Wang, is eager for continued visits by Bard Conservatory faculty and a trip by Graduate Vocal Arts Program Associate Director Kayo Iwama is planned for the coming academic year.

    Following the week in Jinan, Frank Corliss traveled to Changsha where he joined Bard Conservatory Dean Tan Dun and four percussion students of the Conservatory (Maddy Dethof, Jonathan Collazo BM/BA ’19, APS ’24, Estaban Ganem MM ’24; Arnav Shirodkar BM/BA ’24) for concerts with Tan Dun and the Changsha Symphony Orchestra. Tan Dun led the students and Frank Corliss in two of his pieces for voice, piano, and percussion ensemble, and in his recent arrangement of Stravinsky’s Rite of Spring for two pianos and percussion. The students, with the Changsha Symphony, also gave the premiere of a piece by Tan Dun “Noa Concerto” for four percussionists and orchestra. The students played on specially made replicas of ancient bronze bells recently discovered in Changsha. The week of concerts also included a performance featuring the Bard String Quartet: Bard Director of Asian Recruitment and Institutional Relations Shawn Moore BM/BA ’11, Fangxi Liu BM/BA ’16, Lin Wang BM/BA ’12, and Zhang Hui APS ’17.  There was also a panel discussion at the Changsha Symphony on Education and Music with Tan Dun, Frank Corliss, and Changsha Symphony President Wang Zhi.
     
    Bard Baltimore students visit Temple of Heaven in Beijing. Photo by Chelsea Nakabayashi
    Bard Baltimore students visit Temple of Heaven in Beijing. Photo by Chelsea Nakabayashi
    At a time when language instruction is being cut in many American high schools and institutions of higher education, Chinese language is offered throughout the Bard Early College network. This summer, student cohorts from both Bard High School Early College Baltimore (Bard Baltimore) and Bard High School Early College DC (Bard DC) traveled separately to China. From July 21 to August 5, Bard Baltimore students visited Baltimore's sister city of Xiamen, Maryland’s sister province of Anhui, and China’s capital Beijing as part of the Baltimore-Xiamen Sister City Committee 2024 Youth Ambassadors Program. Their two-week study tour included living and interacting with Chinese peers from local schools in Xiamen, cultural immersion experiences, and meetings with local leaders. They had the opportunity to visit cultural sites including Gulangyu Island (a UNESCO World Heritage site), Lingling Zoo (a local zoo where they saw two twin brother pandas), and Xiamen’s first mangrove-themed ecological coastal wetland park Xiatanwei. Their trip also included travel to the famous Yellow Mountains of Anhui Province and China’s capital Beijing, where they visited the Great Wall, Summer Palace, Temple of Heaven, as well as the US Embassy to attend a panel discussion on the career path of a diplomat.
    Bard Baltimore students visit the Great Wall of China. Photo by Chelsea Nakabayashi
    Bard Baltimore students visit the Great Wall of China. Photo by Chelsea Nakabayashi

    Bard DC Chinese language students had the opportunity to visit China this summer too. They spent two weeks at Yunnan Normal University in the city of Kunming, taking language classes and enjoying local food, tea, traditional dance, and other cultural experiences such as a visit to the hot springs. Interacting with local Chinese students was a key part of the program for both the Bard Baltimore and Bard DC student groups.

    As part of the Chinese language program at the Bard College main campus, Bard undergraduate students from Annandale also went to China this summer, for an eight-week intensive at Qingdao University, which has hosted Bard’s summer immersion courses for over a decade. In addition to taking language classes, participants studied Kung Fu and painting, lived with a host family for one week, and conducted cultural tours in Beijing, Tai’an, and Qingdao.

    Post Date: 08-13-2024
  • Five Bard Language Students Accepted to the National Collegiate Chinese Honor Society

    Five Bard Language Students Accepted to the National Collegiate Chinese Honor Society

    Five Bard Chinese language students have been accepted to the National Collegiate Chinese Honor Society in 2024. Aliya Lindroth ’26, Clemente Esponilla ’26, Noa Doucette ’24, Sushila Sahay ’25, and Timothy Weigand ’25 were recommended for entry by Huiwen Li, visiting assistant professor of Chinese at Bard College and a member of the Chinese Language Teachers Association, USA (CLTA-USA). The National Collegiate Chinese Honor Society was founded to recognize the outstanding academic achievement of college students in learning Chinese as a second language, and aims to encourage continuous learning in the language, literature, and culture. It is sponsored by CLTA-USA, an organization founded in 1962 and dedicated to the study of Chinese language, culture, and pedagogy, which supports the establishment and maintenance of quality Chinese programs, K-16 articulation, teacher education and professional development, and is committed to providing leadership, scholarship, and service to its members and beyond.

    Post Date: 02-02-2024
  • Professor Soonyoung Lee Speaks with Forbes about the Growing Interest in Korean Language Study

    Professor Soonyoung Lee Speaks with Forbes about the Growing Interest in Korean Language Study

    Forbes magazine reports that the number of students enrolled in Korean language classes at US colleges and universities grew from 8,449 students in 2009 to 20,000 in 2021. The motivating force behind this shift is The Hallyu, or Korean Wave, in which global popularity of South Korean pop culture and entertainment has surged, as evidenced in the appeal of K-Pop music, Korean TV shows like Squid Game, and films like Parasite in America. Soonyoung Lee, visiting assistant professor of Korean literature, language, and culture at Bard College, has noticed the demographic in her Korean film and language classes changing away from a majority of Asian and Asian American students. “The enthusiasm for Korean pop culture has transcended ethnic boundaries, drawing in a diverse cohort of students. They are not just seeking to learn a language; they are immersing themselves in a cultural phenomenon that resonates with them on multiple levels,” said Lee.
    Read More in Forbes

    Post Date: 12-12-2023
  • Bard College Awarded Funding for a Visiting Assistant Professor Position in Korean Studies

    Bard College Awarded Funding for a Visiting Assistant Professor Position in Korean Studies

    Bard College is pleased to announce that it has received funding from the Korea Foundation to support the hire of Soonyoung Lee as a visiting assistant professor in Korean Studies for the 2023–24 academic year. This hire is the first step toward building a Korean Program at Bard. The hire is part of a broader effort to expand the Asian Studies Program—including the Asian Diasporic Initiative, begun in 2021, and Bard’s first-ever Korea Week in April 2022.
     
    “We are beyond delighted to receive the support of the Korea Foundation to begin offering Korean language and literature courses at Bard for the first time,” said Nathan Shockey, associate professor of Japanese, who worked together with Heeryoon Shin, assistant professor of art history and visual culture, to bring Korean courses to Bard. “This grant gives us the opportunity to meet the long-standing student interest in and demand for Korean Studies, and we are excited to continue growing Korean at Bard as part of our expansion of the Asian Studies program.”

    Soonyoung Lee joins Bard from the University of California, Riverside, where she received her PhD in Comparative Literature and Foreign Languages in 2023. Professor Lee’s areas of research and teaching interests include contemporary Korean literature and film, Korean popular culture, East Asian film, Cold War studies, trans-Asian cultural studies, critical race theories, and postcolonial studies. She will teach courses on Korean literature, cultural history, and introductory courses to Korean language, including an online network course with Bard High School Early Colleges and the Open Society University Network (OSUN).

    The Korea Foundation is a nonprofit public diplomacy organization established in 1991 to promote awareness and understanding of Korea, and to enhance goodwill and friendships throughout the international community. To date, the Korea Foundation has established 156 professorships in 99 universities across 18 countries.


    Post Date: 08-23-2023
  • Ian Buruma for Bloomberg: “Was Trump or Brexit the Bigger Mistake?”

    Ian Buruma for Bloomberg: “Was Trump or Brexit the Bigger Mistake?”

    Polling shows the British people and Americans are coalescing around the idea that Brexit and Trump were, respectively, mistakes for each country. When it comes to long-lasting impact, however, in Ian Buruma’s view, it’s no contest which is worse. “While Brexit and the election of Trump caused severe shocks to both Britain and the US, it looks like the damage of Brexit will be worse and last longer,” writes Buruma, Paul W. Williams Professor of Human Rights and Journalism, for Bloomberg. Poor leadership is, in the long run, easier to recover from than a disastrous referendum, he writes, as the latter “cannot be easily undone.” For the United States, “as long as [Trump] does not return for another term in 2024, much of the damage he did can probably be undone.” With Brexit, no matter the change in leadership, “most people in Britain will be worse off and the country will continue to lag behind its neighbors for the foreseeable future.”
    Read More in Bloomberg

    Post Date: 12-20-2022
  • Five Bard College Students Win Prestigious Gilman International Scholarships to Study Abroad

    Five Bard College Students Win Prestigious Gilman International Scholarships to Study Abroad

    Five Bard College students have been awarded highly competitive Benjamin A. Gilman International Scholarships by the U.S. Department of State. Gilman Scholars receive up to $5,000, or up to $8,000 if also a recipient of the Gilman Critical Need Language Award, to apply toward their study abroad or internship program costs. The recipients of this cycle’s Gilman scholarships are American undergraduate students attending 452 U.S. colleges and represent 50 U.S. states, the District of Columbia and Puerto Rico. These Gilman Scholars will study or intern in 81 countries through October 2023.
     
    Written Arts major Havvah Keller ’24, from Montpelier, Vermont, has been awarded a $4,000 Gilman scholarship to study in Valparaíso, Chile, on CEA’s Spanish Language and Latin American Studies program at Pontificia Universidad Católica de Valparaíso, for spring 2023. “Receiving this scholarship means that I will be able to fulfill my dream of studying Spanish in total immersion, living with a local family in an art-filled, exuberant city, and studying Latin American and Chilean poetry and literature, as well as many other subjects such as Latin American history, Indigenous dances and arts of the Mapuche people, and making international friends of all backgrounds. I am eternally grateful to Gilman for helping me plant the seeds which will open many incredible doors for me in my life this spring, and beyond,” said Keller.
     
    Philosophy and German Studies joint major Bella Bergen ’24, from Broomfield, Colorado, has been awarded a $5,000 Gilman-DAAD scholarship to study at Bard College Berlin for spring 2023. “The Gilman Scholarship allows me to pursue studying abroad in Berlin, Germany. I have never left the country despite a deep desire to do so, and the Gilman Scholarship helps me finally accomplish this goal. As a joint major in Philosophy and German Studies, my studies and language proficiency will both benefit greatly from my time in Germany. Ich freue mich auf Berlin,” said Bergen.
     
    Art History and Visual Culture major Elsa Joiner ’24, from Dunwoody, Georgia, has been awarded a $5,000 Gilman-DAAD scholarship to study at Bard College Berlin for spring 2023. “The Gilman scholarship will enable me to study the subject of my dreams, sound art, in the city of my greatest fantasies, Berlin, Germany. With the scholarship, I plan to explore the role of sound in identity formation and develop my skills as a deep listener, eventually returning to America with the strongest ears in the world and, perhaps, the sharpest mind,” said Joiner.
     
    Art History and Visual Culture and Film Studies joint major Sasha Alcocer ’24, from New York, New York, has been awarded a $5,000 Gilman-DAAD scholarship to study at Bard College Berlin for spring 2023. “As a first-generation American, I am incredibly honored and humbled by the support from the Gilman scholarship to pursue this unique opportunity to learn from and connect with like-minded international students and Berlin-based creatives. Having grown up in New York City, I’ve always been interested in artistic communities and cultural history, therefore Berlin could not be a better place to be immersed in for my studies abroad,” said Alcocer.
     
    Asian Studies and GIS joint major Kelany De La Cruz ’24, from Bronx, New York, has been awarded a $5,000 Gilman scholarship, in addition to a $5,000 Fund for Education Abroad (FEA) scholarship and a $5,000 Freeman ASIA scholarship, to study in Taipei, Taiwan, on the CET Taiwan program for spring 2023. “To me these scholarships mean encouragement to follow my academic and professional dreams because I would not have been able to study abroad without them,” said De La Cruz.
     
    Since the program’s establishment in 2001, over 1,350 U.S. institutions have sent more than 36,000 Gilman Scholars of diverse backgrounds to 155 countries around the globe. The program has successfully broadened U.S. participation in study abroad, while emphasizing countries and regions where fewer Americans traditionally study. 
     
    As Secretary of State Anthony Blinken said, “People-to-people exchanges bring our world closer together and convey the best of America to the world, especially to its young people.”
     
    The late Congressman Gilman, for whom the scholarship is named, served in the House of Representatives for 30 years and chaired the House Foreign Relations Committee. When honored with the Secretary of State’s Distinguished Service Medal in 2002, he said, “Living and learning in a vastly different environment of another nation not only exposes our students to alternate views but adds an enriching social and cultural experience. It also provides our students with the opportunity to return home with a deeper understanding of their place in the world, encouraging them to be a contributor, rather than a spectator in the international community.”
     
    The Gilman Program is sponsored by the U.S. Department of State’s Bureau of Educational and Cultural Affairs (ECA) and is supported in its implementation by the Institute of International Education (IIE). To learn more, visit: gilmanscholarship.org
    Read more

    Post Date: 12-20-2022

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  • Tuesday, May 6, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EDT/GMT-4
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, May 6, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  5:00 pm – 6:00 pm EDT/GMT-4
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, April 29, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EDT/GMT-4
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, April 29, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  5:00 pm – 6:00 pm EDT/GMT-4
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, April 22, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EDT/GMT-4
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, April 22, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  5:00 pm – 6:00 pm EDT/GMT-4
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, April 15, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EDT/GMT-4
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, April 15, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  5:00 pm – 6:00 pm EDT/GMT-4
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Friday, April 11, 2025 
    Preston Theater  7:00 pm EDT/GMT-4
    Inspired by real events occured in the People's Republic of China, A Touch of Sin 天注定 (2014) weaves together four distinct stories to reflect on the growing social inequalities, corruption, and moral erosion in contemporary Chinese society as a result of its rapid modernization. The film's director, Jia Zhangke, is one of the most renowned contemporary Chinese filmmakers and known for his documentary-style realism and focus on the lives of marginalized and working people. Snacks and light refreshments will be served. 

  • Tuesday, April 8, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EDT/GMT-4
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, April 8, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  5:00 pm – 6:00 pm EDT/GMT-4
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Wednesday, April 2, 2025 
    By Luwei Wang, Ph.D. Candidate
    University of Wisconsin, Madison

    Olin Humanities, Room 102  5:30 pm EDT/GMT-4
    The imagination of surveillance cameras and the digital media as “compound eyes” is a dominant motif in contemporary Chinese critical and cultural production. This concept resonates deeply within Chinese visual culture and film, where the compound eye functions as both a technological reality and a symbolic structure. In this talk, I examine this intersection through Xu Bing’s experimental art film Dragonfly Eyes (2017). My analysis focuses on Xu Bing’s distinctive approach of repurposing the found surveillance footage, through which he subverts traditional power dynamics, and transforms the surveillance apparatus into an object of critical reflection. By defamiliarizing audiences from the machine vision they have grown accustomed to, the film disrupts the neutrality of digital seeing. In doing so, it prompts reflection on deep-
    seated anxieties in the digital age—including the takeover of visual representation by digital media, the alienation from lived experience, the obsession with achieving a totalized and comprehensive replication of reality, and the estrangement from nature. I argue that Dragonfly Eyes fundamentally engages with these concerns by constructing an intricate relationship between surveillance footage, webcam recordings, the film’s protagonists, and the audience. Blurring the boundaries between viewing subject and object, the film positions its protagonists as both narrators and characters, oscillating between reality and fiction, observer and observed. Through this interplay, Dragonfly Eyes invites contemplation on the pervasive impact of digital surveillance and the shifting nature of visuality in the contemporary world.

  • Tuesday, April 1, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EDT/GMT-4
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, April 1, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  5:00 pm – 6:00 pm EDT/GMT-4
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Friday, March 28, 2025 
    Preston Theater  7:00 pm EDT/GMT-4
    In the Mood for Love 花样年华 (2000) is perhaps the most acclaimed work of Wong Kar-wai, the renowned Hong Kong filmmaker, known for his distinctive and visually captivating style. Set in 1960s Hong Kong, the film tells the romance unfolding between two neighbors, Mr. Chow (played by Tony Leung) and Mrs. Chan (played by Maggie Cheung), who develop feelings for each other but never act on them. The film is considered a visual masterpiece and explores themes of longing, isolation, and intimacy, common in many of Wong Kar-wai's films. Snacks and light refreshments will be served. 

  • Tuesday, March 25, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EDT/GMT-4
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, March 25, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  5:00 pm – 6:00 pm EDT/GMT-4
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, March 18, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EDT/GMT-4
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, March 18, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  5:00 pm – 6:00 pm EDT/GMT-4
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, March 11, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EDT/GMT-4
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, March 11, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  5:00 pm – 6:00 pm EDT/GMT-4
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Monday, March 10, 2025 
    Online Event  2:00 pm – 3:00 pm EDT/GMT-4
    CLICK HERE FOR THE LECTURE LINK!

    The talk will focus on the introduction of oracle bone inscriptions (OBI), the archaic Chinese used in Shang dynasty ca. 1600-1100 BCE, including the samples of inscriptions on ox bones and turtle shells and how to read them, even with a minimal knowledge in modern Chinese.  The talk will then explain the pivotal role of OBI in studying  the beginning of Chinese writing long before 1600 BCE, and in tracing the Chinese writing long after 1046 BCE till modern age.

    Kuang Yu Chen received his Ph.D. degree in chemistry from Yale University. He is Distinguished professor (emeritus) of chemistry and an adjunct Professor of east Asian Languages and cultures at Rutgers University in New Jersey. He has published over 120 papers in chemistry.  He is an elected fellow of AAAS (American Association for the Advancement of Science) for his work in chemistry, particularly polyamine biochemistry and cell aging, and molecular biology. His interests include humanities areas centered around Shang oracle bone inscriptions, genesis of pristine writings, and molecular archaeology. He has published over 50 articles in these areas. His book 商代甲骨中英讀本 Reading of Shang Inscriptions was published by Shanghai People's Publishing House in 2017. The book has been translated into French, Korean, and English. A Spanish translation is in the final phase of preparation. His other book 秦簡中英讀本 Reading of Qin Bamboo Slips was published in 2024. He was one of the keynote speakers at the first World Conference of Classics held in Beijing in November 2024.

  • Tuesday, March 4, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EST/GMT-5
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, March 4, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  5:00 pm – 6:00 pm EST/GMT-5
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Thursday, February 27, 2025 
    Andrew Campana, Assistant Professor, Cornell University
    Olin Humanities, Room 102  5:00 pm – 6:30 pm EST/GMT-5
    This talk will draw from the just-published book, Expanding Verse, and look at experimental poetic practice in Japan over the last hundred years, focusing on poetry in engagement with cinema in the 1920s and Augmented Reality poetry in the 2010s. Drawing together approaches from literary, media, and disability studies, we will consider how poets push back against the new media technologies of their day, find new possibilities at the edge of media, and in so doing challenge dominant conceptions of both who counts as a poet, and what counts as poetry.

  • Tuesday, February 25, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EST/GMT-5
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, February 25, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  5:00 pm – 6:00 pm EST/GMT-5
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, February 18, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EST/GMT-5
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, February 18, 2025 
    A talk by Soonyoung Lee
    Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  5:30 pm – 6:30 pm EST/GMT-5
    This talk explores two prominent imaginaries of the future in South Korean science fiction: the dystopian visions portrayed in Netflix’s global hits such as Hellbound, All of Us Are Dead, and Sweet Home, and the radical futures articulated in women’s science fiction literature by authors like Kim Bo-young and Yun Ihyŏng. Netflix dramas employ horror and fantasy genres to critique societal issues such as class inequality, school violence, and systemic corruption, yet paradoxically normalize militaristic and Cold War ideologies. In contrast, South Korean women’s science fiction uses feminist and ecological frameworks to challenge established binaries while addressing Anthropocene crises and women’s lived experiences. Together, these narratives critique contemporary social structures and envision alternative futures, offering profound insights into the intersection of culture, politics, and imagination.
     

  • Tuesday, February 18, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  5:00 pm – 6:00 pm EST/GMT-5
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, February 11, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EST/GMT-5
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, February 11, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  5:00 pm – 6:00 pm EST/GMT-5
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Monday, February 10, 2025 
    A talk by Aliju Kim
    Olin Humanities, Room 102  5:30 pm – 6:30 pm EST/GMT-5
    Korean travel writings under Japanese colonial rule (1910–1945) are often interpreted as imperial propaganda, yet this narrative overlooks the subversive potential of decadence as a literary aesthetic in these works. This talk examines two examples of Korean travel writings that are set in colonial or semi-colonial cities, written around the Second Sino-Japanese War: Yi Hyosŏk’s Harbin (Haŏlbin), set in Harbin, and Chŏng Pisŏk’s This Atmosphere (I punwigi), set in Beijing. In these stories, the foreign cities present as disquietingly uncanny sites of identification and critique for the Korean travelers. Where Yi’s Harbin laments the loss of urban utopia, Chŏng’s This Atmosphere envisions a violent renewal through the city’s destruction. Together, these works show a resistance to the narrative of capitalist-imperial modernity as progress. Situating the texts within the broader goals of imperial propaganda, this talk highlights the imaginative possibilities that emerge through decadence.

  • Thursday, February 6, 2025 
    A talk by Soonyoung Lee
    Olin Humanities, Room 102  5:30 pm – 6:30 pm EST/GMT-5
    This talk explores two prominent imaginaries of the future in South Korean science fiction: the dystopian visions portrayed in Netflix’s global hits such as Hellbound, All of Us Are Dead, and Sweet Home, and the radical futures articulated in women’s science fiction literature by authors like Kim Bo-young and Yun Ihyŏng. Netflix dramas employ horror and fantasy genres to critique societal issues such as class inequality, school violence, and systemic corruption, yet paradoxically normalize militaristic and Cold War ideologies. In contrast, South Korean women’s science fiction uses feminist and ecological frameworks to challenge established binaries while addressing Anthropocene crises and women’s lived experiences. Together, these narratives critique contemporary social structures and envision alternative futures, offering profound insights into the intersection of culture, politics, and imagination.
     

  • Tuesday, February 4, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EST/GMT-5
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, February 4, 2025 
    Monica W. Cho
    Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  5:30 pm – 6:30 pm EST/GMT-5
    This talk illuminates the troubling figure of the postwar yŏdaesaeng (female college student) in two short stories: Han Mu-suk’s “Abyss with Emotions” (Kamjŏngi innŭn simyŏn, 1957) and Son So-hŭi’s “The Sunlight of That Day” (Kunalŭi haetbitŭn, 1960). Yŏdaesaeng encapsulates the troubling memories of Japanese colonialism and the Korean War, as well as principles of the postwar ideologies within her youthful college-educated body in the two stories. I discuss the yŏdaesaeng by first historicizing her colonial progenitor, yŏhaksaeng (schoolgirl), to historically contextualize the Han and Son’s experiences as yŏhaksaeng. I also touch on how colonial writers have mobilized the yŏhaksaeng figure and their descent into madness as fictional representations of modernity and ethnonationalism. In examining Han and Son’s postwar yŏdaesaeng and their descent into madness as both an escape from censorship and as a method of radical resistance against patriarchy, this talk shows how postwar women writers reclaim the exploited figure of the yŏhaksaeng and their madness by rejecting the very use of national representation by focusing on yŏdaesaeng’s feminine desires and experiences. This kind of writing practice has allowed women writers to recuperate their own autonomy as writers, women, and yŏhaksaeng-pasts in the immediate postwar era.

  • Tuesday, February 4, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  5:00 pm – 6:00 pm EST/GMT-5
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, January 28, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EST/GMT-5
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Tuesday, January 28, 2025 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  5:00 pm – 6:00 pm EST/GMT-5
    Language tables are held at Kline and entail about an hour of casual discussion during meal times, where students interested in a language get to know each other and practice colloquial conversations. They are held by the tutor of the language, and although sometimes professors join the table, it is a very low-stakes and fun setting to immerse yourself in a language, its culture and the foreign language community at Bard.

  • Thursday, November 7, 2024 
    A talk from Sandipto Dasgupta, Assistant Professor of Politics at the New School for Social Research
    Olin Humanities, Room 102  5:00 pm – 6:30 pm EST/GMT-5
    Sandipto Dasgupta is Assistant Professor of Politics at the New School for Social Research. For the academic year 2024-25, he is a member of the Institute for Advanced Study at Princeton in Social Sciences and Historical Studies. He is the author of Legalizing the Revolution: India and the Constitution of the Postcolony, which reconstructs the institutionalization of nascent postcolonial futures through a historical study of the Indian constitution making experience. 
     Sponsored by 
    Dean of the College, Division of Social Studies, Asian Studies, Global and International Studies Program, Human Rights Project, Politics, Middle Eastern Studies, and Union College Political Science Department, and Dean of Academic Department and Programs

    Hudson Valley Political Theory Workshop is a new collaborative project organized by Bard College and Union College. The workshop aims to bring together political theorists  working in the Hudson Valley Region in a series of workshops to share their work in progress, create new networks, and open up possibilities for new collaborative research projects that further advance humanities.
  • Thursday, October 17, 2024 
      Preston Theater  4:30 pm – 7:30 pm EDT/GMT-4
    Come join us for a Bengali movie at Preston!

  • Thursday, May 9, 2024 
    Directed by Aditya Chopra
    Weis Cinema  5:00 pm EDT/GMT-4
    Join us for the semester's final film in the South Asia Film Series!

    Dilwale Dulhaniya Le Jayenge is a sweeping romantic drama, the quintessential Bollywood love story. It follows Raj and Simran, whose love blossoms on a European vacation despite the constraints imposed by their families. Known for its memorable music and iconic scenes, the film has not only achieved critical and commercial success, but has  become a cultural phenomenon, drawing viewers decades after its initial release in 1995.

    Run time 189 minutes
    Discussant: Professor Sucharita Kanjilal

  • Thursday, April 11, 2024 
    Directed by Mostofa Sarwar Farooki
    Olin 205  5:00 pm EDT/GMT-4
    Chairman Amin, a leader in a water-locked village in rural Bangladesh, enforces a ban on all images, condemning even imagination as sinful. As the clash between tradition and modernity intensifies, it impacts the lives of villagers, entwining them in a semi-triangle love story involving Chairman Amin's son, a village girl, and their connected employee.Discussant: Prof. Fahmidul Haq

    Please note this film location is different from the past films in this series. It will take place in Olin 205, not Weis Cinema.

  • Thursday, March 28, 2024 
    Directed by: Madhu C. Narayanan
    Weis Cinema  5:00 pm EDT/GMT-4
    Set in the lush fishing village of Kumbalangi in Kerala, India, this feminist film follows a working-class family of four brothers and the different ways they negotiate non-normative kinship, masculinity, mental health, love, and heartbreak. Considered a paradigm-shifting film in Malayalam cinema, it stars some of the industry’s most beloved actors, Fahadh Faasil and Soubin Shahir.

    Discussant: Professor Andrew Bush

  • Thursday, March 7, 2024 
    Directed by Anand Patwardhan
    Weis Cinema  5:00 pm EST/GMT-5
    This award-winning documentary delves into the violent campaign to build a Ram temple by the right-wing Hindu nationalist organization Vishva Hindu Parishad at the site of the Babri Masjid in Ayodhya, India. An incisive examination of religious fervor, politics, and communal tension, this film is particularly relevant today as the temple was consecrated amidst widespread communal violence in January this year.

    This screening will be preceded by a discussion on religious nationalism—from India to Turkey—led by Professors Nabanjan Maitra and Karen Barkey.

  • Thursday, February 29, 2024 
    Discussant: Professor Sucharita Kanjilal
    Weis Cinema  5:00 pm EST/GMT-5
    Directed by Mira Nair
    Denzel Washington and Sarita Choudhury star in this cult classic love story about a Ugandan-Indian woman and an African-American man. A complex portrayal of migration, diaspora, race, sexuality and postcolonial belonging, this film entered the Criterion Collection in 2022.
    Run time: 1h 58 min

  • Friday, December 22, 2023 
      Olin Language Center, Room 210  10:00 am – 11:00 am EST/GMT-5
    Tutoring session for those who are studying Japanese language at the 300 level.

  • Friday, December 15, 2023 
      Olin Language Center, Room 210  10:00 am – 11:00 am EST/GMT-5
    Tutoring session for those who are studying Japanese language at the 300 level.

  • Friday, December 8, 2023 
      Olin Language Center, Room 210  10:00 am – 11:00 am EST/GMT-5
    Tutoring session for those who are studying Japanese language at the 300 level.

  • Friday, December 1, 2023 
      Olin Language Center, Room 210  10:00 am – 11:00 am EST/GMT-5
    Tutoring session for those who are studying Japanese language at the 300 level.

  • Friday, November 24, 2023 
      Olin Language Center, Room 210  10:00 am – 11:00 am EST/GMT-5
    Tutoring session for those who are studying Japanese language at the 300 level.

  • Friday, November 17, 2023 
      Olin Language Center, Room 210  10:00 am – 11:00 am EST/GMT-5
    Tutoring session for those who are studying Japanese language at the 300 level.

  • Friday, November 10, 2023 
      Olin Language Center, Room 210  10:00 am – 11:00 am EST/GMT-5
    Tutoring session for those who are studying Japanese language at the 300 level.

  • Friday, November 3, 2023 
      Olin Language Center, Room 210  10:00 am – 11:00 am EDT/GMT-4
    Tutoring session for those who are studying Japanese language at the 300 level.

  • Friday, October 27, 2023 
      Olin Language Center, Room 210  10:00 am – 11:00 am EDT/GMT-4
    Tutoring session for those who are studying Japanese language at the 300 level.

  • Thursday, October 26, 2023 
    Sylvia Houghteling, Associate Professor, Department of History of Art, Bryn Mawr College 
     

    Campus Center, Weis Cinema  6:00 pm – 7:30 pm EDT/GMT-4
    This interdisciplinary talk brings together poetry, crafted textiles, and their representations in painting, to examine how vivid but quickly-fading dyestuffs manifested both the intensity of emotions but also the liberation of seasonal change in eighteenth-century South Asia. Documents from the period, including a rare dye recipe book, records of the agricultural production of dyestuffs, and account books from a royal dyeing workshop, suggest the widespread use and importance of certain labile, unfixed dyes – safflower, turmeric, and saffron –during weddings and festivals, particularly the springtime celebrations of Holi and the summer onset of the monsoon. While the seventeenth and eighteenth centuries coincided with the increasing European mercantile encroachment into the trade in South Asian cloth, the objects and dye materials I will discuss evaded European economic control. This more localized, historical examination traces how the particular ecology and unique dye materials of a region helped shape the seasonal landscape of eighteenth-century South Asia.

    Sylvia Houghteling specializes in early modern visual and material culture with a focus on the history of textiles, South Asian art and architecture, and the material legacies and ruptures of European colonialism. Her first book, The Art of Cloth in Mughal India (Princeton University Press, 2022), which won the 2023 Charles Rufus Morey Book Award from the College Art Association, examined the textiles crafted and collected across the Mughal Empire in the sixteenth and seventeenth centuries, showing how woven objects helped to shape the social, political, religious, and aesthetic life of early modern South Asia. Houghteling’s ongoing research is concerned with questions of temporality and the unique material histories of the Indian Ocean trade.

  • Wednesday, May 3, 2023 
    Ketaki Pant '06, Assistant Professor of History, University of Southern California
    Hegeman 106  3:30 pm EDT/GMT-4
    Despite their centrality to Mauritius’s plantation economy, merchants from Gujarat (western India) remain in the shadows of histories of slavery and indentured labor migration on the island. This talk takes stock of these erased histories by retelling the story of one plantation, Bel Ombre, which was variously owned by French planters and Gujarati merchants in the nineteenth century. Moving between the space of Bel Ombre today, records in the Mauritius National Archives, and old ports in Gujarat, I analyze the archival processes through which Gujarati mercantile intimacies were recorded and obscured. I argue that the archival segregation of records about plantation property ownership and indentured labor was central to the erasure of Gujarati merchants from histories of racial capitalism on the island. I show that the colonial state enacted gendered violence on indentured women whose sexuality was policed and pathologized while Gujarati merchants were able to marry across racial lines through sanctioned property and marriage arrangements. These silences were amplified by Indian anticolonial nationalists who arrived on Mauritius in the twentieth century to take up the cause of Indian indentured workers but who, ironically, papered over racial capitalism in favor of a pan-Indian identity. In old ports in Gujarat, merchant families built and maintained houses (havelis) which were scrubbed clean of these messy intimacies across the ocean. Reaching across the ocean from Gujarat to Mauritius and back, this talk suggests that these are haunted houses and histories.

    Ketaki Pant is an Assistant Professor of History at the University of Southern California. Her research focuses on South Asia and the Indian Ocean arena from the late eighteenth century to the present day. Her current projects examine interlinked histories of racial capitalism, gendered belonging, minoritization, and displacement centered on Gujarat. Recent publications include an article in South Asia: Journal of South Asian Studies and a chapter in the Routledge Handbook of Asian Transnationalism.

  • Wednesday, March 29, 2023 
      Dr. Noriko Kanahara '04, Waseda University-Tokyo
    Olin 102  5:30 pm EDT/GMT-4
    This talk explores how in the 1920s through the early 1940s, Japanese state officials determined whether or not to accept Turkic Muslim refugees from the former Russian Empire. Though at most 1000 in number, the refugees left a significant impact not only on how Japanese state officials understood Islam and the power of Muslim networks in global politics, but also on how these officials formed national consciousness in contradistinction to them. Analysis of the journals of the Japanese intelligence police reveals that although the police considered the refugees' religion as an important marker, the refugees’ political interests were most significant in determining whether or not to accept them in Japan. This talk demonstrates that religion and ideology, particularly Islam and Communism, impacted how the refugees established transnational relationships and how Japanese state officials demarcated the nation during the interwar and wartime periods following the Russian Revolution and throughout the Second World War. More specifically, religious and ideological ties—precisely because they were considered powerful tools of transnational mobilization—served as grounds for the Japanese state’s ambivalent reception of refugees.
     
    Bio: Noriko Kanahara graduated from Bard College in 2004 with a BA in Anthropology. She has a PhD in History from the University of Chicago, an M.Phil. in Migration Studies from Oxford University, and an MA in Area Studies from Tokyo University. She has held postdoctoral research fellowships at Tohoku University and Waseda University in Japan. She is currently a research fellow at the Ryusaku Tsunoda Center of Japanese Culture at Waseda University. 

    This event has received generous support from the Anthropology, Asian Studies, and Global & International Studies programs.

  • Tuesday, October 4, 2022 
    A Human Rights Project Event
    Olin Humanities, Room 102  5:30 pm – 7:00 pm EDT/GMT-4
    Photography in Kashmir has emerged as a powerful witness to its troubled present. A new generation of photographers, rooted in photojournalism but escaping its limits when they can, have illuminated Kashmiri life in a period of upheaval. Over the last three decades their work has demonstrated the radical part that can be played by photographs in subverting established views of Kashmir—as a beautiful landscape without its people; as an innocent paradise; and more recently, of a paradise beset by mindless violence.

    Witness brings together images by nine photographers from Kashmir, the oldest already a working professional in 1986, and the youngest not yet twenty in 2016. The images are by Meraj Uddin, Javeed Shah, Dar Yasin, Javed Dar, Altaf Qadri, Sumit Dayal, Showkat Nanda, Syed Shahriyar, and Azaan Shah. 

    The text emerged from conversations with documentary filmmaker Sanjay Kak, and brings out the varied relationships that each contributor has to photography and to Kashmir, in the process raising questions about the place of artistic practice in zones of conflict.

  • Tuesday, September 27, 2022 
    Ao Wang, Associate Professor of Chinese, College of East Asian Studies, Wesleyan University
    Olin Humanities, Room 102  5:30 pm – 6:30 pm EDT/GMT-4
    Chinese modern-style poetry, as a genre, was invented in the early twentieth century as a vernacular form of free verse. It deviated radically from the tradition of classical poetry, composed in classical Chinese with strict formal regulations. The division between classical and modern-style poetry has long shadowed the development of modern Chinese poetry. In this talk, I discuss how contemporary Chinese poets are challenging this division by examining their engagement with the iconic classical poet Du Fu (712-770). The great Tang Dynasty poet Du Fu has been a perennial poetic model in Chinese culture for more than a millennium. To this day, he remains the most highly acclaimed, most extensively studied, and most widely quoted poet in China. Despite the fact that many modern Chinese poets of the 20th century were well-versed in his work, his impact on modern poetry has not received the attention it deserves, and modern poets’ tributes to him have been exceptions rather than a common practice. In the past two decades, more and more contemporary Chinese poets have written poems to reestablish their relationship with Du Fu. In so doing, they have transformed Du Fu into an enabling figure in their negotiation with the poetic tradition while responding to a highly ideological contemporary culture that has consistently manipulated Du Fu’s legacy.

  • Monday, September 26, 2022 
    Miya Qiong Xie, Assistant Professor, The Asian Societies, Cultures and Languages Program, Dartmouth College
    Olin Humanities, Room 102  6:00 pm – 7:00 pm EDT/GMT-4
    This talk is based on my first monograph, Territorializing Manchuria: The Transnational Frontier and Literatures of East Asia. The book reconceptualizes the contested frontier of modern Manchuria in Northeast Asia as a critical site for making and unmaking multiple national literatures in modern East Asia. In this talk, I use the Chinese writer Xiao Hong’s The Field of Life and Death (1935), a canonical piece of Chinese nationalist literature, to illustrate my conceptions of frontier literature and literary territorialization. Depicting a Chinese Manchuria during the era of Japanese colonial Manchukuo, Xiao Hong’s work exemplifies the process of territory-making through literature. Meanwhile, it features aesthetic and stylistic choices that accommodate the colonial regime, thereby bringing the very translational elements that the author seeks to expel into its formation. By reading Xiao Hong’s work and other works by Chinese, Korean, Japanese and Taiwanese writers comparatively along the national and imperial margin of modern Manchuria, my book demonstrates how East Asian literatures and cultures co-form in conflict, with mutual inclusion at the very site of exclusion. The book resonates with my broader commitment, as a scholar, to the exploration of how people from the peripheries – geographical or metaphorical – find voices, gain power, and establish connections through transcultural contestation and negotiation.  

  • Saturday, June 4, 2022 
      An event supported by NEAC grants
     

    Olin Humanities Building  This one-day workshop brings together scholars to create an interinstitutional and interdisciplinary space for new dialogues and research on the intersections of literary criticism and intellectual and cultural history in modern and contemporary Japan. It is the initial step in a long-term, sustained effort to develop a regular and ongoing series of meetings and collective scholarly projects on this topic. Focusing on a series of debates (ronsō) and moments of critique (hihyō) from the Meiji through the Heisei periods, we will examine how intellectual communities, forms of expression, and ideological paradigms emerged and evolved through iterations of sophisticated attacks and public dialogues published in journals and newspapers. The workshop’s participants will collectively demonstrate the ways in which intellectual debates or critiques have played a pivotal role in defining literary and media history in Japan.

    The workshop will consist of four roundtable sessions, each comprising two or three papers to achieve open discussions on the following topics: 1. The Creation of the Tokyo-based Literary Establishment and Its Discontents; 2. The Art of Debate and The Politics of Media in Modern Japan; 3. Moving Images and Social Movements: Postwar Japanese Cinema and Literature; and 4. Debating Heisei Japan: Mass Culture and Mass Media. Rather than focusing on typological or categorical approaches to literary and intellectual history, the workshop will be oriented around both diachronic and synchronic lenses to illuminate change and continuity across the historical, aesthetic, and social dimensions of these debates and critical inquiries. At the same time, we will consider media and publishing strategies and the shifting cultural values of the public as a mass audience.

  • Thursday, April 28, 2022 
    Seungyeon Gabrielle Jung 
    Mellon Postdoctoral Fellow in the Humanities,
    Stanford University


    This event is presented on Zoom.

    11:50 am – 1:10 pm EDT/GMT-4
    Olympic design needs to express the universal values that the Olympic Movement promotes, and it should be understood easily by a global audience; at the same time, it needs to set the host apart from other nations visually and highlight the uniqueness of its culture. This is a particularly difficult task for non-Western countries, whose national culture and identity can easily fall victim to Orientalism when presented on the world stage. This lecture examines the design style and strategies chosen for the 1988 Summer Olympics and how this design project, which is deemed successful by many, “spectacularly failed” to understand the concepts such as universalism, modernity, modernist design, and Orientalism.

    Seungyeon Gabrielle Jung studies politics and aesthetics of modern design with a focus on South Korean and Silicon Valley design. She received her PhD in Modern Culture and Media from Brown University in 2020. Trained in graphic design, Gabrielle also writes on the issues of design and feminism. Her book project, Toward a Utopia Without Revolution: Globalization, Developmentalism, and Design, looks at political and aesthetic problems that modern design projects generated in South Korea, a country that has experienced not only rapid economic development but also immense political progress in less than a century, from the end of the World War II to the beginning of the new millennium. In Fall 2022, she will join the Department of Art History and PhD Program in Visual Studies at the University of California, Irvine as Assistant Professor of Korean Art History.

  • Wednesday, April 27, 2022 
    E. Tammy Kim (New York Times)
    Olin Humanities, Room 102  5:30 pm – 7:00 pm EDT/GMT-4
    When the U.S. military finally withdrew from Afghanistan, an old tally reappeared in the news. Our “forever wars” were not only the live military operations we’d pursued in the Middle East since 9/11; they also encompassed some 500 U.S. bases and installations all over the world, stretching back to the early 20th century. Some call this “empire;” some call it “security,” even “altruism.” In East Asia, the long arm of U.S. power reaches intimately into people’s lives. 

    South Korea has hosted U.S. military personnel since World War II and remains a primary base of operations in the Asia Pacific. Some thirty thousand U.S. soldiers and marines are stationed there, on more than 70 installations. In 2018, U.S. Army Garrison Humphreys opened in the city of Pyeongtaek, at a cost of $11 billion. Humphreys is now the largest overseas U.S. military base by size and the symbol of a new era in the U.S.-South Korea alliance. Meanwhile, South Korea has become the tenth-richest country in the world and has one of the largest militaries—thanks to universal male conscription and an extraordinary budget. The country’s arms industry is also world-class, known for its planes, submarines, and tanks.

    This talk will draw on reporting and family history to explore the evolving U.S.-South Korea alliance. How do the martial investments of these historic “allies” affect the lives of ordinary South Koreans—and Korean Americans? And if the two Koreas are still technically at war, what kind of war is it?

    E. Tammy Kim is a freelance magazine reporter and a contributing opinion writer at the New York Times, covering labor issues, arts and culture, and the Koreas. She cohosts Time to Say Goodbye, a podcast on Asia and Asian America, and is a contributing editor at Lux, a new feminist socialist magazine. She holds fellowships from the Alicia Patterson Foundation and Type Media Center. In 2016, she and Yale ethnomusicologist Michael Veal published Punk Ethnography, a book about the aesthetics and politics of contemporary world music. Her first career was as a social justice lawyer in New York City.

    This event is part of the Asian Diasporic Initiative Speaker Series.

    For more information, please contact Nate Shockey: [email protected].

  • Thursday, April 21, 2022 
    Andre Haag, Assistant Professor of Japanese Literature at the University of Hawaii, Manoa
    Online Event  5:00 pm – 6:15 pm EDT/GMT-4
    The field of post/colonial East Asian cultural studies has recently rediscovered the transpacific potential of the theme of ethnic passing, a problematic that is deeply rooted in North American racial contexts but might serve to disrupt global fictions of race and power.  Although tropes adjacent to ethnonational passing frequently appear in minority literatures produced in Japan, particularly Zainichi Korean fiction, the salience of the phenomenon was often obscured within the avowedly-integrative and assimilative cultural production of Japanese colonialism. This talk will challenge that aporia by demonstrating how the structural possibility of Korean passing left behind indelible traces of racialized paranoia in the writings of the Japanese colonial empire that have long outlived its fall.  Introducing narratives and speech acts in Japanese from disparate genres, past and present, I argue that paranoia was as an effect of insecure imperial modes of containing the passing specters of Korea and Korean people uneasily absorbed within expanding Japan by colonial merger. I trace how disavowed anxieties of passing merge with fears of treachery, blurred borders, and the unreadability of ethnoracial difference in narrative scripts that traveled across space, from the colonial periphery to the Japanese metropole along with migrating bodies, between subjects, and through time. If imperial paranoia around passing took its most extreme expression in narratives of the murderous 1923 “Korean Panic,” popular Zainichi fiction today exposes not only the enduring structures of Japanese Koreaphobia (and Koreaphilia) but the persistence of shared anxieties and precarities binding former colonizer and colonized a century later. 

    This meeting will be on Zoom: https://bard.zoom.us/j/89025574917

  • Friday, April 15, 2022 
    Campus Center, Weis Cinema  4:00 pm – 6:30 pm EDT/GMT-4
    Friday, April 15, Campus Center, Weis Cinema, 4:00-6:30 pm. Film screening and panel discussion with filmmaker. Q&A to follow.

    Participants:
    - Beth Balawick, director of The Son of Fukushima
    - William Kando Johnston, John E. Andrus Professor of History, Japanese department, Wesleyan University, researching epidemics, wars and disasters in Japanese history
    - Megumi Takahashi, sophomore at Bard (political science major and flute performance at the conservatory), originally from Kamaishi, Iwate, which was destroyed by the tsunami. Her father was one of the first volunteer doctors at the site.
    Moderated by Tatjana Myoko v. Prittwitz (Buddhist chaplain) & Hongmin Ahn (chaplaincy intern)

    Son of Fukushima (2021) combines live-action documentary and animation to tell the story of a rural family profoundly impacted by two nuclear tragedies: Hiroshima and Fukushima. Against the backdrop of the world’s largest radiological clean-up, the Ouchi family grapples with the inevitabilities of aging, the sacrifices made for those we love, and the relationship between man and nature. 

    Beth Balawick is an award-winning documentary filmmaker and multimedia producer. She has worked as a producer and cinematographer on feature documentaries including Beyond Belief (2007), The List (2012), The Peacemaker (2016), Second Chance Kids (2017) and Dawnland (2018). Son of Fukushima (2021) is her directorial debut.

    William Kando Johnston is the John E. Andrus Professor of History at Wesleyan University. His research focuses on epidemics, wars and disasters in Japanese history. He is working on a book examining the bombings of Hiroshima and Nagasaki, and the disaster of 3/11 is of particular interest to him. Prof. Johnston is also an ordained monk in the Soto Zen lineage.

    Light refreshments will be served.

    Sponsored by the Bard chaplaincy, the Buddhist sangha club, Japanese studies, and Asian studies. (As of 04/11)

  • Thursday, April 14, 2022 
      Preston  6:00 pm – 8:00 pm EDT/GMT-4
  • Thursday, April 14, 2022 
    Jin Xu, Vassar College
    Olin Humanities, Room 102  5:00 pm – 6:30 pm EDT/GMT-4
    Objects, images, and ideas traveled along the Silk Road through which cities, communities, and cultures on the Eurasian Continent came into contact and influenced one another. In the arts of the Silk Road, ferocious lions featured prominently. This talk focuses on a Sogdian diplomat Yu Hong (533-592) who sojourned and died in the Sui dynasty (581-619) of China. The Sogdians were an Iranian people based in the area around modern-day Uzbekistan and Tajikistan. Sogdian merchants and diplomats frequented Chinese dynasties in the medieval period and even traveled as far to the west as the Byzantine Empire. By focusing on Yu Hong and his sarcophagus (adorned stone coffin), this talk traces the spread of the motif of king-lion combat from West Asia to China, investigating the role played by Sogdian immigrants in introducing an unprecedented symbol of kingship to Chinese emperors during the sixth century CE. 

  • Thursday, April 14, 2022 
    Jen Wei Ting
    Olin Humanities, Room 201  11:50 am – 1:10 pm EDT/GMT-4
    How and why do we come to think of certain paintings or books as “good” art? Through a critical examination of the works of 19th century Southeast Asian painters Raden Saleh and Juan Luna, and a review of recent translated works by Indonesian and Korean writers, we will discuss how race and power dynamics have come to influence and dictate perceptions of artistic merit. By sharing my journey writing and publishing fiction, I hope this can lead everyone to question their own cognitive biases about “good” or “bad” art, and to recognize both the art of whiteness, and the whiteness of art. 

    Jen Wei Ting is an essayist, novelist and critic whose work has been published in the Economist, Time Magazine, Electric Literature, Catapult, Room Magazine, and more. Born in Singapore and educated in the US and Japan, she lives and thinks in multiple languages including Chinese, Japanese, and Korean, and is a prize-winning Chinese screenwriter. 

    This event is part of the Asian Diasporic Initiative Speaker Series.

    For more information: contact Nate Shockey at [email protected].

  • Tuesday, April 12, 2022 
    A Conversation Between Tiffany Tsao and Jen Wei Ting
    Online Event  5:00 pm – 6:30 pm EDT/GMT-4

    This event will be held on Zoom.

    Tiffany Tsao is the translator of five books by Indonesian authors, including Happy Stories, Mostly by Norman Erikson Pasaribu and People From Bloomington by Budi Darma. Her translation of Happy Stories, Mostly was long-listed for the 2022 International Booker Prize. She also writes fiction and is the author of The Majesties. She’s an ex-academic with an English PhD.

    Jen Wei Ting is a fiction writer and essayist whose work has been published or is forthcoming in The Economist, Time Magazine, Catapult, Electric Literature, Room Magazine, Quarterly Literary Review of Singapore, CHA: An Asian Literary Journal, and more. Born in Singapore and educated in the US and Japan, she lives and thinks in multiple languages including Chinese, Japanese, and Korean.

    This event is part of the Asian Diasporic Initiative Speaker Series.

  • Saturday, April 9, 2022 
    Part of the Conference Ink and Sound: a Conference on Chinese Music and Visual Arts
    Bard Hall  12:00 pm – 3:00 pm EDT/GMT-4
    Join students and faculty from the Asian Studies Program and the US-China Music Institute in a multidisciplinary interactive salon, an Elegant Gathering ('Yaji' 雅集) inspired by the traditions of the literati in ancient China, featuring Chinese music and calligraphy demonstrations, plus poetry readings. Professor Li-hua Ying will introduce the event with a talk on how poetry, painting, calligraphy, and music have connected deeply in Chinese culture.  

    Light lunch and tea will be served.
    (Suggested donation; $20 ($10 for students). Cash only.)

    This event is part of the US-China Music Institute's fourth annual conference, Ink and Sound: a Conference on Chinese Music and Visual Arts.


     

  • Friday, April 8, 2022 
    Scholars' Presentations
    Bitó Conservatory Building, Performance Space  2:00 pm – 4:00 pm EDT/GMT-4
    The US-China Music Institute's annual conference, co-presented this year by the Asian Studies Program, invites four scholars to discuss the intersections between Chinese music, calligraphy, and visual arts.

    Presentations

    Qing 清: the Key Standard of Qin Aesthetics in Song Dynasty China (960-1279)
    Meimei Zhang, Occidental College, Department of Comparative Studies in Language and Culture

    Silk Strings and Rabbit Hair: Qin Music and Calligraphy
    Mingmei Yip, Bard Conservatory of Music, US-China Music Institute

    Chinese Calligraphy: History, Significance, and Musicality
    Yu Li, Loyola Marymount University, Department of Modern Languages and Literatures

    Chen Zhen: the Harmony of the Life Force
    Patricia Eichenbaum Karetzky, Bard College, Asian Studies and Art History

    Q&A and Discussion to follow. 

    The Ink and Sound conference is being held in celebration of the completion of the first major phase of the Ink Art and New Music Project, a collaboration between the Bard Conservatory, Hong Kong University, and M+, Hong Kong. During the conference two concerts will feature premieres of seven new musical compositions, each inspired by contemporary ink art in the M+ collection and featuring mixed Chinese and Western instruments. 

    More information at: Ink and Sound: a Conference on Chinese Music and Visual Arts. 

  • Tuesday, April 5, 2022 
    Professor Kyunghee Pyun
    Fashion Institute of Technology, State University of New York

    Online Event  5:00 pm – 6:00 pm EDT/GMT-4
    This event will be on Zoom.

    Using sociologist Erving Goffman’s theory of “impression management,” the paper explores how citizens in South Korea have constructed their identity by dressing themselves for school and then later for workplace. A mandatory school uniform policy was applied to all the schools from the early twentieth century to the 1970s. A brief period of deregulated school uniform policy in the mid 1980s was succeeded by consumer-centered fashionable student uniforms (haksaengbok), inundated with fashion photography in teen magazines from the 1990s to the present. Students were not the only group of citizens under the strict dress code. During the throbbing process of modernization, industrialization, and globalization in the twentieth century, many female workers were under industry-specific dress code: banks, large corporations, factories, hospitals, retail stores, restaurants, and cultural organizations. Applying the sociological methodologies of impression management, this paper analyzes process and meaning in mundane interaction of students dressed in school uniforms and workers in workplace uniforms. The paper argues that dress code is punitive as it forces individuals to building one’s identity by subjecting oneself submissive to values and desirable performances dictated by authorities. Despite the homogeneous environment of members in the same style of dresses, individuals develop a subtle discernment of one’s physical shortcomings and sartorial habits. They also recognize other people’s physiognomy and styling characteristics. As a way of differentiating themselves within a group dressed alike, members develop a sense of “microstyling” by adjusting minor elements like sleeves, jacket fastening, or helms. Or they resort to measures of enhancing or altering their body parts.

    Kyunghee Pyun is associate professor of art history at the Fashion Institute of Technology, State University of New York. Her scholarship focuses on history of collecting, reception of Asian art, diaspora of Asian artists, and Asian American visual culture. She wrote Fashion, Identity, Power in Modern Asia (Palgrave Macmillan, 2018) discussing modernized dress in the early 20th-century. She also co-edited Interpreting Modernism in Korean Art: Fluidity and Fragmentation (Routledge 2021); American Art from Asia: Artistic Praxis and Theoretical Divergence (Routledge 2022); and Expanding the Parameters of Feminist Artivism (Palgrave Macmillan, 2022). She is writing a new book, School Uniforms in East Asia: Fashioning Statehood and Self (Palgrave Macmillan, 2022; forthcoming) and plans another book entitled Dressed for Workplace.

  • Thursday, March 31, 2022 
      Preston  6:30 pm – 8:00 pm EDT/GMT-4
  • Tuesday, March 15, 2022 
    Shuangting Xiong, Ph.D
    Chinese, East Asian Languages and Literatures
    University of Oregon

    Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  5:30 pm – 6:30 pm EDT/GMT-4
    How can works of art bring about social change? This is the question that haunted and confounded Chinese intellectuals and writers throughout the twentieth century and remains relevant in our present day’s political situation. Melodrama, as an artistic mode, is known for its tendency to resolve structural socio-political problems inherent in capitalist modernity at the level of personal or familial concerns, and in doing so maintains the status quo and disavows revolutionary change. This talk examines the paradoxical pairing of “revolution” and “melodrama” by focusing on the revolutionary model opera film The Red Lantern (1971). Situating it within the long aesthetic tradition of family melodrama and revolutionary culture in  China, this talk offers a thematic and formal analysis of how the opera film envisions a revolutionary kinship based on class solidarity and mutual care.

    All Bard Community Members are Welcome

    Bard is committed to making every effort to provide reasonable accommodations for accessibility needs. RKC 103 Auditorium is a physically accessible space.  For any other accessibility needs please contact Erin Braselmann ([email protected]).

    *In observance of Covid protocols, only the Bard College community may attend this event. 

  • Monday, March 14, 2022 
    Olin Humanities, Room 102  5:00 pm – 6:30 pm EDT/GMT-4
    On Monday, March 14, join Gina Apostol for a reading from her novel Bibliolepsy, followed by a conversation with the writer. 

    Gina Apostol's fourth novel, Insurrecto, was named by Publishers’ Weekly one of the Ten Best Books of 2018. Her third book, Gun Dealers’ Daughter, won the 2013 PEN/Open Book Award. Her first two novels, Bibliolepsy and The Revolution According to Raymundo Mata, both won the Juan Laya Prize for the Novel (Philippine National Book Award). Her essays and stories have appeared in the New York Times, the Los Angeles Review of Books, Foreign Policy, and others. She lives in New York City and western Massachusetts, and grew up in Tacloban, Leyte, in the Philippines. Her next novel, La Tercera, is out from Soho Press in 2023. She teaches at the Fieldston School in New York City.

    This event is part of the Asian Diasporic Initiative Speaker Series. 


    Download: Bibliolepsy Excerpt.pdf
  • Wednesday, March 2, 2022 
    Olin Humanities, Room 203  6:00 pm – 8:00 pm EST/GMT-5
    Please join a work-in-progress session on Wednesday, March 2nd, at 6pm in OLIN 203 for a conversation with the faculty in Asian Studies.

  • Thursday, February 24, 2022 
      Preston  6:30 pm – 8:00 pm EST/GMT-5
  • Thursday, February 3, 2022 
      Campus Center, Weis Cinema  6:00 pm – 8:00 pm EST/GMT-5
  • Friday, January 28, 2022 
    A Chinese New Year Concert with The Orchestra Now
    Fisher Center, Sosnoff Theater  8:00 pm – 10:00 pm EST/GMT-5
    The third annual Chinese New Year Concert presented by the US-China Music Institute of the Bard College Conservatory of Music, The Sound of Spring, is a celebration of one of the most important holidays in the Lunar calendar, a time for enjoying friends and family and looking ahead to the bright future of a new year. This year’s concert features Bard’s The Orchestra Now, joined by a select group of top vocal and instrumental artists, performing musical works that showcase the wonderful diversity and artistry of Chinese symphonic music.

    Pre-Concert talk with Jindong Cai at 7 PM

  • Friday, December 17, 2021 
    Aalekhya Malladi, Doctoral Candidate in the Graduate Division of Religion at Emory University
    Ludlow 301  4:30 pm – 5:30 pm EST/GMT-5
    This presentation explores the dynamic mode in which landscape, ritual and narrative co-create and shape each other in Hindu traditions. Considering several examples of pilgrimage in India, this paper delves into the way that narratives are experienced through rituals that shape and are shaped by sacred landscapes. I end with an example from my dissertation about an 18th century devotional poet, Vengamamba, who was deeply embedded in, and in turn shaped the ritual landscape of, the south Indian pilgrimage site that she inhabited.

    Aalekhya Malladi is a doctoral candidate in the Graduate Division of Religion at Emory University. Her dissertation, “Devotee, Yogini, Goddess: Tarigonda Vengamamba and her Transformations,” explores the texts and the life histories of devotional poet Vengamamba (1735–1817), and conceives of a distinct female perspective on devotion and detachment. This project also examines her hagiographies and the rituals performed at her shrine, which illuminate the way that her at-times transgressive compositions and life histories have been tamed and curtailed by a hagiographical tradition that shapes her life into that of an “ideal female devotee.” She held the Fulbright-Nehru Fellowship in 2019-2020. Prior to her doctoral studies, Aalekhya received an MA from Columbia University and a BA from Rutgers University, New Brunswick.

  • Wednesday, December 15, 2021 
    Swayam Bagaria, postdoctoral fellow and lecturer in the College Fellows Program at the University of Virginia
    Ludlow 301  4:00 pm – 5:30 pm EST/GMT-5
    My talk will comprise two parts. In the first part, I will introduce the audience to the interrelated issues of divinization and individuation in Hinduism. As is well known, the Hindu pantheon is composed of an innumerable number of deities but what does it mean to say that these deities are distinct or separate from each other? Are they really all that different? We may even ask a prior question, what does investing an entity with the properties of a divine being entail? The first part will guide the audience to some of the key issues that arise in the consideration of these questions. The second part will briefly explore the possibilities and limits of this idea of divinization as they emerge in the fraught, but also illuminating, context of the deification of the custom of widow burning or sati in contemporary India.
    Swayam Bagaria is a postdoctoral fellow and lecturer in the College Fellows Program at the University of Virginia. He received his PhD in Socio-cultural Anthropology from Johns Hopkins University in 2020. His current book project is on the relation between popular Hinduism and ethnoreligious nationalism in India.

  • Friday, December 10, 2021 
    Nabanjan Maitra, Assistant Professor of Instruction at the University of Texas, Austin
    Ludlow, 3rd Floor Conference Room  1:30 pm – 3:00 pm EST/GMT-5
    The word guru comes close to what we might call an empty signifier: a word that is used so variably and in such a diverse array of contexts that it loses all meaning. And yet, to their followers, students and devotees, gurus can signify “life, the universe and everything.” In this talk, I will present an historic case of misapprehension of the figure of the guru in order to reflect upon the guru as a sovereign figure. In examining a colonial-era court case, I will hope to reveal the lineaments of a forgotten history of monastic power in India. The figure of the guru, properly historicized, is a productive site for the understanding of an alternative vision of normative power, wielded by the monastery, that operated through the ethical self-formation of its subjects. In this historical case, we see how the medieval monastery articulated a vision of totalizing religious power that was misapprehended by the colonial state, and indeed continues to be misapprehended to this day. I argue that this misapprehension prevents us from recognizing the monastery as an enduring institution of unparalleled power, and the guru as a particular paradigm of sovereignty.
    Nabanjan Maitra is Assistant Professor of Instruction at the University of Texas, Austin, where he teaches courses on the Religions of South Asia and Sanskrit. He holds a PhD in the History of Religions from the University of Chicago with a focus on Hinduism. His book project, The Rebirth of Homo Vedicus, examines the formulation and implementation of a novel form of monastic power in a medieval south India monastery. The study explains the underlying logic of ethical self-formation as the driver of the totalizing vision of power that the monastery, with the guru as its sovereign head, administered. It shows the primacy of this mode of governance in the emergence of Hinduism in the colonial period. His research and teaching attempt to situate and explicate Hinduism of the present—the local and the global—in longer histories of texts, institutions and conduct.

  • Thursday, November 18, 2021 
    Dr. Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis
    Online Event  5:00 pm – 6:00 pm EST/GMT-5
    In this presentation, I will discuss the way artists—primarily modern women writers—have turned to the monstrous figure of the mountain witch, or yamamba, as a way to galvanize their creativity. We begin with an overview of this ogress and her conflicting characteristics before turning to the way she has served as the egress to creativity, from medieval theater to the contemporary stage. We will consider the noh play, Yamamba, as well as the works of modern writer Ōba Minako and the choreography Yasuko Yokoshi. The talk will touch upon the recently published book Yamamba: In Search of the Japanese Mountain Witch.
     
    Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis. Her research focuses on modern women’s writing, translation, and gender. More recently she has turned her attention to creative writing. Her debut novel, The Kimono Tattoo, was published by Brother Mockingbird Press in June 2021. That same month, Stone Bridge Press released her collection of creative responses to the yamamba, which she co-edited with Linda C. Ehrlich. 

    Join Zoom: https://bard.zoom.us/j/85492689001   (Meeting ID: 854 9268 9001)


     

  • Thursday, November 18, 2021 
    Online Event  12:00 pm – 1:00 pm EST/GMT-5
    Peace is the goal for every country, community, and, hey, family. (See, we're funny here at BGIA.) In general, peace is the absence of war and violence. Through its work on the Global Peace Index and the Positive Peace Framework, the Institute for Economics and Peace takes peace and peace building further. It focuses on strengths not deficits and individual action on creating and sustaining positive societies.

    Join us on Thursday, November 18 at 12pm for an hour long Positive Peace Workshop. In this workshop, participants will learn how to better think about actions and approaches to creating peaceful societies. It will focus on policy, strategy, and implementation. If you're interested in conflict resolution, policymaking, and peace building, don't miss this virtual event. RSVP required. 

  • Thursday, November 11, 2021 
      An illustrated lecture by Astria Suparak.
     
    Followed by a conversation between Suparak and Dawn Chan, Center for Curatorial Studies.
     

    Avery Art Center  7:30 pm – 9:30 pm EST/GMT-5
    Asian futures, without Asians is a new presentation by artist and curator Astria Suparak, which asks: “What does it mean when so many white filmmakers envision futures inflected by Asian culture, but devoid of actual Asian people?”

    Part critical analysis, part reflective essay and sprinkled throughout with humor, justified anger, and informative morsels, this one-hour illustrated lecture examines over fifty years of American science fiction cinema through the lens of Asian appropriation and whitewashing. The quick-paced presentation is interspersed with images and clips from dozens of futuristic movies and TV shows, as Suparak delivers anecdotes, trivia, and historical documents (including photographs, ads, and cultural artifacts) from the histories of film, art, architecture, design, fashion, food, and martial arts. Suparak discusses the implications of not only borrowing heavily from Asian cultures, but decontextualizing and misrepresenting them, while excluding Asian contributors. 

    Asian futures, without Asians was commissioned by The Wattis Institute for Contemporary Arts. It’s one part of Suparak’s multipart research series of the same name, which includes videos, installations, collages, essays, publications, and other projects.
     

  • Thursday, November 11, 2021 
      Onibaba (1964)
    Preston  6:15 pm – 7:40 pm EST/GMT-5
  • Thursday, October 28, 2021 
      "When a Woman Ascend the Stair" (1960)
    Preston  6:15 pm – 7:55 pm EDT/GMT-4
  • Wednesday, October 20, 2021 
    Afghanistan: 20 Years On 
    Online Event  6:00 pm – 7:00 pm EDT/GMT-4
    President George W. Bush invaded Afghanistan in 2001, in an effort to capture and defeat Al Qaeda and its leader Osama bin Laden. Twenty years later, Joe Biden ended this "forever" war this past summer, noting that Washington achieved its goal of capturing bin Laden. Yet, the withdrawal from Afghanistan was chaotic, as thousands of Afghans scrambled to leave the country. Was withdrawal the right decision? Did the U.S. achieve its goal in Afghanistan? To answer thse questions, we'll be joined by former U.S. State Department official Annie Pforzheimer. Ms. Pforzheimer served as the Deputy Chief of Mission at the U.S. Embassy in Kabul from 2017-18. She also served as the Acting Deputy Assistant Secretary for Afghanistan. She will be joined by Bard professor Fred Hof, also an alumnus from the State Department. Via Zoom. RSVP required. 

  • Thursday, October 7, 2021 
    Richard is retiring. We are gathering to celebrate!
    5:00 pm – 7:00 pm EDT/GMT-4
  • Tuesday, September 21, 2021 
    Hua Hsu, Associate Professor of English and American Studies, Vassar College and Staff Writer, The New Yorker
    Campus Center, Weis Cinema  5:00 pm – 6:30 pm EDT/GMT-4
    A consideration of how various Asian American writers and artists have wrestled with questions of authority and imposture, from thirties Chinatown authors to the first generations of authors who worked under the banner of "Asian American literature" in the sixties, from contemporary manifestations of "impostor syndrome" (wherein individuals doubt their own authority--a condition psychologists have deemed unusually prevalent among Asian American students) to my own work on memoir.  

    Hua Hsu is an Associate Professor of English and American Studies at Vassar College, and a Staff Writer at the New Yorker. His first book, A Floating Chinaman: Fantasy and Failure Across the Pacific, was published in 2015 by Harvard University Press. In 2022, Doubleday will publish Stay True, a memoir. He is currently working on an essay collection about identity and imposture called Impostor Syndrome. He serves on the boards of the Asian American Writers' Workshop and Critical Minded, an initiative to support cultural critics of color.

  • Tuesday, September 14, 2021 
    A Virtual Panel and Discussion with Cynthia Miller-Idriss and Kathleen Blee
    Online Event  5:00 pm – 6:30 pm EDT/GMT-4
    Although white supremacist movements have received renewed public attention since the 2017 violence in Charlottesville and the attack on the U.S. Capitol, they need to be placed in deeper historical context if they are to be understood and combated. In particular, the rise of these movements must be linked to the global war on terror after 9/11, which blinded counterextremism authorities to the increasing threat they posed. In this panel, two prominent sociologists, Cynthia Miller-Idriss and Kathleen Blee, trace the growth of white supremacist extremism and its expanding reach into cultural and commercial spaces in the U.S. and beyond. They also examine these movements from the perspective of their members’ lived experience. How are people recruited into white supremacist extremism? How do they make sense of their active involvement? And how, in some instances, do they seek to leave? The answers to these questions, Miller-Idriss and Blee suggest, are shaped in part by the gendered and generational relationships that define these movements.
     Cynthia Miller-Idriss is Professor in the School of Public Affairs and the School of Education at American University, where she directs the Polarization and Extremism Research and Innovation Lab (PERIL).  
    Kathleen Blee is Distinguished Professor of Sociology at the University of Pittsburgh.  If you would like to attend, please register here.  Zoom link and code will be emailed the day of the event. 

     

  • Thursday, July 15, 2021 
    Foreign Policy in the Digital Age
    Online Event  12:00 pm – 1:00 pm EDT/GMT-4
    Foreign policy is among the things that the Internet has revolutionized. No longer is diplomacy confined to oak-paneled rooms and gilded corridors. This change, as New York Times reporter Mark Landler noted, “happened so fast that it left the foreign policy establishment gasping to catch up.” Author Adam Segal joins us for a conversation about how technology has changed diplomacy, geopolitics, war, and, most of all, power. 

     

  • Thursday, May 13, 2021 
    Calvin Cheung-Miaw (Stanford University)
    Online Event  5:00 pm – 6:30 pm EDT/GMT-4
    Why did people of Asian descent in the United States begin calling themselves Asian American in the late 1960s, and why did so many young Asian Americans join the movement to demand Asian American Studies on college campuses? This talk explores the activist origins of Asian American identity, with a focus on how Asian Americans thought about multiethnic and multiracial solidarity. It places the founding of Asian American Studies within the context of activist ideas about the transformation of relationships between campus and community, and asks what this history might mean for us today.

    Calvin Cheung-Miaw is a PhD candidate in the Program in Modern Thought and Literature at Stanford University. He is a historian of race, who works at the intersection of intellectual history and social movement history. His dissertation, “Asian Americans and the Color-Line,” provides the first intellectual history of Asian American Studies and explores the rise and decline of Third Worldism in the United States. His writings have been published in Amerasia Journal, In These Times, and Organizing Upgrade. An article on transnational political murders during the Reagan era is forthcoming from Pacific Historical Review, and another article on Claire Jean Kim’s work is forthcoming from Politics, Groups, and Identities. In the fall he will be joining the history faculty at Duke University.

    Zoom Link:
    https://bard.zoom.us/j/82693205955?pwd=QlE2VTdhd1AzRTJnZkNpTEQrVXgvdz09

    Meeting ID: 993 5090 7519
    Passcode: 1c5EGQ

  • Friday, May 7, 2021 
    Online Event  3:00 pm – 4:30 pm EDT/GMT-4
    Since its defeat in WWII Japan has continuously been a close political ally of the United States, with local corporate media serving as a primary main tool for directing public opinion and silencing dissent. Despite media blackouts on the occupation of Palestine through the late 1990s, information on the Palestinian cause trickled in. A solidarity movement was created through individual-level communication and activism, and evolved from marginalized intellectual circles in the 1960s, to underground student activism and armed struggle in the 1970s and 80s. The long journey of solidarity from the Far East has yet to celebrate justice for Palestine, but where does it stand today?

    Mei Shigenobu is a journalist, writer, and media specialist focusing on Middle Eastern issues. She holds a PhD in media studies from Doshisha University in Japan and an MA in international relations from the American University of Beirut. She is the author (in Japanese)  of Unveiling the "Arab Spring"; Democratic Revolutions Orchestrated by the West and the Media (2012), From the Ghettos of the Middle East (2003), and Secrets — From Palestine to the Country of Cherry Trees, 28 years with My Mother (2002). She has worked as a live TV host for Asahi Newstar in Tokyo and currently works as a media consultant and producer of programs and documentaries for Japanese and Middle Eastern TV channels. She is the daughter of Japanese Red Army founder Fusako Shigenobu and has been featured in films such as Children of the Revolution, The Anabasis of May and Fusako Shigenobu, Adachi Masao and 27 years Without Images,and others.

    Zoom Link: https://bard.zoom.us/j/88504383921?pwd=TCtmQjZEdkM2Y0VwWXgxRlpMbjBIdz09
    Meeting ID: 885 0438 3921
    Passcode: 752368

  • Tuesday, April 27, 2021 
    Online Event  5:00 pm – 6:30 pm EDT/GMT-4
    Emmy Catedral is an artist and writer. She presents collaborative work as The Explorers Club of Enrique de Malacca and The Amateur Astronomers Society of Voorhees. Work has been presented at the Queens Museum, The New York Historical Society, LaMama Experimental Theater Club, Primetime, Columbia University's Wallach Art Gallery and Department of Astronomy, Center for Book Arts, and Akron Art Museum, among others. Readings and performances have been presented at Recess, 601 Artspace, Wendy's Subway, The Segue Reading Series, Present Co., and other unnamed and temporarily named sites. After nearly a decade at Distributed Art Publishers where she worked with small press, independent, and nonprofit publishers, Emmy is currently the Fairs and Editions Coordinator at Printed Matter, Inc. She is also colibrarian of the bicoastal and mobile Pilipinx American Library, and is a member of the Advisory Board of The Octavia Project. 

    Zoom Link: https://bard.zoom.us/j/87221565355?pwd=MnhyUGZsT1daRG14a0tOOEJCejc2QT09
     

  • Tuesday, April 13, 2021 
    A Conversation Between Morgan Giles and David Boyd
    Online Event  5:00 pm – 6:30 pm EDT/GMT-4
    Morgan Giles is a translator and critic. She has translated fiction by authors including Yu Miri, Hideo Furukawa, and Hitomi Kanehara. Her translation of Yu Miri's Tokyo Ueno Station won the 2020 National Book Award for Translated Literature and the 2019 Translators Association First Translation Prize.

    David Boyd is Assistant Professor of Japanese at the University of North Carolina at Charlotte. He has translated novels and stories by Hiroko Oyamada, Masatsugu Ono, and Toh EnJoe, among others. His translation of Hideo Furukawa’s Slow Boat (Pushkin Press, 2017) won the 2017/2018 Japan-US Friendship Commission (JUSFC) Prize for the Translation of Japanese Literature. With Sam Bett, he is cotranslating the novels of Mieko Kawakami.

    Zoom Link: https://bard.zoom.us/j/89128393344
     

  • Friday, April 9, 2021 
    Yun Ni, Assistant Professor of English Literature,
    Peking University

    Online Event  12:00 pm – 1:30 pm EDT/GMT-4
    In this talk the speaker will compare how medieval Chinese Buddhism and medieval English Christian mysticism deal with the relationship between the transcendent and the immanent. Specifically, the comparison centers on the ideology of visualization of the late fourth-century Chinese Buddhist monk Huiyuan 慧遠 (334–417) and the late fourteenth-century English Christian mystic Julian of Norwich (1342–1430). A thousand years apart, their articulations of the imagistic representation of the transcendent still reveal synchronic connections between Buddhist and Christian ideas about the absolute presence and necessary absence of the divine. Both religious thinkers use details related to the skin and to textiles when they address the representation of the “ineffable.” The ways they treat the boundaries between skin and textiles expose fundamental differences between the Trinity of the Christian God and the Buddha’s three bodies (the Trikāya), but the two religious writers reflect on a similar oscillation between the active generation and passive reception of mental images.

    Join Zoom Meeting:  https://bard.zoom.us/j/81330911036
    Meeting ID: 813 3091 1036

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  • Tuesday, April 6, 2021 
    A Talk With Richard Jean So
    Assistant Professor of English and Cultural Analytics, McGill University

    Online Event  5:00 pm – 7:00 pm EDT/GMT-4
    This talk introduces some recent research on the history of American book publishing and racial inequality. Its main argument is, historically, the post-war period (1950-2000) invented a form of white hegemony, both in terms of who gets to
    write books, as well as the kinds of stories that get told, that persists into the present. It also includes a discussion of the affordances of data and data science for the humanities, particularly the study of culture, the arts, and race.

    Richard Jean So is assistant professor of English and Cultural Analytics at McGill University. His most recent book is Redlining Culture: A Data History of Racial Inequality and Postwar Fiction.

    Zoom Link: 
    https://bard.zoom.us/j/85261488756?pwd=Q3RJTDUxNmIxL0Evb2RBMnF3UlRqZz09

  • Tuesday, March 30, 2021 
    A Talk with Kelly Midori McCormick, Assistant Professor of History at UBC
    Online Event  5:00 pm – 7:00 pm EDT/GMT-4
    The Japanese photographer Yamazawa Eiko’s (1899–1995) life history can be read as explicit forms of refusal: owning her own commercial portrait studios, running a community photo school, dedicating herself to abstract still-life photography in rejection of the photo-realism boom, and destroying all of her personal archive. Focusing on the many “refusals” around which Yamazawa built her life, this talk approaches her work and life as an example of the possibilities for defiance within everyday practices. Yamazawa’s life lived as a refusal of the “categories of the dominant” within the photography world, social norms, and regulatory power of art critics and business leaders are an example of striving for a future not yet lived by women photographers in mid-20th century Japan. From acting as a mentor and model to many young women photographer-entrepreneurs to routinely destroying her personal archive of the evidence of her working process, Dr. McCormick explores how Yamazawa created the conditions necessary to make a life through photography as a woman in Japan from the 1930s to 1970s.
    Join Zoom Meeting
    https://bard.zoom.us/j/88678329023

    Meeting ID: 886 7832 9023

  • Monday, March 29, 2021 
    Online Event  12:00 pm – 1:00 pm EDT/GMT-4
    Bodies and clothing are in exchange and influence each other. Guyanese Hindus describe this interrelationship of clothing and bodies by highlighting that during acts of consuming clothing—when it is worn or gifted—substances and energies are transferred between bodies and dress, creating mutual touch. This touch is facilitated through for example body fluids, which transform used or ‘touched’ clothing into a person’s material likeness. Clothes and other material objects are thus dwelling structures for substances and energies, which have a special capacity to ‘take on’ former consumers. 

    Used clothes are frequently exchanged within Guyanese Hindu families, a practice that remains relevant in the context of migration and is facilitated by the sending of ‘barrels.’ Gifts of used clothing become a means of recreating transnational families and religious communities. Additionally, gifts of clothing are not only relevant with regard to human social actors, but they furthermore materialize and visualize the relationships between people and deities, as clothes are frequently offered to deities during Hindu pujas (ritual veneration). In this talk I discuss the notions of touch and contact in the context of Guyanese transnational migration: I argue that in transnational networks, gifts of used clothing facilitate a means to literally stay in touch.

    Sinah Kloß holds a PhD in Social and Cultural Anthropology from Heidelberg University, Germany. Since February 2020 she is leader of the research group “Marking Power: Embodied Dependencies, Haptic Regimes and Body Modification” at the Bonn Center for Dependency and Slavery Studies (BCDSS), University of Bonn, Germany. Her current research project discusses the sensory history of touch and body modification and the interrelation of permanence, tactility, religion and servitude in Hindu communities of Suriname, Trinidad and Guyana. Her most recent books include the edited volume “Tattoo Histories: Transcultural Perspectives on the Narratives, Practices, and Representations of Tattooing” (Routledge, 2020) and the monograph “Fabrics of Indianness: The Exchange and Consumption of Clothing in Transnational Guyanese Hindu Communities” (Palgrave Macmillan, 2016).Join via Zoom:
    https://bard.zoom.us/j/82737596363?pwd=ZUpKOUNhYlpjQmwxNHFSS3llY2xkQT09
    Meeting ID: 827 3759 6363
    Passcode: 614305

  • Wednesday, March 17, 2021 
    Fahad Bishara (University of Virginia)
    Online Event  2:00 pm – 3:30 pm EDT/GMT-4
    In this talk, Fahad Bishara charts out an Indian Ocean microhistory grounded in the voyages of a particular Arab dhow - the Fateh Al-Khayr - and the writings of its captain. It is from the deck of the dhow, he argues, that we can see the limits of political and metageographical categories like the Middle East, and we can begin to write the histories of other Arab worlds.
     Fahad Ahmad Bishara is the Rouhollah Ramazani Associate Professor of Arabian Peninsula and Gulf Studies at the University of Virginia. His first book, A Sea of Debt: Law and Economic Life in the Western Indian Ocean, 1780-1950 (Cambridge University Press, 2017), won the J. Willard Hurst Prize (awarded by the Law and Society Association), the Jerry Bentley Prize (awarded by the World History Association), and the Peter Gonville Stein Book Award (given by the American Society for Legal History).
     Join via Zoom: 
    https://bard.zoom.us/j/82970591846?pwd=ZTlyenlFcGkreUw1Z1pEeU4zeG9qdz09
    Meeting ID: 829 7059 1846
    Passcode:  528381

  • Tuesday, March 16, 2021 
    We'll be in-person in NYC this fall!
    Online Event  6:00 pm – 7:00 pm EDT/GMT-4
    Join us to learn more about the BGIA program, our courses, internships and our in-person semester in NYC this fall.



    To apply for  the fall '21 semester, please visit: https://bard.studioabroad.com/index.cfm?FuseAction=Programs.ViewProgram&Program_ID=41053

  • Thursday, November 19, 2020 
    Tithi Bhattacharya, Purdue University
    Online Event  4:00 pm – 5:00 pm EST/GMT-5
    Tithi Bhattacharya is associate professor of South Asian history and the director of th Global Studies program at Purdue University. She is the author of The Sentinels of Culture: Class, Education, and the Colonial Intellectual in Bengal (Oxford University Press, 2005) and Social Reproduction Theory: Remapping Class, Recentering Oppression (Pluto, 2017), and coauthor of Feminism for the 99%: A Manifesto. She is a longtime activist for Palestinian justice and was one of the national organizers of the International Women's Strike. She writes extensively on Marxist theory, gender, and the politics of Islamophobia. Her work has been published in the Guardian, Journal of Asian Studies, South Asia Research, Electronic Intifada, International Socialist Review, Monthly Review, Jacobin, Salon, and the New Left Review. She is on the editorial board of Spectre and Studies on Asia.

    Join Zoom Meeting: https://bard.zoom.us/j/81519870144?pwd=bk1NNG81L0lacFJySHY4S1FNUDZDQT09

    Meeting ID: 815 1987 0144
    Passcode: 111622

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  • Thursday, October 22, 2020 
    A Poetry Reading and Discussion with Arthur Sze
    Online Event  3:00 pm – 4:30 pm EDT/GMT-4
    Access the event via Zoom: https://bard.zoom.us/j/85254136149?pwd=MWVXL1FRR3VtRHlxSjYrbFNKRGdjUT09

    An online reading from Sze's forthcoming new and collected poems, The Glass Constellation. The reading will include an introductory poem from Compass Rose, a generous selection of poems from Sight Lines, as well as a few new poems. There will be a Q&A after the reading.

    Born in New York City in 1950, Arthur Sze is a poet, translator, and editor. He is the author of 10 books of poetry, including Sight Lines (Coper Canyon Press, 2019), which received the 2019 National Book Award in poetry; Compass Rose (Copper Canyon Press, 2014); and The Ginkgo Light (Copper Canyon Press, 2009). He is also a celebrated translator from the Chinese, and released The Silk Dragon: Translations from the Chinese (Copper Canyon Press) in 2001.

    This event is sponsored by The Hutcheson Memorial Fund, the Interdisciplinary Study of Religion, Asian Studies, the CCE, and the Written Arts Program. It is part of a series of talks about Buddhist Currents in American Poetry.

  • Tuesday, October 6, 2020 
    Online Event  6:00 pm – 8:00 pm EDT/GMT-4
    Join Zoom Meeting
    https://bard.zoom.us/j/86571592995

    In this talk based on her forthcoming book Chelsea Szendi Schieder will explore the meanings created by female participation in leftist campus-based protest in the 1960s, as young men and women attended universities together, battled police in the streets together, challenged political institutions, and paralyzed the higher education system. Young women involved in the student movement often imagined that it would offer them a rare chance to engage in activism away from gendered expectations and spaces, such as the home, and to participate as full equals with young men. And yet various dynamics—within the movement and in the interpretation of the movement within the mass media—often foreclosed such an imagination. Here she will explore the tensions within this history and in the historiography that often memorializes the New Left as primarily “male” to uncover gendered dynamics in the Japanese New Left, dynamics that help us understand postwar Japanese politics more generally and the legacies of radical protest in particular.

    Chelsea Szendi Schieder, PhD, researches contemporary histories of activism and gender in Japan and works as an Associate Professor in the Faculty of Economics at Aoyama Gakuin University in Tokyo, Japan.

    Join Zoom Meeting
    https://bard.zoom.us/j/86571592995

    Meeting ID: 865 7159 2995
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    Meeting ID: 865 7159 2995
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  • Thursday, October 1, 2020 
    Bill Porter / Red Pine, Translator
    Online Event  3:00 pm – 4:30 pm EDT/GMT-4
    No one ever plans to be a translator, and no artist is more poorly equipped or trained. Nor do translators ever find out exactly what they’re doing—or even how—but, except for the fact that there’s no money it, why would they ever want to stop?
    Bill Porter was born in Van Nuys, California on October 3, 1943, and grew up in northern Idaho. After a tour of duty in the US Army in 1964–67, he attended college at UC Santa Barbara and majored in anthropology. In 1970, he entered graduate school at Columbia University and studied anthropology with a faculty that included Margaret Mead and Ruth Benedict. While he was in New York, he became interested in Buddhism, and in 1972 he left America for a Buddhist monastery in Taiwan. After three years with the monks and nuns, he struck out on his own and supported himself by teaching English and later by working as a journalist at English-language radio stations in Taiwan and Hong Kong. During this time, he married a Chinese woman, with whom he has two children, and began working on translations of Chinese poetry and Buddhist texts. In 1993, he returned to America, and has lived ever since in Port Townsend, Washington. For the past 27 years, he has worked as an independent scholar. His translations, under the name Red Pine, have been honored with two NEA translation fellowships, a PEN translation award, the inaugural Asian Literature Award of the American Literary Translators Association, a Guggenheim Fellowship, and, more recently, the Thornton Wilder Prize for Translation, bestowed by the American Academy of Arts and Letters. Between December 2019 and June 2020 he published a series of seven chapbooks with Empty Bowl Press in Anacortes, including Cathay Revisited, a present for Ezra Pound’s daughter and granddaughter.Join via ZoomMeeting ID: 993 7562 8401 / Passcode: 998992
     

  • Thursday, May 21, 2020 
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  • Wednesday, May 20, 2020 
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  • Tuesday, May 19, 2020 
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  • Monday, May 18, 2020 
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  • Sunday, May 17, 2020 
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  • Saturday, May 16, 2020 
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  • Friday, May 15, 2020 
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  • Thursday, May 14, 2020 
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  • Wednesday, May 13, 2020 
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  • Tuesday, May 12, 2020 
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  • Monday, May 11, 2020 
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  • Sunday, May 10, 2020 
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  • Saturday, May 9, 2020 
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  • Friday, May 8, 2020 
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  • Thursday, May 7, 2020 
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  • Wednesday, May 6, 2020 
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  • Tuesday, May 5, 2020 
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  • Monday, May 4, 2020 
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  • Friday, May 1, 2020 
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  • Thursday, April 30, 2020 
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  • Wednesday, April 29, 2020 
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  • Monday, March 16, 2020 
      Preston  6:00 pm – 8:00 pm EDT/GMT-4
    Your Name (dir. Makoto Shinkai, 2016) 
     Two teenagers share a profound, magical connection upon discovering they are swapping bodies. But things become even more complicated when the boy and girl decide to meet in person.

  • Thursday, March 12, 2020 
    Preston  7:00 pm – 9:00 pm EDT/GMT-4
    A psychological thriller of a grieving mother turned cold-blooded avenger with a twisty master plan to pay back the people who were responsible for her daughter’s death.

    Japanese Language, English Subtitles

    Trailer: https://youtu.be/Vnws8ZymxME

  • Wednesday, March 11, 2020 
    Please join us weekly. Stay as long as you like.
    Kline, President's Room  6:00 pm – 7:00 pm EDT/GMT-4
    Chinese table is held every Wednesday from 6pm to 7pm in the President's Room at Kline. We talk about interesting topics and play games to help you learn more about Chinese culture. We also usually discuss the differences between the Western world and Eastern world. Any friends who are interested in Chinese or are able to speak Chinese can participate. 

  • Tuesday, March 10, 2020 
    Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EDT/GMT-4
    Language table is held at Kline from 6 to 7pm every Tuesday and you can stay as long as you want. Professors often join us, but the atmosphere is very casual. You can talk about anything that you like as we enjoy conversation in Japanese and have dinner together. Bring your friends who cannot speak Japanese but who are interested in Japanese language and culture!

  • Monday, March 9, 2020 
      Preston  6:00 pm – 8:00 pm EDT/GMT-4
  • Monday, March 9, 2020 
    Study Away in NYC! Experience International Affairs First-Hand
    Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  5:00 pm – 6:00 pm EDT/GMT-4
    Meet with BGIA Director Elmira Bayrasli and Associate Dean of Civic Engagement and Director of Strategic Partnerships Brian Mateo for an overview about the program based in NYC, including:

    - BGIA faculty and course offerings
    - Internships and student projects
    - Our dorms in NYC
    - How to apply to BGIA
    - Q&A

  • Thursday, March 5, 2020 
    Preston  7:00 pm – 9:15 pm EST/GMT-5
    Best Foreign Language Film of the Year at the 81st Academy Awards

    A young man who returns to his hometown after a failed career as a cellist and stumbles across work as a nōkanshi—a traditional Japanese ritual mortician. He is subjected to prejudice from those around him, including from his wife, because of strong social taboos against people who deal with death. Eventually he repairs these interpersonal connections through the beauty and dignity of his work.

    Ebert gave the film a perfect four stars, describing it as "rock-solid in its fundamentals" and highlighting its cinematography, music, and the casting of Yamazaki as Sasaki.

    Japanese Language, English Subtitles
    2h 10min, 2008 film

    Watch the Trailer

    "Great Movie" -Roger Ebert.com
    Read the Review

  • Wednesday, March 4, 2020 
    Please join us weekly. Stay as long as you like.
    Kline, President's Room  6:00 pm – 7:00 pm EST/GMT-5
    Chinese table is held every Wednesday from 6pm to 7pm in the President's Room at Kline. We talk about interesting topics and play games to help you learn more about Chinese culture. We also usually discuss the differences between the Western world and Eastern world. Any friends who are interested in Chinese or are able to speak Chinese can participate. 

  • Tuesday, March 3, 2020 
    Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EST/GMT-5
    Language table is held at Kline from 6 to 7pm every Tuesday and you can stay as long as you want. Professors often join us, but the atmosphere is very casual. You can talk about anything that you like as we enjoy conversation in Japanese and have dinner together. Bring your friends who cannot speak Japanese but who are interested in Japanese language and culture!

  • Thursday, February 27, 2020 
      Preston  6:00 pm – 7:30 pm EST/GMT-5
  • Wednesday, February 26, 2020 
    Please join us weekly. Stay as long as you like.
    Kline, President's Room  6:00 pm – 7:00 pm EST/GMT-5
    Chinese table is held every Wednesday from 6pm to 7pm in the President's Room at Kline. We talk about interesting topics and play games to help you learn more about Chinese culture. We also usually discuss the differences between the Western world and Eastern world. Any friends who are interested in Chinese or are able to speak Chinese can participate. 

  • Tuesday, February 25, 2020 
    Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EST/GMT-5
    Language table is held at Kline from 6 to 7pm every Tuesday and you can stay as long as you want. Professors often join us, but the atmosphere is very casual. You can talk about anything that you like as we enjoy conversation in Japanese and have dinner together. Bring your friends who cannot speak Japanese but who are interested in Japanese language and culture!

  • Tuesday, February 25, 2020 
      CCS Bard, Classroom 102  5:00 pm – 7:00 pm EST/GMT-5
    As a Hawai’i-born Americanist scholar, curator, and critic, Machida’s research draws on extended interviews with Asian American, Asian émigré, and artists of mixed heritages whose work engages with transcultural themes of circulation, contact, and cross-connections in today’s world. This talk highlights artworks spanning the 1990s to the early 2000s, which point to how the US Asian diaspora acts as a platform to shape artists’ sustaining identifications and imaginative attachments with the entangled histories that conjoin the Americas and the Pacific region to Asia, Europe, and Africa. Such work, by foregrounding subjectivities embedded in legacies of migration, trade, labor flows, colonialism, and war, is part of an expressive continuum that places Asian American artists in dynamic conversation with their counterparts in the global Asian diasporas.

    Margo Machida, Ph.D. is Professor Emerita of Art History and Asian American Studies at the University of Connecticut. Born and raised in Hawai‘i, she is a scholar, independent curator, and cultural critic specializing in Asian American art and visual culture. She has lectured widely on her research both nationally and internationally, and served as a curatorial advisor for the inaugural 2017 Honolulu Biennial. Professor Machida is currently a scholarly advisor and contributing essayist for the upcoming 2021 retrospective exhibition, Carlos Villa: Roots, Rituals and Actions (co-presented by the Asian Art Museum and San Francisco Art Institute, in collaboration with Newark Museum of Art). Her book, Unsettled Visions: Contemporary Asian American Artists and the Social Imaginary (Duke University Press, 2009) received the Cultural Studies Book Award from the Association for Asian American Studies. She is an Associate Editor of the journal, Asian Diasporic Visual Cultures and the Americas (Brill). Publications include: “Pacific Itineraries: Islands and Oceanic Imaginaries in Contemporary Asian American Art” (ADVA Journal, 2017); “Trans-Pacific Sitings: The Roving Imagery of Lynne Yamamoto” (Third Text, 2014); “Devouring Hawai‘i: Food, Consumption, and Contemporary Art” in Eating Asian America: A Food Studies Reader (NYU Press, 2013); and “Convergent Conversations – The Nexus of Asian American Art” in A Companion to Asian Art and Architecture (Wiley-Blackwell, 2011).

    https://ccs.bard.edu/events/440-margo-machida-art-asian-america-and-the-transcultural-imaginary

  • Wednesday, February 19, 2020 
    Please join us weekly. Stay as long as you like.
    Kline, President's Room  6:00 pm – 7:00 pm EST/GMT-5
    Chinese table is held every Wednesday from 6pm to 7pm in the President's Room at Kline. We talk about interesting topics and play games to help you learn more about Chinese culture. We also usually discuss the differences between the Western world and Eastern world. Any friends who are interested in Chinese or are able to speak Chinese can participate. 

  • Tuesday, February 18, 2020 
    Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EST/GMT-5
    Language table is held at Kline from 6 to 7pm every Tuesday and you can stay as long as you want. Professors often join us, but the atmosphere is very casual. You can talk about anything that you like as we enjoy conversation in Japanese and have dinner together. Bring your friends who cannot speak Japanese but who are interested in Japanese language and culture!

  • Thursday, February 13, 2020 
    Preston  7:00 pm – 9:00 pm EST/GMT-5
    Best Valentine’s Day movie! 2004 Japanese animated fantasy film written and directed by Hayao Miyazaki. 

    “When a young woman is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking castle.”

    Japanese language, English subtitles.
    imdb.com/title/tt0347149/

  • Wednesday, February 12, 2020 
    Please join us weekly. Stay as long as you like.
    Kline, President's Room  6:00 pm – 7:00 pm EST/GMT-5
    Chinese table is held every Wednesday from 6pm to 7pm in the President's Room at Kline. We talk about interesting topics and play games to help you learn more about Chinese culture. We also usually discuss the differences between the Western world and Eastern world. Any friends who are interested in Chinese or are able to speak Chinese can participate. 

  • Tuesday, February 11, 2020 
    Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EST/GMT-5
    Language table is held at Kline from 6 to 7pm every Tuesday and you can stay as long as you want. Professors often join us, but the atmosphere is very casual. You can talk about anything that you like as we enjoy conversation in Japanese and have dinner together. Bring your friends who cannot speak Japanese but who are interested in Japanese language and culture!

  • Thursday, February 6, 2020 
      Preston  6:00 pm – 8:00 pm EST/GMT-5
  • Wednesday, February 5, 2020 
    Please join us weekly. Stay as long as you like.
    Kline, President's Room  6:00 pm – 7:00 pm EST/GMT-5
    Chinese table is held every Wednesday from 6pm to 7pm in the President's Room at Kline. We talk about interesting topics and play games to help you learn more about Chinese culture. We also usually discuss the differences between the Western world and Eastern world. Any friends who are interested in Chinese or are able to speak Chinese can participate. 

  • Tuesday, February 4, 2020 
    Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EST/GMT-5
    Language table is held at Kline from 6 to 7pm every Tuesday and you can stay as long as you want. Professors often join us, but the atmosphere is very casual. You can talk about anything that you like as we enjoy conversation in Japanese and have dinner together. Bring your friends who cannot speak Japanese but who are interested in Japanese language and culture!

  • Wednesday, January 29, 2020 
    Please join us weekly. Stay as long as you like.
    Kline, President's Room  6:00 pm – 7:00 pm EST/GMT-5
    Chinese table is held every Wednesday from 6pm to 7pm in the President's Room at Kline. We talk about interesting topics and play games to help you learn more about Chinese culture. We also usually discuss the differences between the Western world and Eastern world. Any friends who are interested in Chinese or are able to speak Chinese can participate. 

  • Tuesday, January 28, 2020 
    Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EST/GMT-5
    Language table is held at Kline from 6 to 7pm every Tuesday and you can stay as long as you want. Professors often join us, but the atmosphere is very casual. You can talk about anything that you like as we enjoy conversation in Japanese and have dinner together. Bring your friends who cannot speak Japanese but who are interested in Japanese language and culture!

  • Monday, December 9, 2019 
    A Talk by Dr. Ute Huesken
    Head of Department, Cultural and Religious History of South Asia
    Heidelberg University
     

    Olin Humanities, Room 102  3:10 pm – 4:30 pm EST/GMT-5
    The festival Adi Atti Varadar Utsava is celebrated only once in 40 years. At that time, the original wooden image of Viṣṇu, the main deity of the Varadarāja temple in the South Indian city Kanchipuram, emerges from the huge temple tank and is venerated for 40 days, only to be immersed again in the temple tank for another 40 years. I will talk about the different myths connected to this second statue of Viṣṇu and trace the historical roots of this event, which in summer 2019 attracted more than one million visitors from all over India.
     

     

  • Sunday, November 24, 2019 
    Concert featuring Chinese traditional instruments including guzheng, pipa, erhu, daruan, and zhongruan.
    Bitó Conservatory Building  7:00 pm – 9:00 pm EST/GMT-5
  • Thursday, November 14, 2019 
      Campus Center, Weis Cinema  6:00 pm – 8:30 pm EST/GMT-5
  • Wednesday, November 6, 2019 
      Campus Center, Weis Cinema  6:00 pm – 8:30 pm EST/GMT-5
  • Tuesday, October 29, 2019 
      Campus Center, Weis Cinema  6:00 pm – 8:30 pm EDT/GMT-4
  • Tuesday, October 8, 2019 
      Campus Center, Weis Cinema  6:00 pm – 8:30 pm EDT/GMT-4
  • Thursday, October 3, 2019 
    Robert DeCaroli, Director of the MA Program in Art History Professor, George Mason University
    Campus Center, Weis Cinema  11:50 am – 1:00 pm EDT/GMT-4
    Robert DeCaroli is a specialist in the early history of Buddhism and has conducted fieldwork in India, Sri Lanka, and Southeast Asia.  He received his Ph.D. in the South and Southeast Asian art history from UCLA.  The majority of this work deals with early aspects of South Asian material culture and its interaction with forms of regional religious practice.
    He is the author of two books: Haunting the Buddha: Indian Popular Religions and the Formation of Buddhism (Oxford UP 2004) , and Image Problems: The Origin and Development of the Buddha’s Image in Early South Asia (U Washington Press 2015). He is co-curator of the Encountering the Buddha exhibit at the Sackler Gallery of the Smithsonian Institution.  He is currently an ACLS/Robert H. N. Ho Foundation Fellow, working on a project entitled “The Gods of Buddhism: Regional Deities and Spirits in Early South Asia.”

  • Monday, September 30, 2019 
    Olin Humanities, Room 102  5:00 pm – 7:00 pm EDT/GMT-4
    A talk with Dr. Christina Yi, Univ. British Columbia

    With the outbreak of the Sino-Japanese War in 1894, Japan officially embarked on an enterprise of territorial expansion. Acquisition of Taiwan occurred in 1895, soon followed by the annexation of Korea in 1910.The unconditional surrender of Japan to the Allied Powers in 1945 signaled not only the end of the Asia-Pacific War but also the end of the Japanese empire, as one of the conditions of surrender was the redrawing of national borders. In the years following Japan's war defeat, critics and scholars came to retrospectively schematize the literary texts produced during the colonial period within new paradigms of national literature. Meanwhile, the term zainichi(lit: “residing in Japan”) came to be applied to the Korean diasporic community in Japan, and zainichiliterature roughly defined as texts written in Japanese by ethnically Korean writers living in Japan. This talk will illuminate the effect of these postwar changes – as well as some prewar continuities – by looking at the Japanese-language writings of zainichiKorean writers, focusing in particular on Yi Yangji (1955–1992) and Kim Sŏkpŏm (b. 1925). It will also consider the interactions that took place between those writers and their Japanese peers in order to provide a more complex picture of the politics and literatures of postwar Japan. 

    Christina Yi is Assistant Professor of Modern Japanese Literature at the University of British Columbia. Her first monograph, Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea, was published by Columbia University Press in 2018. 

     

  • Thursday, September 26, 2019 
    Preston  7:30 pm – 9:30 pm EDT/GMT-4
    Ryota is a successful workaholic businessman. When he learns that his biological son was switched with another boy after birth, he faces the difficult decision to choose his true son or the boy he and his wife have raised as their own.

    Language: Japanese
    Subtitles: English
    Director: Hirokazu Koreeda

  • Monday, September 9, 2019 
      Campus Center, Weis Cinema  6:00 pm – 8:30 pm EDT/GMT-4
  • Wednesday, May 15, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EDT/GMT-4
  • Wednesday, May 15, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Saturday, May 11, 2019 
    Chapel of the Holy Innocents  7:00 pm – 8:30 pm EDT/GMT-4
    The erhu is a traditional Chinese instrument dating back 2,000 years. Li Cangxiao will be joined by Bard Conservatory faculty members and graduate students performing works by contemporary Chinese composers.

    “She has a special keen and accurate grasp for music. Her performance is rich in timbre and full of dramatic presentation.” —Music Weekly

    Li Cangxiao is a talented young erhu musician widely recognized in China. She is currently a second-year postgraduate student at the Central Conservatory of Music (CCOM) in Beijing. Li Cangxiao has been awarded the “BoB (Best of the Best) Top-Notch Innovative Talent” by the Ministry of Education of China. As the concertmaster of the Chinese Chamber Orchestra of CCOM, she studies with professor YU Hongmei, vice president of CCOM. In spring 2019, Li Cangxiao was appointed by CCOM as the graduate assistant for erhu teaching at the US-China Music Institute of the Bard College Conservatory of Music for a semester. 

  • Wednesday, May 8, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EDT/GMT-4
  • Wednesday, May 8, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Monday, May 6, 2019 – Friday, May 10, 2019 
    The Venerable Tenzin Yignyen
    Hobart and William Smith Colleges

    Reem-Kayden Center Lobby  8:30 am – 3:30 pm EDT/GMT-4
    From Monday, May 6, to Friday, May 10, the Venerable Tenzin Yignyen, a Tibetan monk from the Dalai Lama’s personal monastery and professor of Tibetan Buddhist studies at Hobart and William Smith Colleges, will construct a sand mandala of the Buddha of Compassion in the lobby of the Reem-Kayden Center on the Bard College campus. Community members are invited to observe the process of construction and to speak with Lama Tenzin during his work, from 8:30 am to 3:30 pm each weekday. On Friday morning at 9:00am, the mandala will be dismantled, and the sand taken in procession to the waterfall on Bard campus, where it will be sent off toward the Hudson River and the Atlantic Ocean.

    “Mandala is an ancient Buddhist art form used for meditation, as taught by the Buddha Shakyamuni 2,500 years ago,” says Lama Tenzin. “It is said that the seed of enlightenment in each person’s mind is nourished by the dynamic process of visualizing and contemplating a mandala. The mandala is also a visual form of Buddha’s enlightened compassion and wisdom.”

    The Venerable Tenzin Yignyen is a monk belonging to Namgyal Monastery, the Dalai Lama’s personal monastery. He was born in the Tibetan village of Phari, and fled with his family to India after the 1959 Chinese invasion of Tibet. Monastery trained, he is a master of sutra and tantra. He has taught and constructed mandalas at many places, including Los Angeles’s Natural History Museum, Windstar Foundation, Cleveland Museum of Art, Rochester’s Memorial Art Gallery, The Asia Society, Trinity College, St. Lawrence College, and Cornell University. He has taught at Hobart and William Smith Colleges since 1998. He has visited Bard College since 2007; this will be his seventh mandala construction here.

    This event is sponsored by the Warren Hutcheson Fund, administered through the Religion and Asian Studies Programs.

  • Wednesday, May 1, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EDT/GMT-4
  • Wednesday, May 1, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Wednesday, April 24, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EDT/GMT-4
  • Wednesday, April 24, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Monday, April 22, 2019 
    Jia Lynn Yang, Deputy National Editor, The New York Times
    Olin Humanities, Room 102  4:45 pm – 6:30 pm EDT/GMT-4
    This talk will trace the current immigration debate back to the Supreme Court fight in 1922 over whether a Japanese-born man could naturalize, and the Johnson-Reed Act of 1924, which established ethnic quotas favoring “Anglo-Saxons.” Because immigration debates have long been predicated on who counts as sufficiently “white,” the current system—in which there are far more Asian and Hispanic immigrants than European—challenges traditional notions of who counts as American. Yang will discuss how the 1965 Immigration and Nationality Act set us on this current course, but left much unfinished work around race and national identity that we confront today during the Trump administration. The talk will also address media coverage of Trump’s immigration policies as well as how to infuse journalistic work with a sense of history.

    Jia Lynn Yang is a deputy national editor at the New York Times, where she helps oversee coverage of the country. Previously, she was deputy national security editor at the Washington Post, where she was an editor on the team that won a Pulitzer Prize for national reporting in 2018 for its coverage of Trump and Russia. She is writing a book on the history of the 1965 Immigration and Nationality Act, Un-American Elements, forthcoming from W. W. Norton in 2020.

  • Sunday, April 21, 2019 
    Works for erhu, guzheng, and piano by 20th-century Chinese composers.
    Bitó Conservatory Building  7:30 pm – 9:00 pm EDT/GMT-4
    空山鸟语                                                                                                                                                       刘天华
    Bird Chirping on the Tranquil Mountain                                                                                LIU Tianhua (1895-1932)
    LIU Chang, erhu


    溟山                                                                                                                                                               王中山
    Ming Mountain                                                                                                             WANG Zhongshan (b. 1969)
    WANG Yixin, guzheng


    良宵                                                                                                                                                              刘天华
    A Beautiful Night (The tune for New Year’s Eve)                                                            LIU Tianhua (1895-1932)
    LIU Beitong, erhu
    LIU Chang, erhu


    狮子戏球                                                                                                                                                杨秀明改編
    Chaozhou folk song: The Lion Plays With a Ball                                                       arr. YANG Xiuming (b. 1935)
    WANG Sibei, guzheng


    三门峡畅想曲                                                                                                                                                刘文金
    Capriccio of Sanmenxia Dam                                                                                             LIU Wenjin (1937-2013)
    LIU Beitong, erhu
    Ivy Wu, piano


    恋春风                                                                                                                                                              刘乐
    Romantic Breeze of Spring                                                                                                            LIU Le (b. 1985)
    WANG Yixin, guzheng
    Ivy Wu, piano


    Intermission 



    東北民歌:江河水                                                                                                                                 黄海怀改编
    Northeastern folk song: Tears of the River                                                         arr. HUANG Haihuai (1935-1967)
    LIU Beitong, erhu


    茉莉芬芳                                                                                                                                                       何占豪
    Fragrance of Jasmine Blossoms                                                                                         HE Zhanhao (b. 1933)
    WANG Sibei, guzheng





    长城随想 - 遥望篇                                                                                                                                       刘文金
    The Great Wall Capriccio                                                                                                    LIU Wenjin (1937-2013)
    Movement IV Looking Into the Distance
    LIU Chang, erhu
    Chung-Yang (Francis) Huang, piano


    化蝶                                                                                                                                                   何占豪,陈刚
    王天一,王居野改编
    Butterfly Lovers                                                                        HE Zhanhao (b. 1933) and CHEN Gang (b. 1935)
    arr.  WANG Tianyi and WANG Juye
    WANG Sibei, guzheng
    WANG Yixin, guzheng


    二泉映月                                                                                                                                                       华彦钧
    黄晓飞改编
    Moon reflected on Second Spring                                                                                    HUA Yanjun (1893-1950)
                                                                                                                                                     arr. HUANG Xiaofei
    LIU Beitong, erhu
    LIU Chang, zhonghu
    WANG Sibei, guzheng
    WANG Yixin, guzheng


     

  • Wednesday, April 17, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EDT/GMT-4
  • Wednesday, April 17, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Tuesday, April 16, 2019 
    John Person, University at Albany, State University of New York
    Olin Humanities, Room 102  5:00 pm – 6:30 pm EDT/GMT-4
    During the 1930s and 1940s, Japanese academics with an interest in Marxist and liberal theories of political reform faced a barrage of attacks from nationalist critics who charged that such approaches amounted to treason. This talk explores the notorious right-wing intellectuals of the Genri Nippon Society that led the charge in these attacks, and their ethnonationalist theory called “Japanism.” The essays and translations of Japanist intellectuals served as ammunition for government agencies and politicians aiming to remove political enemies or use anticommunist and patriotic rhetoric for political gain. But as the imperial government sought to harness the mobilizing potential of Japanist rhetoric, Japanists targeted not only leftists but also government figures and institutions for failing to act according to their vision of nationalist orthodoxy. At times collaborating with government agencies in crushing voices of class struggle, and at others becoming the target of government surveillance themselves, these intellectuals came to embody the paradoxically hegemonic yet arbitrary nature of nationalist ideology. This talk provides an account of the cosmopolitan roots and unstable networks of ethnonationalism in Imperial Japan, as well as its self-destructive trajectory.

    John Person is an assistant professor of Japanese studies at the University at Albany, State University of New York, where he teaches courses on the history of Japan. He holds degrees from Gustavus Adolphus College and the University of Chicago, and was a postdoctoral fellow at UCLA and Hamilton College before joining the faculty at SUNY Albany. He has published articles in the Journal of Japanese Studies and the Journal of the History of Ideas, and is the translator of Hiroki Azuma’s General Will 2.0: Rousseau, Freud, Google (Vertical).

  • Friday, April 12, 2019 
    Olin Humanities, Room 102  7:00 pm – 9:30 pm EDT/GMT-4
    Woman in the Dunes
    Director: Hiroshi Teshigahara
    Writer: Kôbô Abe (novel)
    Release date: February 15, 1964

    “An amateur entomologist has left Tokyo to study an unclassified species of beetle found in a vast desert. When he misses his bus back to civilization, he is persuaded to spend the night with a young widow in her hut at the bottom of a sand dune. What results is one of cinema’s most unnerving and palpably erotic battles of the sexes, as well as a nightmarish depiction of everyday life as a Sisyphean struggle—an achievement that garnered Teshigahara an Academy Award nomination for best director.” 
     

  • Wednesday, April 10, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EDT/GMT-4
  • Wednesday, April 10, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Wednesday, April 3, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EDT/GMT-4
  • Wednesday, April 3, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Wednesday, March 27, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EDT/GMT-4
  • Wednesday, March 27, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Wednesday, March 20, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EDT/GMT-4
  • Wednesday, March 20, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Wednesday, March 13, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EDT/GMT-4
  • Wednesday, March 13, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Wednesday, March 13, 2019 
      Roger T. Ames
    Peking University
    Berggruen Research Center

    Olin Humanities, Room 205  3:00 pm – 4:30 pm EDT/GMT-4
    In the introduction of Chinese philosophy and culture into the Western academy, we have tended to theorize and conceptualize this antique tradition by appeal to familiar categories. Confucian role ethics is an attempt to articulate a sui generis moral philosophy that allows this tradition to have its own voice. This holistic philosophy is grounded in the primacy of relationality, and is a challenge to a foundational liberal individualism that has defined persons as discrete, autonomous, rational, free, and often self-interested agents. Confucian role ethics begins from a relationally constituted conception of person, takes family roles and relations as the entry point for developing moral competence, invokes moral imagination and the growth in relations that it can inspire as the substance of human morality, and entails a human-centered, a-theistic religiousness that stands in sharp contrast to the Abrahamic religions.

    Roger T. Ames is humanities chair professor at Peking University, cochair of the academic advisory committee of the Peking University Berggruen Research Center, and professor emeritus of philosophy at the University of Hawai’i. He is former editor of Philosophy East and West and founding editor of China Review International. Ames has authored several interpretative studies of Chinese philosophy and culture: Thinking Through Confucius (1987), Anticipating China (1995), Thinking from the Han (1998), and Democracy of the Dead (1999) (all with D. L. Hall); Confucian Role Ethics: A Vocabulary (2011); and, most recently, “Human Becomings: Theorizing ‘Persons’ for Confucian Role Ethics” (forthcoming). His publications also include translations of Chinese classics: Sun-tzu: The Art of Warfare (1993); Sun Pin: The Art of Warfare (1996) (with D. C. Lau); the Confucian Analects (1998) and the Classic of Family Reverence: The “Xiaojing” (2009) (both with H. Rosemont), Focusing the Familiar: The “Zhongyong” (2001), and The “Daodejing” (with D. L. Hall) (2003). Almost all of his publications are now available in Chinese translation, including his philosophical translations of Chinese canonical texts. He has most recently been engaged in compiling the new Sourcebook of Classical Confucian Philosophy, and in writing articles promoting a conversation between American pragmatism and Confucianism.

  • Tuesday, March 12, 2019 
    Dr. Jordan Smith, Josai International University
    Olin Humanities, Room 205  5:00 pm – 6:30 pm EDT/GMT-4
    Japanese poetry is often associated with traditional verse (haiku, tanka) and Zen Buddhism. Japan today is understood in vastly different ways—famed as much for the sophisticated metropolitan capital and anime as it is for its traditional and natural beauty. The “translationscape” of Japanese poetry reveals massive gaps between the texts and authors that reach Western languages and the vivacious, roiling, even overwhelming world of Japanese poetry today. Contemporary poetry, in its many (and competing) forms, plays a vital role of resistance in a nation where discourses of economic stagnation threaten to define an era. Poetry practitioners treat their arts (writing and performing) with reverence while fully utilizing all arts and media available. Drawing on his experience editing the Tokyo Poetry Journal, building bridges between anglophone and Japanese poetry worlds, writing bilingual poetry, and translating luminaries in the making, Prof. Smith’s talk blends ethnography of the contemporary world of Japanese poetry with readings of poems by the current cutting edges—tracing their jagged contours and trajectories into and outside of various spaces of poetry.

    Jordan A. Y. Smith writes poetry and comic theater and has translated poetry by Yoshimasu Gozo (for Poetry Review, Tokyo Poetry Journal), Mizuta Noriko (The Road Home 2015; Sea of Blue Algae, 2016), Nomura Kiwao, Misumi Mizuki, Fuzuki Yumi, and Usami Kohji, and prose fiction from Alberto Fuguet and Fernando Iwasaki. He is currently an associate professor in international humanities at Josai International University, and has previously taught comparative literature, Japanese studies, literary translation, and English at California State University Long Beach, UCLA, Roger Williams University, UC Riverside, Pepperdine University, and Korea University.

  • Tuesday, March 12, 2019 
    Pipa virtuoso, Wu Man, performs a recital and offers a public master class.
    Bitó Conservatory Building  1:00 pm – 4:00 pm EDT/GMT-4
    This recital amd master class follows Wu Man's recent performances of new concerto repertoire for pipa, including works written especially for her appearances with the New York Philharmonic. She and Yo-Yo Ma performed the U.S. premiere of Chinese composer Zhao Lin’s Concerto for Pipa and Cello in March 2019, following their world premiere performances in China earlier in the season.

  • Monday, March 11, 2019 
    Lu Kou 寇陸, Visiting Assistant Professor of Chinese, Department of Asian Studies, Williams College
     

    Olin Humanities, Room 102  5:00 pm – 6:00 pm EDT/GMT-4
    In early medieval China, also known as the Northern and Southern Dynasties (420–589 CE), the territories once unified under the Han Empire (206 BCE–220 CE) were fragmented and in turmoil. Several dynastic states coexisted uneasily, competing not only militarily but also for cultural prestige and legitimacy. In diplomatic exchanges between rival courts, envoys and courtiers waged a kind of “cultural warfare,” employing a range of rhetorical strategies to assert the political authority and cultural superiority of their respective states.

    Previous scholars have framed the Northern and Southern Dynasties as cultural dichotomous, with crude and simple non-Chinese in the North and culturally sophisticated “Han” Chinese in the South. This dichotomy is also couched in gendered terms, with northern culture presented as virile and masculine and its southern counterpart as sensual and feminine. My research finds this framework reductive and misleading and reveals a much more complicated dynamic between the northern and southern cultures. By examining diplomatic writings, letters, anecdotes, and other literary sources from both the North and the South, I show how court centers manipulated a shared cultural legacy to engage in diplomatic negotiation and how, based on this shared cultural repertoire, they also fashioned identities and strove to claim a mantle of political and cultural legitimacy through various forms of discursive practices.  

  • Wednesday, March 6, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EST/GMT-5
  • Wednesday, March 6, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Monday, March 4, 2019 
    Joshua Kopin '12
    PhD Candidate, The University of Texas at Austin

    Olin Humanities, Room 102  5:00 pm – 6:30 pm EST/GMT-5
    Part of a larger dissertation project, this talk makes a connection between the subjects of early comics, which often included immigrants and their children, like the Irish-American Yellow Kid; and political cartoons about immigration and American imperialism from the periods of the Chinese Exclusion Act and the Spanish-American War. Drawing on his long-established connection to yellow journalism and noting that, while explicitly Irish, the Yellow Kid is drawn in the visual idiom of anti-Chinese caricature, this talk posits that caricature is a technology of empire and inclusion that, through ideas about immigrants and expansionism that were often clothed in metaphors of childhood, served to differentiate acceptable, if unruly, white citizen subjects from imperial others. 

  • Wednesday, February 27, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EST/GMT-5
  • Wednesday, February 27, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Wednesday, February 20, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EST/GMT-5
  • Wednesday, February 20, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Monday, February 18, 2019 
    Ittai Weinryb
    Associate Professor, Bard Graduate Center

    Olin Humanities, Room 202  5:30 pm – 7:00 pm EST/GMT-5
    Throughout time and across cultures people have made objects and offered them as acts of faith. Known as votives, these objects are expressions of fundamental human needs and concerns. They may be offered as tokens of desire or gratitude, to make a pledge or fulfill a vow, to preserve a memory or commemorate a miracle. The lecture will explore varieties of votive giving in order to unpack the spiritual concerns and material solutions votives have to offer.

  • Wednesday, February 13, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EST/GMT-5
  • Wednesday, February 13, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Wednesday, February 6, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EST/GMT-5
  • Wednesday, February 6, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Wednesday, January 30, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EST/GMT-5
  • Wednesday, January 30, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Wednesday, January 23, 2019 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  6:00 pm – 7:00 pm EST/GMT-5
  • Wednesday, December 19, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Wednesday, December 12, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Wednesday, December 12, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  1:00 pm – 2:00 pm EST/GMT-5
  • Wednesday, December 5, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Wednesday, December 5, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  1:00 pm – 2:00 pm EST/GMT-5
  • Wednesday, November 28, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Wednesday, November 28, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  1:00 pm – 2:00 pm EST/GMT-5
  • Wednesday, November 21, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Wednesday, November 21, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  1:00 pm – 2:00 pm EST/GMT-5
  • Wednesday, November 14, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Wednesday, November 14, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  1:00 pm – 2:00 pm EST/GMT-5
  • Tuesday, November 13, 2018 
    Dr. Daniel Sheffield, Assistant Professor of Near Eastern Studies, Princeton University
    Olin Humanities, Room 203  4:45 pm – 6:15 pm EST/GMT-5
    In 1478, an Indian Zoroastrian named Nariman Hoshang arrived in the village of Turkabad in central Iran, reconnecting the previously isolated Indian and Iranian Zoroastrian communities with one another. Over the course of the next three hundred years, dozens of letters were exchanged between the communities of Gujarat and Iran, along with gifts, ritual materials, and religious manuscripts. In this talk, I will examine the affective dimensions of friendship expressed through letters in constructing a Zoroastrian community. By situating the trade partnerships and networks of patronage that formed between Indian and Iranian Zoroastrians within the framework of friendship, I will try to sketch out new approaches to the formation of transregional communal identity in the pre-colonial period of Indian Ocean history. Finally, the talk will briefly discuss transformations in the connected ideas of friendship and sovereignty that ensued among Zoroastrian intellectuals of the early nineteenth century.

  • Thursday, November 8, 2018 
    Franz Prichard, Assistant Professor of East Asian Studies, Princeton University
    Campus Center, Weis Cinema  5:00 pm – 7:00 pm EST/GMT-5
    In the early 1970s, the work of celebrated Japanese photographer and critic Nakahira Takuma (1938–2015) underwent a dramatic transformation. The intensive urbanization of Japan during the 1960s and ’70s would effectively redraw the nation’s social and political contours. These pivotal decades witnessed Japan’s integration into the U.S. geopolitical order, undertaken in fits and stages since Japan’s surrender in 1945. Through regional planning and infrastructural projects, such as airports, freeways, and nuclear reactors (including the Fukushima Dai'ichi plant), the entire archipelago was envisioned as an integrated network of communication, transportation, and exchange. At the same time, television and the expanded circulation of image media played an increasingly crucial role in mediating the fraught relationships between the urbanized centers and the remote limits of this wholly remade nation-state. This talk will explore how photographer and critic Nakahira Takuma wrought a vividly urban photographic vocabulary and praxis from the changing urban and media environments of Japan’s Cold War–fueled remaking. Engaging the linkages of Nakahira’s work from the early 1970s with emergent forms of radical film and urban discourse, I will outline a provocative moment of critique to reveal the shifting terrain of power and possibility at the crux of Japan’s Cold War urbanization.

  • Wednesday, November 7, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Wednesday, November 7, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  1:00 pm – 2:00 pm EST/GMT-5
  • Wednesday, October 31, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Wednesday, October 31, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  1:00 pm – 2:00 pm EDT/GMT-4
  • Wednesday, October 24, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Wednesday, October 24, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  1:00 pm – 2:00 pm EDT/GMT-4
  • Wednesday, October 17, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Wednesday, October 17, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  1:00 pm – 2:00 pm EDT/GMT-4
  • Wednesday, October 10, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Wednesday, October 10, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  1:00 pm – 2:00 pm EDT/GMT-4
  • Wednesday, October 3, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Wednesday, October 3, 2018 
      Please join us weekly. Stay for as long as you like.
    Kline, College Room  1:00 pm – 2:00 pm EDT/GMT-4
  • Tuesday, May 15, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  1:00 pm – 2:00 pm EDT/GMT-4
  • Wednesday, May 9, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Tuesday, May 8, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  1:00 pm – 2:00 pm EDT/GMT-4
  • Wednesday, May 2, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Tuesday, May 1, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  1:00 pm – 2:00 pm EDT/GMT-4
  • Wednesday, April 25, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Wednesday, April 25, 2018 – Thursday, April 26, 2018 
      Montgomery Place Orchards  4:00 pm – 6:00 pm EDT/GMT-4
    Join us for a fun sauerkraut and kimchi-making workshop!

    Limited space. RSVP: tinyurl.com/EarthWeekKimchi

  • Tuesday, April 24, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  1:00 pm – 2:00 pm EDT/GMT-4
  • Wednesday, April 18, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Tuesday, April 17, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  1:00 pm – 2:00 pm EDT/GMT-4
  • Friday, April 13, 2018 
    Margherita Long
    Associate Professor of East Asian Languages and Literatures at University of California Irvine

    RKC 103  11:45 am – 12:45 pm EDT/GMT-4
    This talk introduces two post-Fukushima films by Kamanaka Hitomi (1958– ): Living Through Internal Radiation (2012), and Little Voices of Fukushima (2015). In interviews, Kamanaka explains that the aim of both was to increase radiation literacy after 3/11 by conveying the truth fully and accurately. Yet regardless of high radiation readings, she emphasizes that neither her films, nor the community discussion spaces she cultivates in trademark local screening events, will ever judge exposed people for evacuating or not. How does she resolve the contradiction? This talk expands the insights of a biopolitical reading with an eco-materialist focus on effective labor and nuclear care work to explore themes important to her activism: local autonomy, everyday politics, and feminism.
     

  • Thursday, April 12, 2018 
    Eric Cunningham, Assistant Professor of Japanese, Earlham College
    RKC 103  1:30 pm – 3:00 pm EDT/GMT-4
    The forested mountains of the Kiso region of central Japan are increasingly sites of ecotourism, including forest bathing and power sports. These forms of ecotourism rely on images and discourses that frame landscapes as natural and local human communities as beneficiaries of ecotourism projects. However, the reality is that historical practices of industrialized forestry, followed by post-industrial transitions to modes of conservation, have transformed the Kiso region’s ecologies and left its human communities in precarious states. This talk considers practices and processes of ecotourism in the Kiso region of central Japan by examining the roles that images and discourses play in mediating disconnections between ecotourist fantasies and the actualities of postindustrial social and ecological life. Employing a political ecology approach and the concept of assemblage, the talk reveals how images and discourses hold the power to transform lived reality into something that enables consumption, or is itself consumed. The power to transform marginalized rural landscapes into spaces of ecotourist consumption allows for novel forms of capital accumulation that may not be as 'green' or as 'socially responsible' as they are presented to be. 

  • Wednesday, April 11, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Tuesday, April 10, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  1:00 pm – 2:00 pm EDT/GMT-4
  • Wednesday, April 4, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Tuesday, April 3, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  1:00 pm – 2:00 pm EDT/GMT-4
  • Monday, April 2, 2018 
    Professor Bernard Faure
    Columbia University
     

    Olin Humanities, Room 203  5:30 pm EDT/GMT-4
    The recent tragedy of the Muslim Rohingyas in Myanmar has arguably attracted more attention from the media than the long civil war between Buddhists and Hindus in Sri Lanka, and it has led many people to question the traditional image of Buddhist nonviolence. Usually Buddhist violence has been discussed from a sociopolitical or doctrinal viewpoint. Here I would like to address its presence in visual representations and in the Buddhist imagination. If compassion is well expressed by serene images of meditating buddhas, the angry gods of Tantric Buddhism partake, conversely, in a puzzling symbolic violence. I would like to examine the role of such representations in the historical development of Buddhism. 

    Cosponsored by the Religion Program, Asian Studies, and Art History.

  • Saturday, March 31, 2018 
    A conference and evening concert presented by the US-China Music Institute of the Bard College Conservatory of Music
    Bitó Conservatory Building  9:00 am – 10:00 pm EDT/GMT-4
    To be considered fit to govern, officials in ancient China needed to be cultivated in the arts, especially music. An international group of scholars will explore this extraordinary phenomenon and its reverberations in contemporary China, from the perspectives of history, literature, musicology, art history, and philosophy.

    Saturday, March 31
    Conference Sessions
    9am to 1pm
    2:00 to 4:30pm
    László Z. Bitó ’60 Conservatory Building
    Speakers:
    Erica Brindley (Penn State, Asian Studies)
    Susan Blake (Bard College, Philosophy)
    Jindong Cai (Bard College, Music and Arts)
    Robert Culp (Bard College, Historical Studies)
    Patricia Karetsky (Bard College, Art History)
    François Picard (Paris-Sorbonne, Ethnomusicology)
    Lothar von Falkenhausen (UCLA, Art History and Archaeology)
    Ye Yang (UC Riverside, Comparative Literature)
    Yang Yuanzheng (University of Hong Kong, Music)
    Ying Li-hua (Bard College, Asian Studies)

    Concert
    Not East Not West: Chinese Instruments in Modern Times
    with Zhao Jiazhen and Friends
    from the Central Conservatory of Music, Beijing, China
    8pm
    Olin Hall, Bard College

    For more information contact the US-China Music Institute
    [email protected]
    845-758-7026
    uschinamusic.bard.edu

    Free admission. Register online at uschinamusic.bard.edu.

    An opening concert and discussion, “Guquin: An Ancient Chinese Instrument and Its Revival,” will be held on Friday, March 30, at 7:30 pm at the Chapel of the Holy Innocents. For more information: bard.edu/inside/calendar/event/?eid=134299&date=1522452600.

  • Friday, March 30, 2018 
    Chapel of the Holy Innocents  7:30 pm – 8:30 pm EDT/GMT-4
    Zhao Jiazhen and Li Lingchen, from the Central Conservatory of Music in Beijing, will perform works for guquin.

    Reservations required at uschinamusic.bard.edu.
    Admission is free.

  • Thursday, March 29, 2018 
    Wakako Suzuki
    PhD Candidate, UCLA

    Olin Humanities, Room 102  4:45 pm EDT/GMT-4
    How and why did the political discourse of “little citizens” become a rhetorical tool enabling both national mobilization and social contestation in modern Japan? Despite the print media’s celebration of children’s citizenship and their status as subjects in Meiji Japan, the rights bestowed upon children were inconsistent, as were expectations of their actions as “little citizens” with a political identity. In this talk, I discuss how the development of formal education and the circulation of children’s magazines, such as The Boy’s World (Shōnen sekai, 1895–1933), created the historical conditions necessary to mobilize children as “little citizens.” At the same time, heterogeneous configurations of linguistic and literary practices in different cultural settings demonstrated various ways in which the vernacular conventions of childhood occasionally deviated from the operation of the state apparatus, functioning as a subversive force against the standardization of childhood. To exemplify such power dynamics, this talk highlights a series of literary works called shōnen-mono (stories about children and childhood), which emerged right after the First Sino-Japanese War (1864-1865) as a site of poetic imagination to resist social normalization and negate children’s subjection as imperial subjects under state power. By unpacking various symbolic constructions of “little citizens,” I demonstrate how the multilayered representation of children, as a part of discursive practices, lead to a complex interplay between standardization and decentralization in the politics and poetics of childhood in a modern capitalist society. 

  • Wednesday, March 28, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Tuesday, March 27, 2018 
    Miyabi Goto
    Visiting Assistant Professor
    Department of East Asian Languages, Literatures, and Cultures
    University of Virginia

    Olin Humanities, Room 203  4:45 pm EDT/GMT-4
    Criticism is often considered as an evaluative response to literature. What if, however, criticism arrived before literature in a particular time and space in history? Japan's Meiji period (1868–1912) bore witness to such a perverse ordering of criticism and literature, as criticism actually prepared the notion of “literature” as a modern, independent form of knowledge. By investigating intellectual discursive spaces in late 19th-century Japan, this lecture demonstrates how and why criticism preceded literature. 
     

  • Tuesday, March 27, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  1:00 pm – 2:00 pm EDT/GMT-4
  • Wednesday, March 21, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Tuesday, March 20, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  1:00 pm – 2:00 pm EDT/GMT-4
  • Wednesday, March 14, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Tuesday, March 13, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  1:00 pm – 2:00 pm EDT/GMT-4
  • Wednesday, March 7, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Tuesday, March 6, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  1:00 pm – 2:00 pm EST/GMT-5
  • Wednesday, February 28, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Tuesday, February 27, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  1:00 pm – 2:00 pm EST/GMT-5
  • Monday, February 26, 2018 
    The Bard Fiction Prize winner and National Book Award finalist Karan Mahajan reads from his work.
    Campus Center, Weis Cinema  2:30 pm EST/GMT-5

    On Monday, February 26, at 2:30 p.m. in Weis Cinema, Bertelsmann Campus Center, novelist Karan Mahajan reads from his work. Presented by the Innovative Contemporary Fiction Reading Series, introduced by novelist and Bard literature professor Bradford Morrow, and followed by a Q&A, the reading is free and open to the public; no tickets or reservations are required.

    Karan Mahajan studied English and economics at Stanford University before earning an M.F.A. in fiction from the Michener Center for Writers. His first novel, Family Planning (2012), was a finalist for the International Dylan Thomas Prize. His second novel, The Association of Small Bombs (2016), won the Bard Fiction Prize, the Anisfield-Wolf Book Award for Fiction, and the NYPL Young Lions Award and was a finalist for the National Book Award, in addition to being named a Best Book of the Year by the New York Times Book Review, New York Magazine, Esquire, Buzzfeed, Huffington Post, and others. In 2017, Mahajan was selected as one of Granta’s Best Young American Novelists.
     


    PRAISE FOR KARAN MAHAJAN
     “The Association of Small Bombs is wonderful. It is smart, devastating, unpredictable, and enviably adept in its handling of tragedy and its fallout. . . . Mahajan is the real deal.” —Fiona Maazel, New York Times Book Review

    “A voracious approach to fiction-making . . . Mahajan has a cinematic attunement to the spectacle of disaster.” —New Yorker

    “Mahajan is an incredibly assured stylist. . . . Hugely promising.” —Jay McInerney, Daily Beast

    “Even when handling the darkest material or picking through confounding emotional complexities, Mahajan maintains a light touch and a clarity of vision.” —London Review of Books

    “Mahajan . . . has already developed an irresistible voice with a rich sense of humor fueled by sorrow.” —Washington Post Book World

  • Wednesday, February 21, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Tuesday, February 20, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  1:00 pm – 2:00 pm EST/GMT-5
  • Wednesday, February 14, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Tuesday, February 13, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  1:00 pm – 2:00 pm EST/GMT-5
  • Wednesday, February 7, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Tuesday, February 6, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  1:00 pm – 2:00 pm EST/GMT-5
  • Monday, February 5, 2018 

    A Conversation and Recital

    Bitó Conservatory Building  3:30 pm EST/GMT-5


    Dai Bo, currently a graduate student at the Central Conservatory of Music in Beijing, has been blind since the age of seven. He has had considerable success as a musician, and was a featured composer at Juilliard's recent Focus! Festival "China Today." He will speak about his music, and play and discuss recordings of his works. Free. Room 210.

  • Wednesday, January 31, 2018 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Tuesday, January 30, 2018 
    A special talk by Ben and Konomi Campbell, founders of Sophia Farm Community in Hokkaido, Japan
    Olin Humanities, Room 102  4:45 pm – 6:00 pm EST/GMT-5
    Sophia Farm Community (SFC) was founded in Honbetsu, Hokkaido, as one of Japan’s first biodynamic farms. Founders Ben and Konomi Campbell will discuss sustainable food production and ethical practices, their model for community-supported agriculture, and the holistic principles of biodynamic agriculture on which their farm is based.

    Ben Campbell, originally from Virginia, moved to Japan with his wife Konomi in 2008 and started SFC; he is now one of the managing directors of the Biodynamic Agriculture Association of Japan. Konomi Campbell, originally from Yokohama, Japan, studied at Steiner College and helped to establish the Hibiki-no-Mura collective before cofounding SFC.

    This event is sponsored by Bard’s Luce Foundation Initiative on Asia and the Environment. For more information, contact Mika Endo ([email protected]) or Nathan Shockey ([email protected]).
     

  • Wednesday, December 13, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Wednesday, December 13, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, College Room  11:40 am – 12:40 pm EST/GMT-5
  • Wednesday, December 6, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Wednesday, December 6, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, College Room  11:40 am – 12:40 pm EST/GMT-5
  • Thursday, November 30, 2017 
    William Marotti, Associate Professor of History, UCLA
    Olin Humanities, Room 102  6:30 pm EST/GMT-5
    By 1968, the area around Tokyo's massive Shinjuku Station had become a site for conflict over visions of the future. The Japanese government sold international investors on the city's first designated skyscraper zone while moving millions of commuters—and millions of gallons of jet fuel for American air bases—through the station on a daily basis. Around the station, a growing youth culture lived and imagined a different future via tent theater, street performance, guerrilla folk music, and conspicuous idling. Targeted by media panics, undercover cops and riot police alike, these youth nonetheless created a space of possibility and even revolution against demands for conformity and collusion with the Vietnam War.

    William Marotti is an Associate Professor of History at UCLA and author of Money, Trains and Guillotines: Art and Revolution in 1960s Japan. This talk draws from his current book project, The Art of Revolution: Politics and Aesthetic Dissent in Japan’s 1968, which analyzes cultural politics and oppositional practices in Japan, with particular emphasis on 1968 as a global event.

  • Wednesday, November 29, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Wednesday, November 29, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, College Room  11:40 am – 12:40 pm EST/GMT-5
  • Wednesday, November 22, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Wednesday, November 22, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, College Room  11:40 am – 12:40 pm EST/GMT-5
  • Wednesday, November 15, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Wednesday, November 15, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, College Room  11:40 am – 12:40 pm EST/GMT-5
  • Sunday, November 12, 2017 
    Presented by the Bard Conservatory's U.S.-China Music Institute, with an introduction by Susan Blake, visiting assistant professor of philosophy at Bard College.
    Bitó Conservatory Building  3:00 pm – 5:00 pm EST/GMT-5
    Program will include:
    Ambush on Ten Sides  十面埋伏
    Lofty Mountains and Falling Waters  高山流水
    The Moon Over Fortified Pass  關山月
    Variations on Yang Guan  陽關三疊
    Moonlit River in Spring  春江花月夜
    Song of Henan  河南小曲
    Melody of the Purple Bamboo  紫竹調
    Birds in the Forest  鳥投林

  • Wednesday, November 8, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EST/GMT-5
  • Wednesday, November 8, 2017 
    Chapel of the Holy Innocents  4:00 pm – 5:00 pm EST/GMT-5
    Guqin artist Zhao Jingyang regularly performs and lectures at institutions in Beijing, greater China, and abroad. He continues and builds on the playing tradition of his teacher and mentor, the world class guqin master, Li Xiangting, who in turn was the protégé of legendary guqin master Guan Pinghu. Jinyang is the founder and head of the Jinghua Guqin Society, located in Beijing, and the principal director for the Central Conservatory of Music’s Pedagogy and Proficiency Certification Center.

  • Wednesday, November 8, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, College Room  11:40 am – 12:40 pm EST/GMT-5
  • Wednesday, November 1, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Wednesday, November 1, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, College Room  11:40 am – 12:40 pm EDT/GMT-4
  • Wednesday, October 25, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Wednesday, October 25, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, College Room  11:40 am – 12:40 pm EDT/GMT-4
  • Thursday, October 19, 2017 
    Christopher Coggins
    Professor of Geography & Asian Studies
    Simon's Rock College

    Campus Center, Weis Cinema  4:40 pm EDT/GMT-4
    Animism and vitalism have captured the imagination of post-structural theorists, ontologically-inclined ethnographers, and several cultural geographers. This presentation draws on works by scholars who have explored the divide, or dialectic, between sacred and secular space (Lefebvre, Foucault, Viveiros de Castro, and others) to explore the contemporary political ecology of Tibetan sacred mountains (gzhi bdag) and Han sacred forests (fengshuilin) as China strives to build a post-industrial Ecological Civilization (Shengtai Wenming).

  • Wednesday, October 18, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Wednesday, October 18, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, College Room  11:40 am – 12:40 pm EDT/GMT-4
  • Wednesday, October 11, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Wednesday, October 11, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, College Room  11:40 am – 12:40 pm EDT/GMT-4
  • Wednesday, October 4, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Wednesday, October 4, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, College Room  11:40 am – 12:40 pm EDT/GMT-4
  • Thursday, September 28, 2017 

    Janet Gyatso
    Associate Dean of Faculty & Academic Affairs
    Hershey Professor of Buddhist Studies, Harvard Divinity School
     

    Hegeman 102  4:30 pm EDT/GMT-4
    This talk will present the speaker’s perceptions and experiences at the recent nuns ordination ceremony, held at the Bodhgaya Mahabodhi Temple in India in March 2017, under the direction of the current H. H. Gyalwa Karmapa.  It will contextualize this exciting event in light of the larger female ordination movement in contemporary Buddhism.

  • Wednesday, September 27, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Wednesday, September 27, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, College Room  11:40 am – 12:40 pm EDT/GMT-4
  • Wednesday, September 20, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Wednesday, September 20, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, College Room  11:40 am – 12:40 pm EDT/GMT-4
  • Wednesday, September 13, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Wednesday, September 13, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, College Room  11:40 am – 12:40 pm EDT/GMT-4
  • Wednesday, September 6, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:30 pm EDT/GMT-4
  • Wednesday, May 17, 2017 
    Kline, Faculty Dining Room  5:00 pm EDT/GMT-4
    Come celebrate the end of the year with fellow MESers. Meet faculty, hear about exciting new courses, study abroad programs, senior projects, and a number of incredible iniatives MES students are working on. Snacks will be served. All are welcome.

  • Wednesday, May 10, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:30 pm – 7:30 pm EDT/GMT-4
  • Wednesday, May 10, 2017 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  1:20 pm – 2:20 pm EDT/GMT-4
  • Wednesday, May 3, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:30 pm – 7:30 pm EDT/GMT-4
  • Wednesday, May 3, 2017 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  1:20 pm – 2:20 pm EDT/GMT-4
  • Wednesday, April 26, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:30 pm – 7:30 pm EDT/GMT-4
  • Wednesday, April 26, 2017 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  1:20 pm – 2:20 pm EDT/GMT-4
  • Friday, April 21, 2017 
    Closing Ceremony and Procession to waterfall:
    Friday, April 21 at 10:00 a.m.

    RKC Lobby  10:00 am EDT/GMT-4
    The Venerable Lama Tenzin Yignen, Tibetan Buddhist monk from the Dalai Lama's home monastery Namgyal and Professor at Hobart and William Smith Colleges, will install a sand mandala, a "cosmic diagram that represents the dwelling place or "celestial mansion" of the Buddha of Compassion, over the course of five days. Just when it is complete, the mandala will be ritually cut, swept together, and taken in procession down to the river in this performed lesson on impermanence.

  • Wednesday, April 19, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:30 pm – 7:30 pm EDT/GMT-4
  • Wednesday, April 19, 2017 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  1:20 pm – 2:20 pm EDT/GMT-4
  • Wednesday, April 12, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:30 pm – 7:30 pm EDT/GMT-4
  • Wednesday, April 12, 2017 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  1:20 pm – 2:20 pm EDT/GMT-4
  • Tuesday, April 11, 2017 
    Documentary Film Screening and Q&A with the Director, Dinesh Sabu
    Preston Hall 110  4:45 pm EDT/GMT-4
    Twenty years after the death of his parents, Indian-American filmmaker Dinesh Sabu begins a journey to finally piece together their story. Uncovering a silenced family history of mental illness, Sabu confronts the legacy of having a schizophrenic mother who died by suicide, the reality of growing up an orphaned immigrant, and the trauma of these events. Raised by his older siblings, Sabu had little idea who his parents were or where he came from. Through making Unbroken Glass, he attempts to put together their story and his own. 

  • Wednesday, April 5, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:30 pm – 7:30 pm EDT/GMT-4
  • Wednesday, April 5, 2017 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  1:20 pm – 2:20 pm EDT/GMT-4
  • Wednesday, March 29, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:30 pm – 7:30 pm EDT/GMT-4
  • Wednesday, March 29, 2017 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  1:20 pm – 2:20 pm EDT/GMT-4
  • Wednesday, March 22, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:30 pm – 7:30 pm EDT/GMT-4
  • Wednesday, March 22, 2017 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  1:20 pm – 2:20 pm EDT/GMT-4
  • Wednesday, March 15, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:30 pm – 7:30 pm EDT/GMT-4
  • Wednesday, March 15, 2017 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  1:20 pm – 2:20 pm EDT/GMT-4
  • Wednesday, March 8, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:30 pm – 7:30 pm EST/GMT-5
  • Wednesday, March 8, 2017 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  1:20 pm – 2:20 pm EST/GMT-5
  • Monday, March 6, 2017 
    Olin Humanities, Room 102  5:30 pm EST/GMT-5
    Gurinder Singh Mann
    Emeritus Professor of Sikh Studies
    University of California, Santa Barbara
     One of the world’s foremost authorities on the Sikh tradition, Gurinder Singh Mann is a historian and former professor of Sikh and Punjab Studies at the University of California, Santa Barbara. He has published widely on Sikh history, scripture, and literature. His books include Sikhism, The Making of Sikh Scripture, and Buddhists, Hindus and Sikhs in America.

  • Wednesday, March 1, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:30 pm – 7:30 pm EST/GMT-5
  • Wednesday, March 1, 2017 
    Olin Humanities, Room 102  6:00 pm EST/GMT-5
    Who gets to speak for China? During the interwar years, when American
    condescension toward “barbarous” China yielded to a fascination with
    all things Chinese, a circle of writers sparked an unprecedented
    public conversation about American–Chinese relations. Hua Hsu will
    discuss his book, A Floating Chinaman: Fantasy and Failure Across the
    Pacific, and the rivalries which emerged between powerful writers and
    gatekeepers like Pearl Buck, Carl Crow, and Henry Luce and largely
    overlooked immigrant writers like the D.I.Y. oddball H.T. Tsiang. How
    do these conversations about Asian American identity or transpacific
    geopolitics continue into today? What role do market pressures and
    imagined rivalries play in the creative process? How did failure
    inspire one man toward radical dreams of floating away?

    Hua Hsu is an associate professor of English at Vassar College, where
    he also directs the program in American Studies. He is the author of A
    Floating Chinaman: Fantasy and Failure Across the Pacific, published
    last year by Harvard University Press. He has previously written for
    Artforum, The Atlantic, Grantland, Slate, and The Wire. He is
    currently a contributor to the New Yorker where he reviewed Kanye West's
     “The Life of Pablo'" and Run the Jewels’ “RTJ3.” He serves on the
     executive board of the Asian American Writers’ Workshop.
    All invited!

  • Wednesday, March 1, 2017 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  1:20 pm – 2:20 pm EST/GMT-5
  • Thursday, February 23, 2017 
    Weis Cinema  4:45 pm – 6:00 pm EST/GMT-5
    The March 11, 2011 earthquake, tsunami, and nuclear meltdown sent
    shockwaves through all of Japanese society, including the literary and artistic
    worlds which quickly responded. This presentation looks at the wave of writing
    produced since the disasters and examines how poets have used their art to
    comment on the ongoing crisis at Fukushima.

    Speaker:
    Jeffrey Angles, Associate Professor of Japanese Literature, Western Michigan University


     

  • Wednesday, February 22, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:30 pm – 7:30 pm EST/GMT-5
  • Wednesday, February 22, 2017 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  1:20 pm – 2:20 pm EST/GMT-5
  • Wednesday, February 15, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:30 pm – 7:30 pm EST/GMT-5
  • Wednesday, February 15, 2017 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  1:20 pm – 2:20 pm EST/GMT-5
  • Wednesday, February 8, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:30 pm – 7:30 pm EST/GMT-5
  • Wednesday, February 8, 2017 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  1:20 pm – 2:20 pm EST/GMT-5
  • Wednesday, February 1, 2017 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:30 pm – 7:30 pm EST/GMT-5
  • Wednesday, February 1, 2017 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  1:20 pm – 2:20 pm EST/GMT-5
  • Wednesday, December 21, 2016 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:00 pm EST/GMT-5
  • Wednesday, December 21, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EST/GMT-5
  • Wednesday, December 14, 2016 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:00 pm EST/GMT-5
  • Wednesday, December 14, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EST/GMT-5
  • Wednesday, December 7, 2016 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:00 pm EST/GMT-5
  • Wednesday, December 7, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EST/GMT-5
  • Wednesday, November 30, 2016 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:00 pm EST/GMT-5
  • Wednesday, November 30, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EST/GMT-5
  • Wednesday, November 23, 2016 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:00 pm EST/GMT-5
  • Wednesday, November 23, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EST/GMT-5
  • Wednesday, November 16, 2016 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:00 pm EST/GMT-5
  • Wednesday, November 16, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EST/GMT-5
  • Thursday, November 10, 2016 
    Dr. Yuhan Sohrab-Dinshaw Vevaina
    Yarshater Assistant Professor of Avestan and Pahlavi at the University of Toronto

    Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  6:00 pm EST/GMT-5
    This conversation, moderated by Shai Secunda (Religion), will probe the efforts of Zoroastrian theologians to make sense of their ancient Iranian tradition; the distinction between theology and critical scholarship in the study of Zoroastrianism; and the sociology of knowledge in a field where  Orientalism, minority identity, and related factors collide. 

    Participants are strongly encouraged to read Dr. Vevaina's article “Theologies and Hermeneutics,” in The Wiley Blackwell Companion to Zoroastrianism (2015), 211-234, in advance.  

    Contact Shai Secunda for a pdf of the article.  

  • Wednesday, November 9, 2016 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:00 pm EST/GMT-5
  • Wednesday, November 9, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EST/GMT-5
  • Wednesday, November 2, 2016 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:00 pm EDT/GMT-4
  • Wednesday, November 2, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EDT/GMT-4
  • Friday, October 28, 2016 
    Olin Humanities, Room 102  7:00 pm – 9:30 am EDT/GMT-4
    A screening of the Japanese documentary "A" (dir. Mori Tatsuya), about the Aum Shinrikyo cult following the arrest of its leaders for instigating the sarin gas attack on the Tokyo subway system in 1995.

  • Wednesday, October 26, 2016 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:00 pm EDT/GMT-4
  • Wednesday, October 26, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EDT/GMT-4
  • Wednesday, October 19, 2016 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:00 pm EDT/GMT-4
  • Wednesday, October 19, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EDT/GMT-4
  • Monday, October 17, 2016 
    China’s greatest prose experimentalist reads from recent work
    Campus Center, Weis Cinema  4:00 pm EDT/GMT-4
    Can Xue is a Chinese avant-garde fiction writer and literary critic. English translations of her fiction include Blue Light in the Sky and Other Stories, Five Spice Street, Vertical Motion, The Last Lover (winner of the Best Translated Book Award), and the forthcoming Frontier.

    Introduced by Bradford Morrow and followed by a Q&A, this event is free and open to the public; no tickets or reservations are required. The reading is presented by the Innovative Contemporary Fiction Reading Series and cosponsored by the Program in Written Arts, with support from the Chinese Students Organization and Bard’s programs in Chinese and Asian studies.

    “If China has one possibility of a Nobel laureate it is Can Xue.” —Susan Sontag

    “Can Xue is one of the most innovative and important contemporary writers in world literature. She possesses one of the most glorious, vivid, lyrical, elaborate, poignant, hellacious imaginations on the planet. She is the finest revolutionary Gothicist writing today and the true daughter of Kafka and Borges. No reader emerges from her powerful fictional dreams unscathed, for her work is as dangerous as it is beautiful. She can infiltrate the deepest part of our human experience with such subtlety and totality that it takes my breath away.” —Bradford Morrow

    “All that opposes my training, my literary culture, and even my gut instincts as a writer lives in her self-presentation. Here is the writer as true iconoclast, the uncompromising original.” —Porochista Khakpour

    “Can Xue has found not just a new direction but a new dimension to move in, a realm where conscious beings experience space, time, and each other unbound from the old rules.” —Music and Literature

    “Can Xue is the most original voice to arise in Chinese literature since the midcentury upheavals. Although nothing is predictable here, each line as if plucked anew from space, there is nonetheless a profound organicity. In short, there’s a new world master among us and her name is Can Xue.” —Robert Coover

    “The traditional expectation of narrative history in China has been to find a central meaning that could effectively master chaos. Can Xue’s stories are like a piece of dynamite at the foundation of this elaborate edifice.” —Modern Chinese Literature

  • Wednesday, October 12, 2016 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:00 pm EDT/GMT-4
  • Wednesday, October 12, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EDT/GMT-4
  • Wednesday, October 5, 2016 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:00 pm EDT/GMT-4
  • Wednesday, October 5, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EDT/GMT-4
  • Wednesday, September 28, 2016 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:00 pm EDT/GMT-4
  • Wednesday, September 28, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EDT/GMT-4
  • Wednesday, September 21, 2016 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:00 pm EDT/GMT-4
  • Wednesday, September 21, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EDT/GMT-4
  • Wednesday, September 14, 2016 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:00 pm EDT/GMT-4
  • Wednesday, September 14, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EDT/GMT-4
  • Wednesday, September 7, 2016 
      Please join us weekly. Stay for as long as you would like.
    Kline, President's Room  6:00 pm – 7:00 pm EDT/GMT-4
  • Wednesday, September 7, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EDT/GMT-4
  • Wednesday, May 18, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  6:30 pm – 7:30 pm EDT/GMT-4
  • Wednesday, May 18, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EDT/GMT-4
  • Wednesday, May 11, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  6:30 pm – 7:30 pm EDT/GMT-4
  • Wednesday, May 11, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EDT/GMT-4
  • Thursday, May 5, 2016 
      student curated short-film screenings inspired by PEEP cinema
    Preston  5:30 pm – 7:00 pm EDT/GMT-4
    Students Grace Calderly and Lian Ladia curate a selection of short films focused on "the insider looking or in" and the return of the gaze in the idea of peep cinema. This film program is the students final project for Curating Cinema at CCS Bard.

  • Wednesday, May 4, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  6:30 pm – 7:30 pm EDT/GMT-4
  • Wednesday, May 4, 2016 
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    Kline, President's Room  12:45 pm – 1:45 pm EDT/GMT-4
  • Monday, May 2, 2016 
    Olin Humanities, Room 102  6:30 pm EDT/GMT-4
    D. Max Moerman
    Department of Asian and Middle Eastern Cultures
    Barnard College

  • Wednesday, April 27, 2016 
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    Kline, President's Room  6:30 pm – 7:30 pm EDT/GMT-4
  • Wednesday, April 27, 2016 
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    Kline, President's Room  12:45 pm – 1:45 pm EDT/GMT-4
  • Wednesday, April 20, 2016 
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    Kline, President's Room  6:30 pm – 7:30 pm EDT/GMT-4
  • Wednesday, April 20, 2016 
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    Kline, President's Room  12:45 pm – 1:45 pm EDT/GMT-4
  • Wednesday, April 13, 2016 
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    Kline, President's Room  6:30 pm – 7:30 pm EDT/GMT-4
  • Wednesday, April 13, 2016 
    Exhibition: April 1-30. Special Panel Discussion on April 13
    Campus Center, Weis Cinema  6:00 pm – 8:00 pm EDT/GMT-4
    During the Cultural Revolution (1966-1976) Tang Desheng had an opportunity to photograph the students who were sent from the cities to the rural countryside.  For this he was well prepared. His family owned a photo shop in the small city of Changzhou, Jiangsu for several generations. Despite the restrictions and expense of photography and maintaining a capitalist enterprise, the family business thrived, because every year everyone required an identity photo, and they waited on long lines to have their picture taken; and then there were celebratory occasions to be recorded like births, marriages, birthdays, graduation, and the 100 day ceremony. Ten years before, Tang was in the army taking photographs for the government. At the onset of the Cultural Revolution, Tang left his home to travel with the youths from the city who were sent to the countryside. He explained  that he was curious about the kind of the life they would find in the rural areas, how they would adjust to it,  and perhaps he wanted to be part of the youth movement.

    Curated by Patricia Karetzky,
    Oskar Munsterberg Chair of Asian Art, Bard College. 
    Exhibition: Campus Center, April 1-30

    Panel Discussion
    April 13, 2016
    6pm, Weis Cinema (Campus Center)
    Free & Open to the Public
    Panelists Include:Thomas Keenan; Associate Professor of Comparative Literature; Director, Human Rights ProgramRobert Berkowitz; Associate Professor of Political Studies and Human Rights; Academic Director, Hannah Arendt Center
    Drew Thompson; Assistant Professor of Africana and Historical Studies
    Gilles Peress; Distinguished Visiting Professor of Human Rights and Photography 
    Robert Culp; Associate Professor of History; Chair, Social Studies Division
    MORE:
    As a young professional photographer he followed a good instinct for a chance to record history, he followed the story. During his vacations and weekends Tang lived in various rural communities, following the students all over China for a period of ten years. He followed the educated youth traveling to Sichuan, Shanghai and Nanjing, Hainan, Shandong, Yunan, Heilongjiang, among other places. As he was entrenched with the youthful community, he recorded the events in their life from the momentous to the routine, and his photos recreate for us a visual history of those days. The vast majority of the photos are black and white taken with a Rollei Reflex twin lens camera his older sister gave him. Part of the value of his work is that he uniquely captured a movement that lasted a decade and covered a wide geography.  Tang sought communion with the students, he was not content to be an observer, but became a member of their community to share their living circumstances no matter how meager. Tang shot them working, eating, resting, enjoining in private moments of intimate heartbreak and in the frenzy of public denunciation meetings. Looking at the photos one can relive those moments in all their complexity. Tang’s work is also invaluable because cameras were very expensive and people were not allowed to use them freely. In contrast to the staged images contracted by state agencies, some of these are spontaneous pictures and Tang is sometimes able to show the activities as well as the emotions of the participants.  Part of the complexity of this project is its depiction of a positive aspect of the students’ lives, despite their extreme hardships in the countryside.  Tang’s work met with resistance, sometimes he was beaten up for taking the photographs and he was suspect for members of his family lived overseas in Hong Kong and Macao. It is interesting that a few of the people remained in Changzhou or returned to visit the small city and took the opportunity to seek him out in recent years and renew their acquaintance with him.
    Ostensibly the students who were brought up and educated in the cities were sent to the countryside to learn how to help the farmers and to learn about the rural life led close to the land; on the other hand they were to spread the urban culture to the rural population. For them, at this time of China's economic instability and financial deprivation they were assured of jobs, housing and food. Because of the shortage of food, the students could not return home to the city where they would be dependent on their family’s meager food supply. This essay will present the body of Tang's work from this period organized according to the themes of: work, science and technology, education, entertainment and indoctrination. We begin with a photo of Welcoming the students to Mengcheng Commune in 1970, when the local people came out to shake the students’ hands, with offerings of food, and festive flags.  Optimistic at first, the students had a hard time adjusting to life in the countryside, the grueling labor, tedium, homesickness, and poor living conditions. As they were not allowed to return home, some married local people, and after ten years many grew depressed and despondent. Only two out of a hundred were sent back to the city.


    Download: chinese final.pdf

    Press Release: View
  • Wednesday, April 13, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EDT/GMT-4
  • Wednesday, April 6, 2016 
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    Kline, President's Room  6:30 pm – 7:30 pm EDT/GMT-4
  • Wednesday, April 6, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EDT/GMT-4
  • Friday, April 1, 2016 – Saturday, April 30, 2016 
    Photos of the Cultural Revolution
    Campus Center, Lobby  10:00 am – 5:00 pm EDT/GMT-4
    Tang Desheng, a young Chinese photographer, embedded himslef in the youth movment, when the government closed all the schools and sent the students to the countryside to learn from the farmers and  to spread Chinese culture. For the ten years of the Culltural Reveolution 1966-1976, he lived among the students and  took photos of them at work, at propaganda rallies, studying and in private moments. This personal archive is quite different from the govenrment material recording the movement in that it shows an individual's reaction to the difficult circumstances and reactions of the students to their harsh life.

  • Wednesday, March 30, 2016 
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    Kline, President's Room  6:30 pm – 7:30 pm EDT/GMT-4
  • Wednesday, March 30, 2016 
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    Kline, President's Room  12:45 pm – 1:45 pm EDT/GMT-4
  • Wednesday, March 23, 2016 
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    Kline, President's Room  6:30 pm – 7:30 pm EDT/GMT-4
  • Wednesday, March 23, 2016 
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    Kline, President's Room  12:45 pm – 1:45 pm EDT/GMT-4
  • Thursday, March 17, 2016 
    "SubUrbanisms"
    Preston  5:00 pm EDT/GMT-4
    The dramatic expansion of the historically marginalized gaming industry has led to a proliferation of casinos in the American landscape. Casinos now draw concentrated flows of capital, goods, and people into the urban periphery throughout the country. In regions with existing Asian populations, these flows of casino patrons and workers have also brought recent Chinese immigrants into these sub-urban areas. 

    By framing the expansion of the gaming industry in terms of the unique types of urbanization that have emerged within existing sub-urban communities, SubUrbanisms explores the ways in which these casino company towns and china towns challenge the cultural assumptions, values, and norms rooted in the American suburban landscape. By documenting, interpreting, and speculating upon these urban transformations of the suburban fabric, SubUrbanisms provides alternative models to address the
    sustainabilities of American suburban living, as well as alternative understandings of hybrids, adaptive reuse, and informal, user-oriented, and bottom-up approaches to design. 
     

  • Wednesday, March 16, 2016 
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    Kline, President's Room  6:30 pm – 7:30 pm EDT/GMT-4
  • Wednesday, March 16, 2016 
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    Kline, President's Room  12:45 pm – 1:45 pm EDT/GMT-4
  • Wednesday, March 9, 2016 
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    Kline, President's Room  6:30 pm – 7:30 pm EST/GMT-5
  • Wednesday, March 9, 2016 
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    Kline, President's Room  12:45 pm – 1:45 pm EST/GMT-5
  • Wednesday, March 2, 2016 
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    Kline, President's Room  6:30 pm – 7:30 pm EST/GMT-5
  • Wednesday, March 2, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EST/GMT-5
  • Friday, February 26, 2016 
    Bitó Conservatory Building  4:30 pm EST/GMT-5
    A concert of traditional Chinese folk music and new works performed by faculty from the China Conservatory in Bejing using traditional Chinese instruments.
    Free performance with reception to follow.

  • Wednesday, February 24, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  6:30 pm – 7:30 pm EST/GMT-5
  • Wednesday, February 24, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EST/GMT-5
  • Monday, February 22, 2016 
      Resonances of Silence and Chindon-ya
    Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  6:15 pm EST/GMT-5
    Speaker: Marié Abe (Assistant Professor of Music, Boston University)In April 2011—one month after the devastating M9.0 earthquake, tsunami, and subsequent crises at the Fukushima nuclear power plant in northeast Japan—a large antinuclear demonstration took over the streets of Tokyo. 15,000 participants, including concerned mothers, environmentalists, and unemployed youth, were led by the raucous sound of chindon-ya, a Japanese practice of musical advertisement. Dating back to the late 1800s, chindon-ya are musical troupes that publicize business by marching through the streets. Professor Abe will explore how this erstwhile commercial practice became a sonic marker of a mass social movement in spring 2011, paying attention to the affective principles that inform chindon-ya performance by considering their role in the anti-nuclear protests in a time characterized by the precariousness of economic and social life in contemporary Japan. When the public display of merriment was discouraged by the socially mandated silence in the name of national mourning, who were these musicians who chose to sound out festively against the government’s energy policies and its much-criticized reactions to the disasters?

  • Wednesday, February 17, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  6:30 pm – 7:30 pm EST/GMT-5
  • Wednesday, February 17, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EST/GMT-5
  • Wednesday, February 10, 2016 
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    Kline, President's Room  6:30 pm – 7:30 pm EST/GMT-5
  • Wednesday, February 10, 2016 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room  12:45 pm – 1:45 pm EST/GMT-5
  • Wednesday, December 16, 2015 
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    Kline, President's Room 
  • Wednesday, December 16, 2015 
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    Kline, President's Room 
  • Wednesday, December 9, 2015 
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    Kline, President's Room 
  • Wednesday, December 9, 2015 
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    Kline, President's Room 
  • Wednesday, December 2, 2015 
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    Kline, President's Room 
  • Wednesday, December 2, 2015 
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    Kline, President's Room 
  • Wednesday, November 25, 2015 
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    Kline, President's Room 
  • Wednesday, November 25, 2015 
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    Kline, President's Room 
  • Wednesday, November 18, 2015 
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    Kline, President's Room 
  • Wednesday, November 18, 2015 
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    Kline, President's Room 
  • Monday, November 16, 2015 
    Olin Humanities, Room 204  6:00 pm EST/GMT-5
    Andy Rotman
    Professor of Religion
    Smith College

  • Wednesday, November 11, 2015 
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    Kline, President's Room 
  • Wednesday, November 11, 2015 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room 
  • Wednesday, November 4, 2015 
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    Kline, President's Room 
  • Wednesday, November 4, 2015 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room 
  • Wednesday, October 28, 2015 
    Trans-Pacific Visions in Asian American Art
    Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  6:30 pm EDT/GMT-4
    This talk focuses on the Asia Pacific region and selected works by contemporary U.S.-based Asian American artists that engage themes of trans-Pacific circulation and global systems of cross-cultural exchange. Based on Dr. Machida’s current research in Hawai’i, this talk draws attention to islands as a generative framework to analyze and to compare art in the Asia Pacific region and the Americas. The Pacific, with more islands than the world’s other oceans combined, is above all an island realm. Accordingly Islands and associated oceanic imaginaries exert a powerful hold on works by artists who trace their ancestral origins to coastal East and Southeast Asia and Oceania.  All are invited to this talk about these exciting contemporary artists.


  • Wednesday, October 28, 2015 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room 
  • Wednesday, October 28, 2015 
    Howard French
    Associate Professor
    Graduate School of Journalism
    Columbia University

    Olin Humanities, Room 102  5:00 pm EDT/GMT-4
    I will speak about the processes that first began drawing large numbers of new Chinese migrants to Africa in the early to mid 1990's, and then speak to the question of the global geopolitical and economic setting that pushed events in this direction, albeit with some surprising outcomes. These include the end of Maoism, the launching of China's reform and opening period, the end of the Cold War, and what has come to be known by some as the War on Terror.

  • Wednesday, October 28, 2015 
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    Kline, President's Room 
  • Wednesday, October 21, 2015 
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    Kline, President's Room 
  • Wednesday, October 21, 2015 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room 
  • Thursday, October 15, 2015 
    by Dr. Ramona Bajema
    RKC 103  6:30 pm EDT/GMT-4
    Ramona Bajema has spent the past four years searching through the post-triple disaster remains to understand what cannot be washed away by a 100-meter high wave that obliterated entire cities, leaving only scraps, shards, and severed lives. The wave left debris in its wake, but there have been intangible forces that it could not erase—traces of memory, ghosts, and rituals that gave new life to long-abandoned public works projects, machi-tsukuri (town-building) plans, and disaster tourism. In addition to the clean-up of contaminated areas in Fukushima, a second wave of “recovery” and “reconstruction” has swept through northeastern Japan powered by slogans of hope and solidarity to people in despair hoping to go back in time. Bajema will discuss some of her observations of Sanriku’s recovery as she has witnessed them since 2011.
     

  • Wednesday, October 14, 2015 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room 
  • Wednesday, October 14, 2015 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room 
  • Wednesday, October 7, 2015 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room 
  • Wednesday, October 7, 2015 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room 
  • Monday, October 5, 2015 
    Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  Dennis Dalton
    Professor Emeritus of Political Science at Barnard College, and author of Mahatma Gandhi: Nonviolent Power in Action and several other books.

    The value of forgiveness was central to Gandhi's teaching as well as to his effectiveness as the leader of India's independence movement. The lecture will describe specific cases where Gandhi demonstrated its power throughout his career, from 1919 to 1947. In the broadest sense, the virtue of forgiveness has an enduring and universal meaning so the lecture starts with its recent expression by members of Emmanuel Church in Charleston and includes commentary on Martin Luther King's teaching. This shows its relevance to conflict resolution in America today. From this cross cultural narrative comes the question of what we may learn from Gandhi's example about the redeeming force of forgiveness?

  • Wednesday, September 30, 2015 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room 
  • Wednesday, September 30, 2015 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room 
  • Wednesday, September 23, 2015 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room 
  • Wednesday, September 23, 2015 
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    Kline, President's Room 
  • Wednesday, September 16, 2015 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room 
  • Wednesday, September 16, 2015 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room 
  • Wednesday, September 9, 2015 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room 
  • Wednesday, September 9, 2015 
      Please join us weekly.  Stay for as long as you would like.
    Kline, President's Room 
  • Friday, September 4, 2015 
      Olin 102  Interested in applying for a Fulbright Scholarship, a Watson fellowship, or another postgraduate scholarship or fellowship? This information session will cover application procedures, deadlines, and suggestions for crafting a successful application. Applications will be due later this month, so be sure to attend one of the  two information sessions!

  • Thursday, September 3, 2015 
      RKC 103  Interested in applying for a Fulbright Grant, a Watson Fellowship, or another postgraduate scholarship or fellowship? This information session will cover application procedures, deadlines, and suggestions for crafting a successful application. Applications will be due later this month, so be sure to attend one of these two sessions!

  • Friday, May 8, 2015 
      Campus Center, Multipurpose Room  Bard College's Traditional Chinese Instrument Collective in collaboration with the GCC invites the EastRiver Ensemble from the Mencius Society to perform a concert for the local community!

    Come join us for an early evening of traditional Chinese music. There will be food and drink!



    Download: EastRiver Ensemble Ad.pdf
  • Tuesday, April 7, 2015 
    Reem-Kayden Center  Tuesday, April 7 - Saturday, April 11
    RKC Lobby
    Closing Ceremony and Procession to waterfall: 
April 11 at noon

    Screening of short films from "Tibetan Stories"
    Thursday, April 9, 7-9 pm. Weis Cinema
    followed by a panel discussion with film maker Russell Avery, Lama Tenzin Yignyen, Rae Erin Dachille-Hey and Kay Larson.

    Free and open to the public

    The Venerable Lama Tenzin Yignen, Tibetan Buddhist monk from the Dalai Lama’s home monastery Namgyal and professor at Hobart and William Smith Colleges, will install a sand mandala, a “cosmic diagram that represents the dwelling place or celestial mansion” of the Buddha of Compassion, over the course of six days.  Just when it is complete, the mandala will be ritually cut, swept together, and taken in procession down to the river in this performed lesson on impermanence. 



  • Monday, March 2, 2015 
      A lecture by Dr. Jyrki Kallio
    Hegeman 102  What is behind the revival of tradition in modernizing China?

    The presentation discusses the various interpretations of Confucianism which have prevailed during different historical eras, as well as the contemporary significance of Confucianism in China, East Asia, and the world.


    Confucianism is enjoying a revival in China. During the last century, it was rejected by the revolutionaries as reactionary, but recently the Chinese government has started promoting traditional values associated with Confucianism, such as harmony, decency and law-abidingness. At the same time, signs of a more spontaneous revival can be seen on the grass-roots level, such as parents sending their children to Confucian "Sunday schools" to study the classics by rote. Many academics have started researching the roots of Confucianism, some arguing that its "true" nature is not in line with the collectivist values which the government advocates, but in individual self-enlightenment, instead.


  • Thursday, February 19, 2015 
      Yu Zhang
    Olin LC, 210  In 1953, the People’s Republic of China urged educated peasant youths in cities and towns to return to their rural homes. Accordingly, there emerged a series of films depicting the homecoming experience of the junior and senior high school students, who voluntarily went back to village hometowns and collaborated with local peasants for socialist construction. The “return to the village” trend went together with the state-initiated rural industrialization during the Great Leap Forward Campaign of 1958-1960. My presentation focuses on two homecoming films The Young People in Our Village (Women cunli de nianqing ren, 1959) and its sequel (1963) under the same title. I examine the cinematic representations of industrialization as an affective experience and how an affective Maoist industrial culture bridged the “cold face” of industry with local everyday life experience as well as utopian visions of community. Both films portray the ways in which the rural masses deployed artisanal skills in their participation in an industrial enterprise. I demonstrate the other side of socialist practice, highlighting the small-scale, the homemade, and the handmade as distinct from monumentality and sublimity that characterized socialist aesthetics. I conclude my talk with a reflection on the underside of the homemadeness and handmadeness in socialist industry and a comparative reading with a rural-subject film titled Old Well (Laojing, 1986) produced in Post-Mao China.Yu Zhang received her Ph.D. in Chinese from Stanford University in June, 2014. She is currently an Assistant Professor of Chinese at Randolph-Macon College, USA. Her primary research interests include modern and contemporary Chinese literature, film, and cultural history. She is completing a book manuscript titled “To the Soil: the Rural and the Modern in Chinese Cultural Imaginations, 1915-1965.” It focuses on the cultural practices and representations of going to the countryside in modern China, investigating the relationship between the rural and the Chinese experience of modernity.


  • Monday, February 16, 2015 
      Yingzhi Zhao
    Olin LC, 210  Space is existential; existence is spatial. The experience of space defines the essential structure of our being. Today in China country folks defy the system of registered permanent residence by flocking to the city, regardless of the fate of struggling on the lowest social stratum of the city as migrant workers. Meanwhile city dwellers are desperate to own a town house, only to find them becoming the slaves of their private property. One needs space to assert one’s existence. This modern phenomenon of the symbiosis of space and existence has its mirror images in the other periods of Chinese history. For the Chinese literati whose lives and works crossed the Ming-Qing divide in the mid and late 17th century, creating, possessing, and identifying with their ideal space was an equally urgent issue. Then as now, many lacked the sociopolitical privilege and wealth to guarantee them an ideal space of their own. The Ming-Qing transition added political connotations to the depiction of space in the writings of early Qing literati, which centers on ruins (literally broken mountains and remains of waters) and imaginary lands, two complementary tropes that explore the dialectic relation between destruction and construction in an age of devastation. My preliminary research of the spatial imagination of the early Qing literati focuses on Zhang Dai and Dong Yue, two representatives of the so-called remnant subjects, who expressed their commitment to or nostalgia for the fallen Ming dynasty and were willing to be the outsiders of the sociopolitical order of the Qing dynasty.


  • Tuesday, February 10, 2015 
      Wah Guan Lim
    Olin LC, 210  Kuo Pao Kun (1939-2002) is widely regarded as Singapore's most important dramatist to date.  An avid theatre practitioner who was originally only active in the Chinese-language sphere, Kuo proceeded in the 1980s to conduct workshops and write plays in the English language, as well as develop a multilingual theatre praxis that henceforth became the definitive model of Singaporean theatre.  As a result, all the major artists in both the current local Chinese- and English-language theatre circles have been nurtured under his influence.  In crossing the linguistic divide that governed Singaporean ethnic groups prior to the 1980s, Kuo was not only responding to the government's suppression of Chinese-language education, he was at the same time lending a voice to the Chinese-educated Singaporeans who had been disenfranchised by the 1979 language policy that favored English-language speakers. Beginning with his magnum opus Mama Looking for Her Cat (1988), Kuo’s theatre praxis encapsulated a holistic Singaporean experience that revolutionized the hitherto monolingual tradition of drama in Singapore. His work can be seen as a space for articulating an alternative form of cultural identity in contradistinction to the government’s “Multiracial Model.”


  • Monday, February 9, 2015 
      Olin Humanities, Room 201  Constance Kassor
    Visiting Assistant Professor
    Smith College Department of Religion
    Director, Five College Tibetan Studies in India Program
    Instructor, Rangjung Yeshe Institute Online Learning Program

    “We are what we pretend to be: Constructing identity through argument in Tibetan Buddhism”How does a person claim membership in a particular group, or conceive of his or her personal identity? What is it that grants some people the authority to be taken seriously by others? This talk will explore some of the ways that identity and authority can be constructed, through analyzing the philosophical work of the 15th-century Tibetan Buddhist monk Gorampa Sonam Senge. By looking at the ways in which Gorampa constructs some of his philosophical arguments, we will see that identity is constructed  through what one claims to do, just as much as through what one actually does.



  • Thursday, February 5, 2015 
      Avery Art Center  A film shot in Nepal, produced through Harvard Sensory Ethnography Lab.

  • Monday, February 2, 2015 
      Olin Humanities, Room 101  Annabella C. Pitkin, Ph.D.
    Barnard College, Columbia University
    will give a talk

    “THE MEMORY OF MIRACLES: MODES OF TIBETAN BUDDHIST POWER”Accounts of holy individuals who display miraculous abilities appear frequently in Tibetan Buddhist literature, and remain popular among Tibetan Buddhists today. This talk examines the significance of miracle narratives in the life story of one twentieth century Tibetan Buddhist master. Contemporary Tibetan Buddhists remember and interpret his miracles in ways that reveal multiple Buddhist understandings of faith, reason, and power, and suggest the potential of Buddhist contributions to debates about religion and secularism in the modern world.

  • Thursday, December 4, 2014 
    Weis Cinema  A lecture by Norma Field, Professor Emerita of Japanese Studies,
    The University of ChicagoMore than three-and-a-half years have passed since the Fukushima nuclear catastrophe. It has disappeared, for the most part, from the headlines and consciousness of the world. But for the residents of Fukushima and others scattered over the Japanese archipelago, the disaster is ever present, perhaps most of all for those who would banish it from their minds. What does "living with Fukushima" mean? How is it the same and different from living with the impact of the earthquake and tsunami of March 11, 2011? What difference does it make if we consider it an "accident," a "disaster," or a "crime"? What if we add the choice of "scientific experiment" to this series--how do the terms affect each other, and how might the series of terms affect how we think about the whole of the nuclear age, going back, for instance, to the Trinity test site in New Mexico, where the National Cancer Institute has decided to study, 70 years later, the impact of the explosion on local residents?

  • Thursday, October 30, 2014 
    Postwar Systems Theory, Cybernetic Gurus, and Postmodern Stories of the Worlds to Come
    Reem-Kayden Center Room 103  Guest lecturer R. John Williams (Yale)

    From the mid-1940s to the late-1950s, a new mode of ostensibly secular prophecy emerged from within the authoritative sphere of the American military-industrial-academic complex, spreading quickly throughout the world in technocratic and managerial organizations. This new mode of projecting forward was marked by assumptions about the inherent multiplicity of possible futures as distinct from more powerfully singular visions of “the” future. This presentation tracks the development of this  transformation in two phases: the first computational, secular, and  cybernetic, and the second, narratological, quasi-religious, and generally committed to various "oriental" philosophies.  Questions addressed will include: Is the postmodern era, as some have described it, an “end of  temporality”? Or is the postmodern narrative condition, rather, an intense multiplication of temporal experience? Is it possible that the sheer number of stories we tell ourselves about the future may not be as progressive a practice as we tend to assume it is? How did we arrive at a present with so many possible futures?

  • Monday, October 27, 2014 

    The Aesthetics and Ethics of Nature in Modern Japanese Poetry


    RKC 103 
    A lecture by Nicholas Albertson, Assistant Professor of Japanese, Wake Forest University

    In their bold poetic experiments of the late 1890s and early 1900s, Shimazaki Tōson and other Japanese writers sought new artistic and ethical insights in “natural” environments freed from conventional poetic allusions. By immersing themselves in unspoiled forest, mountain, and seashore landscapes, these poets found new ideals of “nature” entangled with Romantic ideals of poetic genius. But did these wandering poets sense the dangers in holding up nature as simultaneously safely beyond civilization and harmonious with civilization? Looking ahead to films such as Nausicaa of the Valley of the Wind, we can question the ethical implications of a belief that nature can purify us both aesthetically and chemically.

    Free and open to the public.



  • Wednesday, September 24, 2014 
      "Two Cheers for Corporate Social Responsibility"
    A Talk in the Social Studies Divisional Colloquium

    Olin Humanities, Room 102  As “corporate social responsibility” enters the mainstream, itsinitials "CSR" have become a dirty word for a broad segment of the
    engaged public.  The voluntariness, vagueness, and uncertainty of
    enforcement  – not to mention blatant propaganda by companies –
    overwhelm any positive value, they argue.  At the other end of the
    spectrum, CSR enthusiasts insist that it is leading to a new paradigm,
    even challenging traditional forms of corporate governance. Oft
    overlooked in the debate over CSR is the way in which public campaigns
    have driven change and, even more importantly, shaped the mechanisms
    that emerge. CSR continues to be as much the story of savvy activists
    leveraging global networks as it is the monitoring mechanisms and
    codes of conduct -- maybe more so.  Peter Rosenblum will explore the
    current debate, drawing on his recently completed research on Indian
    Tea plantations and a soon-to-published chapter addressing advocates
    and critics of CSR.

  • Thursday, April 24, 2014 
    A Lecture by Midori Yamamura
    Olin Humanities, Room 102  Yayoi Kusama (b. 1929) is one of Japan's best-known artists. During her 2013 David Zwiner exhibition, enthusiastic viewers lined up for hours to experience her immersive mirror-lined environments. Of the postwar Japanese artists, Kusama has been a popular subject. However, due to her autobiographical narrative of mental illness, which she began dictating in 1975, and her voluntary residence in a mental health facility since 1977, her work has been predominantly interpreted as a symptomatic of her illness.

    Instead of relying on her autobiography, this talk will give a fresh look at Kusama through an object-based historiography, examining the initial development of Kusama's mirrored-environments between 1965 and 1969, against the backdrop of her milieu that I carefully reconstruct from new archival research to discuss how she established her anti-conformist art against late capitalist society.


  • Monday, March 17, 2014 
    a documentary by Atsushi Funahashi
    RKC 103  Three years have passed since the devastating magnitude 9.0 earthquake and tsunami hit Japan on March 11, 2011, crippling the Fukushima Daiichi nuclear power plant. Filmmaker Atsushi Funahashi follows the residents of Futaba, a town located three kilometers from the site of the explosion, who have been turned into “nuclear refugees” upon their forced relocation to a Tokyo suburb. Still today, many are unable to return to their contaminated homes and remain in temporary housing. As the film captures the town’s devastation – dead livestock left to rot, abandoned crops, destroyed homes and businesses, – Nuclear Nation questions the high cost of Japan’s nuclear power industry through the story of these displaced residents and their struggle to adapt to their new environment.

  • Monday, December 16, 2013 
      Sacred Space, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following.All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Thursdays, 5:00 - 6:30 pm

  • Thursday, December 12, 2013 
      Harrison Huang
    Olin Humanities, Room 102  Xie Lingyun (385–433):
    Landscape Poetry and Imperial Performance

    Xie Lingyun was the founder of Chinese landscape poetry, and also arguably the first critic on this literary topic. My talk will present the terms by which Xie articulated his aesthetics of landscape, and contextualize this aesthetics in traditions about kingship, court excursion, and imperial performance.



  • Thursday, December 12, 2013 
      Meditation Room, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Mondays, 7:00 pm - 8:30 pm

  • Monday, December 9, 2013 
      Sacred Space, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following.All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Thursdays, 5:00 - 6:30 pm

  • Friday, December 6, 2013 

    With Hudson Valley Balinese Gamelan Orchestras Giri Mekar and Chandra Kanchana


    Olin Hall  Featuring Guest Artists and Balinese Aficionados Dr. Pete Steele and Shoko Yamamuro; Artistic Director I Nyoman Suadin; and a cast of 40+ musicians.

    Dr. Dorcinda Knauth and her Javanese Degung & Kacapi Suling ensembles: Gamelan Sekar Mawar and Sekar Ligar

    Suggested donation $10. Bard staff, students & faculty: free of charge with ID.

    Students 16 & under are free. Reservations are not necessary.

    This concert is made possible by the Music, Asian Studies, and Religion Programs at Bard College. Also supported in part by The Woodstock Chimes Fund and Ulster Publishing.


  • Thursday, December 5, 2013 
      Meditation Room, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Mondays, 7:00 pm - 8:30 pm

  • Wednesday, December 4, 2013 
      Anatoly Detwyler
    Olin Humanities, Room 204  Writing against the Wave: 
    Shen Congwen and the Social Life of Information in the 1930s Propaganda Boom

    In the 1930s China saw the emergence of propaganda (xuanchuan) both as a common mode of literary practice and as an object of self-reflexive literary representation.  At the same time, propaganda became formalized as an object of scientific knowledge through the formation of propaganda studies.  My talk will first survey how these two interconnected fields collectively registered the increasing importance of propaganda in an era of mass politics and mass media.  I then turn to a contemporary critique of propaganda in the work of the author, Shen Congwen (1902-1988), particularly his late novel, Long River (1937/1943).  Though he is conventionally understood as an apolitical pastoralist, I argue that in his writing Shen recast his narrative vision around the topic of information and its percolation along social and mercantile networks in Western Hunan.  In doing so, he not only evoked a sense of rich social interconnection that stood in opposition to propagandists’ fantasies of remote social control, but also attempted to preserve the complexity of literary writing in the face of propaganda’s simplifying force.



  • Monday, December 2, 2013 
      Sacred Space, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following.All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Thursdays, 5:00 - 6:30 pm

  • Monday, December 2, 2013 
      Shaohua Guo
    Olin Humanities, Room 204  From the Party Line to the Attention Rule:
    Emerging Trends in China’s Digital Public China in the new millennium has witnessed the surge of the digital wave, which has played a pivotal role in reshaping the social and cultural landscapes. This talk links the ascendance of Internet culture with the state-led marketization, commercialization, and modernization projects. It identifies three prominent cultural trends that emerge in China's digital era, namely trailblazing, taboo-breaking, and fun-seeking, and brings to the fore the intertwining official, commercial, individual, and social forces conducive to the vitality and ingenuity of Internet culture in China.

    Please note room change to Olin 204.

  • Thursday, November 28, 2013 
      Meditation Room, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Mondays, 7:00 pm - 8:30 pm

  • Monday, November 25, 2013 
      Sacred Space, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following.All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Thursdays, 5:00 - 6:30 pm

  • Thursday, November 21, 2013 
      Meditation Room, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Mondays, 7:00 pm - 8:30 pm

  • Thursday, November 21, 2013 
      a lecture by Elliot Sperling
    Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  Organised by Students for a Free Tibet, Asian Studies, Historical Studies and Asian Students' Organisation

    The Tibet Question has been discussed from many different angles: as an issue of religious freedom, human rights, cultural preservation, and so on. At the core, however, is a contested history that has provided fuel for quite divergent interpretations of Tibet’s relationship with China and indeed for the basic understanding of Tibet’s past. This talk will take up this contested history and discuss the ways different parties have brought the past into play as justification for actions and policies in the present.

  • Monday, November 18, 2013 
      Sacred Space, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following.All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Thursdays, 5:00 - 6:30 pm

  • Thursday, November 14, 2013 
      Meditation Room, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Mondays, 7:00 pm - 8:30 pm

  • Tuesday, November 12, 2013 
    Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  Andrew Nicholson '94
    Associate Professor
    Stony Brook University

  • Monday, November 11, 2013 
      Sacred Space, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following.All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Thursdays, 5:00 - 6:30 pm

  • Sunday, November 10, 2013 
      Campus Center, Multipurpose Room  Dan Archer creates non-fictional, journalistic comics to offer a new perspective on US foreign and domestic policy and give voice to stories that wouldn’t otherwise be heard. His topics include human trafficking in Nepal, the International Criminal Court, the Honduran Coup, Occupy Oakland, Bhutan refugees and more.
    This event is part of the series "What You Need to Know about Journalism Now," with events taking place November 10–13. Events in this series:

    Comics in Real Life: The Graphic Journalism of Dan Archer
    7 p.m. Sunday, November 10 in the MPR

    Privacy and Freedom of Information in the Age of Digital Journalism: A Panel with Azmat Khan, Noorain Khan, and Nabiha Syed
    6 p.m. Monday, November 11 in Olin 102

    Resignation, Layoffs, and the State of Journalism Now: With Francesca Shanks, Adam Shanks, Tom Casey, Billy Shannon
    5 p.m. Tuesday, November 12 in Preston HallBeing Ambitious and Being Yourself: A Talk by
    Professor Walter Russell Mead
    7 p.m. Wednesday, November 13 in the MPR

  • Thursday, November 7, 2013 
      Meditation Room, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Mondays, 7:00 pm - 8:30 pm

  • Monday, November 4, 2013 
      Sacred Space, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following.All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Thursdays, 5:00 - 6:30 pm

  • Thursday, October 31, 2013 
      Meditation Room, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Mondays, 7:00 pm - 8:30 pm

  • Monday, October 28, 2013 
      Sacred Space, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following.All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Thursdays, 5:00 - 6:30 pm

  • Thursday, October 24, 2013 
      Meditation Room, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Mondays, 7:00 pm - 8:30 pm

  • Wednesday, October 23, 2013 
      Olin Humanities, Room 104  Pandit (or maestro) Sugato Nag is one of the finest contemporary artistes in the North Indian classical music tradition. A sitar virtuoso, his style presents a unique synthesis of the austere classicism of the Shahjahanpore Sarode Tradition in which he was trained and the intricate beauty of the more modern Imdadkhani Style. His lecture-demonstration will focus on introducing the audience to Hindustani or North Indian classical music, especially with respect to its implementation on the sitar.

    All are welcome.


  • Monday, October 21, 2013 
      Sacred Space, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following.All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Thursdays, 5:00 - 6:30 pm

  • Thursday, October 17, 2013 
      Meditation Room, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Mondays, 7:00 pm - 8:30 pm

  • Monday, October 14, 2013 
      Sacred Space, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following.All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Thursdays, 5:00 - 6:30 pm

  • Thursday, October 10, 2013 
      Meditation Room, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Mondays, 7:00 pm - 8:30 pm

  • Tuesday, October 8, 2013 
      Campus Center, Lobby  A rep from study abroad program CET is on campus today with information about their programs worldwide (including language intensives in China and Japan, and Film Studies in Prague). Drop by to see if one of their programs might be for you!

    Thinking about Study Abroad but don't know how it works at Bard? It's never too early to start planning where/when/how. Contact Study Abroad Adviser Trish Fleming at 845-758-7080 or [email protected] to make an appointment.

  • Monday, October 7, 2013 
      Sacred Space, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following.All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Thursdays, 5:00 - 6:30 pm

  • Thursday, October 3, 2013 
      Meditation Room, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Mondays, 7:00 pm - 8:30 pm

  • Monday, September 30, 2013 
      Sacred Space, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following.All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Thursdays, 5:00 - 6:30 pm

  • Thursday, September 26, 2013 
      Meditation Room, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Mondays, 7:00 pm - 8:30 pm

  • Thursday, September 26, 2013 
      Campus Center, Lobby  A rep from NYU'study abroad is on campus today with information about their programs worldwide. Drop by to see if one of their programs might be for you!

    Thinking about Study Abroad but don't know how it works at Bard? It's never too early to start planning where/when/how. Contact Study Abroad Adviser Trish Fleming at 845-758-7080 or [email protected] to make an appointment. 

  • Monday, September 23, 2013 
    Bito Conservatory Performance Space in Blum  One of the best Odissi (Indian) dancers in the world, Rahul Acharya and partner Donia Salem will perform "Sanjoga: The Dance of Cosmic Balance." This dance "explores Prakriti and Purusha, masculinity and femininity, the energy and the energetic, and movement and stasis within the context of Odissi dance." The performance will include discussion/demonstration of gender roles in this classical Indian devotional dance.

  • Monday, September 23, 2013 
      Sacred Space, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following.All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Thursdays, 5:00 - 6:30 pm

  • Monday, September 23, 2013 
      Campus Center, Lobby  A rep from the study abroad program of the University of Virginia is on campus today with information about their programs worldwide. Drop by to see if one of their programs might be for you!Thinking about Study Abroad but don't know how it works at Bard? It's never too early to start planning where/when/how. Contact Study Abroad Adviser Trish Fleming at 845-758-7080 or [email protected] to make an appointment.

  • Thursday, September 19, 2013 
      Meditation Room, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Mondays, 7:00 pm - 8:30 pm

  • Monday, September 16, 2013 
      Sacred Space, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following.All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Thursdays, 5:00 - 6:30 pm

  • Monday, September 16, 2013 
      Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  The Levy Institute of Economics is starting it's Master of Science in Economic Theory and Policy program from the Fall of 2014. The program emphasizes theoretical and empirical aspects of policy analysis through specialization in one of four Levy Institute research areas: macroeconomic theory, policy, and modeling; monetary policy and financial structure; distribution of income, wealth, and well-being, including gender equality and time poverty; and employment and labor markets.

    The Master of Science program draws on the expertise of an extensive network of scholars at the Levy Economics Institute, a policy research think tank with more than 25 years of economic theory and public policy research. During the two-year M.S. program, students are required to participate in a graduate research assistantship carried out by Levy Institute scholars and faculty. Undergraduates in economics or related fields have an opportunity, through a 3+2 program, to earn both a B.A. and the M.S. in five years.

  • Thursday, September 12, 2013 
      "Potential Partners in the Pacific? Mutual Interests and the Sino-NATO Relationship.”
    BGIA, 36 West 44th Street, #1011; New York, NY 10024  LTC Tania Chacho

    Academy Professor, Department of Social Studies. United States Military Academy at West Point

  • Thursday, September 12, 2013 
      Meditation Room, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Mondays, 7:00 pm - 8:30 pm

  • Monday, September 9, 2013 
      Sacred Space, basement of Village Dorm A  2 meditation rounds (each 30 min) and "kinhin," walking meditation.First timers' instructions for the initial 30 min, meditation following.All meditative traditions welcome!Led by Tatjana Myoko v. Prittwitz, student at Zen Mountain Monastery, Mt. Tremper and Toshoji, Okayama, Japan.The meditation group also meets on Thursdays, 5:00 - 6:30 pm

  • Tuesday, May 14, 2013 
      Every Tuesday, Spring Semester 2013

    Kline, President's Room 
  • Tuesday, May 7, 2013 
      Every Tuesday, Spring Semester 2013

    Kline, President's Room 
  • Tuesday, April 30, 2013 
      Campus Center, Weis Cinema  English Vinglish is a 2012 Indian comedy-drama film directed by Gauri Shinde and produced by R. Balki. It was made simultaneously in Hindi and Tamil and released on 5 October 2012.All films are free and open to the public.


  • Tuesday, April 30, 2013 
      Every Tuesday, Spring Semester 2013

    Kline, President's Room 
  • Saturday, April 27, 2013 
    Present An Evening of Balinese Music and Dance

    Featuring Gamelans Giri Mekar and Chandra Kanchana.

    Campus Center, Multipurpose Room  Guest artists include renowned Balinese dancers and scholars, Guest artists include renowned Balinese dancers and scholars, Dr. I Made Bandem and Dr. N.L.N. Suasthi Widjaja Bandem, who will perform the dances Kebyar Trompong and Margapati, respectively. The evening will also feature a short lecture demonstration on Balinese Performing Arts by Dr. Bandem.  The evening includes an Opening Procession and Kecak Demonstration with audience participation encouraged.  Seating is general admission with a suggested donation of $10; free for the Bard students, staff and faculty and children under the age of 16. Reservations are not necessary but it is advised that you arrive in plenty of time to secure your seat.   

  • Tuesday, April 23, 2013 
      Every Tuesday, Spring Semester 2013

    Kline, President's Room 
  • Monday, April 22, 2013 
      Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  Tejaswini Ganti is an Associate Professor in the Department of Anthropology and its Program in Culture & Media at New York University. A visual anthropologist specializing in South Asia, her research interests include Indian cinema, anthropology of media, production cultures, visual culture, cultural policy, nationalism, neoliberalism, capitalism, ideologies of development and theories of globalization. She has been conducting ethnographic research about the social world and filmmaking practices of the Hindi film industry since 1996 and is the author of Producing Bollywood: Inside the Contemporary Hindi Film Industry (Duke University Press 2012) and Bollywood: A Guidebook to Popular Hindi Cinema (Routledge 2004; 2nd edition, 2013).


  • Tuesday, April 16, 2013 
      Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  Dabangg is a 2010 Indian action film, directed by Abhinav Kashyap and produced by Arbaaz Khan under the Arbaaz Khan Productions. The lead actors include Arbaaz’s elder brother Salman Khan and Sonakshi Sinha.All films are free and open to the public.


  • Tuesday, April 16, 2013 
      Robbins  Join the AUCA-Bard staff for an evening of Central Asian culture and cooking! Learn to make Eurasian favorites like plov and manti or just enjoy the food and company.

    Held in Robbins House kitchens and common room.


    Download: Central Asian Cooking Nights.pdf
  • Tuesday, April 16, 2013 
      Every Tuesday, Spring Semester 2013

    Kline, President's Room 
  • Friday, April 12, 2013 
    A Cross-Disciplinary Workshop for Students and Faculty
    Olin Humanities, Room 102  This day-long workshop brings together Bard faculty and students to explore a range of questions on teaching and learning about cities in an academic context.

    We will ask: How do the reading of texts, the building of cultural monuments, and the creation of artistic works transform our understandings of the city? Is it possible to read the city as a text or view it as a cultural monument? Are there cities better preserved in cultural memory than physical space? How are identities and ideas of cities formed through literature, film, and other media? In what ways can these different strategies of representation transform the urban experience and the city itself?

    Students will present their work on cities at a panel, to be followed by a roundtable for faculty on teaching methodologies, theoretical frameworks, and principles of canon formation to consider when discussing cities and urban space in the classroom.


  • Thursday, April 11, 2013 
    Elizabeth Macy, Candidate for Ethnomusicology
    László Z. Bitó ’60 Conservatory Building 
  • Tuesday, April 9, 2013 
      Every Tuesday, Spring Semester 2013

    Kline, President's Room 
  • Monday, April 8, 2013 
    Procession to Waterfall
    RKC Lobby  The Venerable Lama Tenzin Yignen, Tibetan Buddhist monk from the Dalai Lama’s home monastery Namgyal and visiting professor at Hobart and William Smith Colleges, will install a sand mandala, a “cosmic diagram that represents the dwelling place or “celestial mansion” of the Buddha of Compassion, over the course of five days. Just when it is complete, the mandala will be ritually cut, swept together, and taken in procession down to the river in this performed lesson on impermanence.


  • Thursday, April 4, 2013 
    RKC Lobby  The Venerable Lama Tenzin Yignen, Tibetan Buddhist monk from the Dalai Lama’s home monastery Namgyal and visiting professor at Hobart and William Smith Colleges, will install a sand mandala, a “cosmic diagram that represents the dwelling place or “celestial mansion” of the Buddha of Compassion, over the course of five days. Just when it is complete, the mandala will be ritually cut, swept together, and taken in procession down to the river in this performed lesson on impermanence.


  • Wednesday, April 3, 2013 
    RKC Lobby  The Venerable Lama Tenzin Yignen, Tibetan Buddhist monk from the Dalai Lama’s home monastery Namgyal and visiting professor at Hobart and William Smith Colleges, will install a sand mandala, a “cosmic diagram that represents the dwelling place or “celestial mansion” of the Buddha of Compassion, over the course of five days. Just when it is complete, the mandala will be ritually cut, swept together, and taken in procession down to the river in this performed lesson on impermanence.


  • Tuesday, April 2, 2013 
      Campus Center, Weis Cinema  1994 Film
    Hum Aapke Hain Koun..!, also known as HAHK, is a 1994 Indian musical romantic comedy family drama film directed by Sooraj R. Barjatya, and produced by Rajshri Productions. It is a remake of Rajshri’s earlier film Nadiya Ke Paar.All films are free and open to the public.


  • Tuesday, April 2, 2013 
      Robbins  Please note: This event has been canceled.

    Join the AUCA-Bard staff for an evening of Central Asian culture and cooking! Learn to make Eurasian favorites like plov and manti or just enjoy the food and company.

    Held in Robbins House kitchens and common room.


    Download: Central Asian Cooking Nights.pdf
  • Tuesday, April 2, 2013 
    Maria Sonevytsky, Candidate for Ethnomusicology
    Talk Rescheduled for Original Date of April 2nd 

    László Z. Bitó ’60 Conservatory Building  This is a talk based upon doctoral research in the Ukraine among the Sunni Muslim indigenous group of Crimea. 

  • Tuesday, April 2, 2013 
      Every Tuesday, Spring Semester 2013

    Kline, President's Room 
  • Tuesday, March 26, 2013 
      Every Tuesday, Spring Semester 2013

    Kline, President's Room 
  • Tuesday, March 19, 2013 
      Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  Om Shanti Om is a Bollywood musical romantic comedy film directed and choreographed by Farah Khan. It stars Shahrukh Khan and Deepika Padukone in the lead roles while Arjun Rampal, Shreyas Talpade, and Kirron Kher feature in supporting roles. 2007 Film.All films are free and open to the public.





  • Tuesday, March 19, 2013 
      Every Tuesday, Spring Semester 2013

    Kline, President's Room 
  • Tuesday, March 12, 2013 
      Every Tuesday, Spring Semester 2013

    Kline, President's Room 
  • Sunday, March 10, 2013 
    Campus Center, Lobby  We will have a march and a candlelight vigil to commemorate the 54th aniversary of the Tibetan Uprising of 1959.

  • Thursday, March 7, 2013 
    Part of the "Central Asia at Bard" series
    Tewksbury Hall  Join the AUCA-Bard staff for an evening of Central Asian culture and cooking! Learn to make Eurasian favorites like plov and manti or just enjoy the food and company.

    Held in Tewksbury Hall kitchens and common roomJoin the AUCA-Bard staff for an evening of Central Asian culture and cooking! Learn to make Eurasian favorites like and or just enjoy the food and company.Held in the Tewksbury Hall Kitchen and common room

  • Tuesday, March 5, 2013 
    Campus Center, Weis Cinema  A panel discussion on the democracy in Myanmar, also known as Burma. Since the dawn of the Arab spring, democratization in previously authoritarian regimes has been a topic that sparks hope as well as concern for the future. Myanmar had its first elections in 20 years in 2010 after long years of political repression and control. Although it had been widely claimed that the elections were rigged and the constitution unsupported, Myanmar has been moving towards a more open society since then. For the first time, people are allowed to gather and protest in public, and the media is allowed significant freedom to express independent opinions as well as expose conflicting issues. The new government freed political prisoners many of whom were previously denied even to exist, and one of the prisoners is the noble laureate Daw Aung San Su Kyi, the head of the opposition. On the flip side of the coin, however, there had been increasing conflicts between religious groups and the civil war with ethnic people is still on-going despite the attempts to bring peace to the ethnic regions. In this critical time of transition period, it becomes important to identify the issues that Myanmar has to face in order to direct the country on the right path.

    Panelists:
    U Ba Win - Vice President of Bard Early College Policies and Programs
    Professor Kristin Scheible - Assistant Professor of Religion
    Professor Ken Haig - Assistant Professor of Political Studies
    Thant Ko Ko - Bard senior (Class of 2013)

    Center for Civic Engagement Community Actions Award Event

    *Light refreshments afterwards

  • Tuesday, March 5, 2013 
      Every Tuesday, Spring Semester 2013

    Kline, President's Room 
  • Tuesday, February 26, 2013 
      Every Tuesday, Spring Semester 2013

    Kline, President's Room 
  • Tuesday, February 19, 2013 
      Every Tuesday, Spring Semester 2013

    Kline, President's Room 
  • Tuesday, February 12, 2013 
      Every Tuesday, Spring Semester 2013

    Kline, President's Room 
  • Tuesday, February 5, 2013 
      Every Tuesday, Spring Semester 2013

    Kline, President's Room 
  • Wednesday, December 19, 2012 
      Kline, President's Room  Join us every Wednesday.

  • Wednesday, December 12, 2012 
      Kline, President's Room  Join us every Wednesday.

  • Wednesday, December 5, 2012 
      Kline, President's Room  Join us every Wednesday.

  • Wednesday, November 28, 2012 
      Kline, President's Room  Join us every Wednesday.

  • Wednesday, November 21, 2012 
      Kline, President's Room  Join us every Wednesday.

  • Friday, November 16, 2012 
      Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  Seonjae Sunim
    Renown South Korean Buddhist nun, scholar, and master chef Seonjae Sunim comes to Bard College to share her philosophy of dietary and spiritual well-being. Considered an icon in Korean temple cuisine, Seonjae will share her experience as an advocate of a return to locally-informed traditional Korean food culture and environmentally-conscious cooking. She may even share a recipe for kimch’i made of vegetables grown in the Hudson Valley.

  • Thursday, November 15, 2012 
    Screening and Discussion on Responses to Japan's Nuclear Crisis
    Olin 102 




    The tsunami of March 11th 2011 not only devastated Northeastern Japan but instigated an ongoing nuclear crisis, in which the fear of radiation has penetrated the air, ground, food, and water of the entire country. Growing doubt towards the nuclear power industry and governmental regulatory structures has unleashed a new wave of citizen activism and popular protest on a scale unseen in Japan for decades. Yuko Tonohira and Ayumi Hirai of the group Todos Somos Japon will discuss recent developments in the anti-nuclear movement and screen a selection of short documentary films on responses to the crisis.

    Todos Somos Japon is a network-building project aiming to connect and support activists in Japan and world-wide. TSJ publishes and translates critical writings in Japanese and English at http://jfissures.org and organizes events and film screenings in the New York area and beyond.


  • Wednesday, November 14, 2012 
      Kline, President's Room  Join us every Wednesday.

  • Wednesday, November 7, 2012 
      Kline, President's Room  Join us every Wednesday.

  • Wednesday, October 31, 2012 
      Kline, President's Room  Join us every Wednesday.

  • Wednesday, October 24, 2012 
      Kline, President's Room  Join us every Wednesday.

  • Wednesday, October 17, 2012 
      Kline, President's Room  Join us every Wednesday.

  • Wednesday, October 10, 2012 
      Kline, President's Room  Join us every Wednesday.

  • Wednesday, October 3, 2012 
      Kline, President's Room  Join us every Wednesday.

  • Wednesday, September 26, 2012 
      Kline, President's Room  Join us every Wednesday.

  • Friday, November 5, 2010 
    Screening Hou Hsiao-hsien’s City of Sadness To Be Held in the Ottaway Theater
    Avery Art Center  The Bard College Film and Electronic Arts Department, in conjunction with the Asian Studies Program, will host a reception to celebrate the arrival of a new collection of 60 rare English-subtitled film prints from the Taipei Economic and Cultural Office (TECO). These prints constitute a micro-history of Taiwanese cinema from the 1950s to the 1990s and will be available for both research and teaching purposes. The reception will be held on Friday, November 5, at 6:30 p.m. in the Jim Ottaway Jr. Film Center, Bard College. It will be followed by a screening of an imported 35mm print of Hou Hsiao-hsien’s City of Sadness (1989, 166 minutes), beginning at 7:30 p.m. in the Ottaway Theater of the Avery Center for the Arts. Both the reception and the screening are free and open to the public.

    Tony Ong, director of the Press Division of TECO in New York, expressed his great pleasure at having this opportunity to be part of a cultural exchange with Bard College. “We at TECO are overjoyed that these prints have found a home at Bard,” says Ong. “Here, they will be carefully preserved and will have the chance to be seen and studied by a wider range of individuals who are really passionate about film and Taiwanese culture. For us, this is a prime example of a really meaningful exchange, not only raising the intrinsic value of the prints themselves, but strengthening the cultural bonds between Taiwan and the U.S. I hope this will be the beginning of a long friendship between our office and Bard College.”

    Richard Suchenski, assistant professor of film history who coordinated the acquisition of these prints, will be supervising the collection, which he described as a major contribution to Bard College. “The Taiwanese cinema of the 1980s and 1990s was one of the strongest in the world, and this collection reflects the range and sophistication of filmmaking in Taiwan both before and during that period. A dedicated, temperature-controlled storage facility is being constructed to house the new print collection, which, as the largest donation of its kind to Bard, will greatly expand the size, importance, and function of the film archive. City of Sadness is one of the most artistically and historically significant films made anywhere in the last quarter-century, and it is also the best possible introduction to the richness of Taiwanese cinema,” says Suchenski. “The special screening of a new, English-subtitled 35mm print is the perfect way to celebrate this very generous gift and what I hope will be the beginning of a lasting relationship with the Taipei Economic and Cultural Office.”

    For more information or to reserve seats, please email Richard Suchenski at [email protected]. To download high-resolution images, please go to: www.bard.edu/news/press#



    Press Release: View
  • Thursday, April 23, 2009 
      Olin Humanities, Room 205  ANNANDALE-ON-HUDSON, NY — On Thursday, April 23, Nina Nurmila, a Fulbright Visiting Professor at the University of Redlands in California, will speak at Bard College. Her talk, “Gender Equality in Islam,” is being by arranged by the South East Asian Studies Consortium of the Hudson Valley (SEASCOHV) and is supported by the Fulbright Foundation. The event is free and open to the public and takes place at 4:30 p.m. in room 205 of the Olin Humanities Building.



    Press Release: View
  • Tuesday, March 10, 2009 
      Campus Center, Multipurpose Room  On Tuesday, March 10, Music from Japan—the leading presenter of Japanese traditional and contemporary music in the United States—will give a free concert at Bard College as part of its 2009 American tour.



    Press Release: View
  • Saturday, October 18, 2008 
      Olin Hall  A chamber concert of contemporary works by Chinese composers, organized by The Bard College Conservatory of Music for a conference at Bard College of CHIME: European Foundation For Chinese Music Research.



    Press Release: View
  • Thursday, October 16, 2008 
      Campus Center, Multipurpose Room  CONCERTS HIGHLIGHT FOUR-DAY CONFERENCE AT BARD COLLEGE ON MUSIC AND RITUAL IN CHINA AND EAST ASIA, OCTOBER 16–19




    Press Release: View
  • Tuesday, April 29, 2008 
      Campus Center, Weis Cinema  Manufacturing Miracles Explores Mazda Automobile Company in Hiroshima, Japan, During the Oil Crisis in the Mid 1970s



    Press Release: View
  • Saturday, March 15, 2008 
      Campus Center, Weis Cinema  On Saturday, March 15, Bard in China presents “Japanese Prints from Ukiyoe to the Modern Day,” a lecture and demonstration by renowned Japanese printmaker Akira Kurosaki. The lecture features a slideshow and discussion focusing on Japanese woodblock printmaking as exemplified in 18th- and 19th-century ukiyoe prints. Kurosaki will also explore how European printmaking from the early twentieth century inspired Japanese printmakers to develop new techniques. The lecture will examine the works of eight to ten representative printmakers of the twentieth century and discuss their techniques and modes of expression. Kurosaki will also display his own works and demonstrate the printmaking process. Actual examples of old prints and the stages of the printing process will be on display. The event, which is sponsored by Bard in China and Bard’s Studio Art Program, is free and open to the public and takes place at 3 p.m. in Weis Cinema in the Bertelsmann Campus Center.



    Press Release: View
  • Monday, March 3, 2008 
      Olin Humanities, Room 102  BARD IN CHINA PRESENTS LECTURE ON TRANSLATION ON MARCH 3

    ANNANDALE-ON-HUDSON, NY — On Monday, March 3, Bard in China will present “Beyond Between: Translation, Ghosts, Metaphors,” a lecture by Michael Emmerich, who has been a Cotsen Postdoctoral Fellow at the Princeton Society of Fellows in the Liberal Arts since the fall of 2007. He will be speaking on the metaphorics of translation and his experiences as a translator of contemporary Japanese fiction. The event is free and open to the public and begins at 6 p.m. in Olin 102. The event is presented by Bard in China and the Japanese language program.

    Emmerich has a Ph.D. and an M.A./M.Phil in Japanese literature from Columbia University, an M.A. in classical Japanese literature from Ristumeikan University in Kyoto, Japan, and an undergraduate degree from Princeton University. He has published, among other works, The Apprenticeship of Big Toe P, a translation of Matsuura Rieko's Oyayubi P no shugyo jidai (forthcoming from Seven Stories Press); Hardboiled & Hard Luck, a translation of Yoshimoto Banana's Haadoboirudo/Haadorakku (2005); Vibrator, a translation of Akasaka Miri's Vaibureeta (2005); Sayonara, Gangsters, a translation of Takahashi Gen'ichiro's Sayonara, gyangutachi (2004); and Goodbye Tsugumi, a translation of Yoshimoto Banana's TUGUMI (2002).

    For more information on the event, contact Katherine Gould-Martin, [email protected], 845-758-7388.





  • Monday, February 4, 2008 
      Campus Center, Weis Cinema  Films will be shown. More details later.

  • Tuesday, November 13, 2007 
      Campus Center, Weis Cinema  The filmmaker will talk about making her film. Presented by Asian Studies and Music.

    In Jaffrey’s powerful documentary, “Fine Rain: Politics and folk songs in China”, she traces the different eras of modern China, from pre-Communism to the Cultural Revolution through archival film, photographs, footage of live performances and interviews with a cast of seven characters. In Shanghai, she meets Professor Wang, who poignantly recalls the brutal Japanese invasion. Through tears, he sings the songs that sustained him. Lady Fen, a retired performer, sings us songs that the refugee children sang to ease the pain of separation from their parents during the Japanese occupation. The proud Dr. Chow whole heartedly believed in the goals of Mao and the Communist Party, and even renounced the values of his own educated family. He speaks of joining a revolutionary choir that sang throughout China. In the end, Dr Chow was betrayed by his own idealism, as the songs he sings take on a bitter infliction.

  • Friday, April 20, 2007 
    Stevenson Library, 2nd Fl  From Friday, April 20, through Monday, April 23, the Venerable Tenzin Yignyen, a Tibetan monk from the Dalai Lama’s personal monastery and professor of Tibetan Buddhist Studies at Hobart and William Smith Colleges, constructs a sand mandala of the Buddha of Compassion at Bard on the second floor of the Stevenson Library. Community members are invited to observe the creation of the mandala on Friday, from 8:30 a.m. to 5:00 p.m.; Saturday and Sunday, from 10:00 a.m. to 6:00 p.m.; and Monday, from 8:30 a.m. to 12:00 p.m. as well as see the ritual dismantling of the mandala at 12 noon on Monday, April 23.



    Press Release: View
  • Thursday, March 15, 2007 
    Bard Hall  BARD COLLEGE TO HOST HINDUSTANI MUSIC
    WORKSHOP AND CONCERT ON THURSDAY, MARCH 15




    Press Release: View
  • Wednesday, April 19, 2006 
    Bard Hall  On Wednesday, April 19, Bard College welcomes virtuoso musician Zhou Yi for a recital on the pipa, the Chinese four-stringed plucked lute, and the qin seven-stringed zither. She will be accompanied by Miao Yimin on the xiao and di bamboo flutes. The performance is free and open to the public and takes place at 7 p.m. in Bard Hall on the Bard College campus. The concert is sponsored by Bard in China and the Bard College Music Program, with support from the Freeman Undergraduate Asian Studies Initiative.



    Press Release: View
  • Tuesday, April 11, 2006 
      Olin Language Center, Room 115  Bard in China to Host Lecture on April 11 about Life in a Chinese Factory City




    Press Release: View
  • Tuesday, April 4, 2006 
      Olin Language Center, Room 115  Bard in China to Host Lecture on Consumerism in 1930s China on Tuesday, April 4. Columbia University professor Eugenia Lean will present “Global Commodity, Local Desire: Creating a Need for Lux Soap in 1930s China.” The lecture is presented by Bard in China and Bard’s Asian Studies Program, with support from the Freeman Undergraduate Asian Studies Initiative. The lecture is free and open to the public, and take place from 4:30 p.m. to 6 p.m. in room 115 of the Olin Language Center on the Bard College campus.




    Press Release: View
  • Wednesday, March 15, 2006 
      Olin Language Center, Room 115  Bard In China to Host Lecture and Screening
    of The Film The Goddess on Wednesday, March 15




    Press Release: View
  • Monday, March 6, 2006 
    Fisher Center, Resnick Theater Studio  Thousand Years Waiting, written by Bard professor Chiori Miyagawa.

    A unique trans-Pacific collaboration featuring storytelling, dance, and puppetry. Original music by Bruce Odland, dramaturgy by Debra Cardona, direction and choreography by Sonoko Kawahara. With traditional Japanese Otome Bunraku puppet artist Masaya Kiritake and professional American actors Margie Douglas, Sophia Skiles, and Anna Wilson.

    Please contact the Box Office at 845 758-7948 for more information about tickets to this performance.

  • Thursday, December 8, 2005 
      Olin Language Center, Room 115  On Thursday, December 8, art historian Francois Louis will present a lecture on artifacts from the Liao dynasty. His talk, “Unearthing the Liao Dynasty,” takes place at 4:30 p.m. in room 115 of the Olin Language Center. The talk, which is free and open to the public, is presented by Bard in China, with support from the Freeman Undergraduate Asian Studies Initiative.



    Press Release: View
  • Thursday, November 17, 2005 
      Olin Language Center, Room 115  BARD IN CHINA TO HOST LECTURE ON THE ENVIRONMENTAL IMPACT OF CHINA’S ECONOMIC SUCCESS ON THURSDAY, NOVEMBER 17




    Press Release: View
  • Tuesday, November 8, 2005 
      Olin Language Center, Room 115  BARD IN CHINA TO HOST LECTURE ON 20th CENTURY CHINESE NATIONAL LAWS ON TUESDAY, NOVEMBER 8




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  • Thursday, October 20, 2005 
      Olin Language Center, Room 115  Bard in China will gather a panel of scholars to discuss arts in Japan. "Bard Professors Study Arts in Japan: Kuniyoshi and Shomyo to Onkyo," includes a discussion and slide show by music professor Richard Teitelbaum, exploring a wide range of his experiences with Japanese music, and a discussion by art history professor Tom Wolf of his work researching Asian American artists in Japan.



    Press Release: View
  • Wednesday, April 20, 2005 
      Olin Language Center, Room 115  Panel of graduating seniors and alumnae to discuss labor in Asia: Rubaba Ali, Sau Pan Amy Chau, and Jonathan Greenblatt. The panel will include presentations on the bargaining power of Bangladeshi women, interprovincial migration in rural China, and China’s “floating population.”



    Press Release: View
  • Thursday, April 14, 2005 
      Olin Language Center, Room 115  Lecture by Thomas Shawn Mullaney, Ph.D. Candidate, Department of History, Columbia University, on the process, particularly in Yunnan, China's southwestern mountain area, by which hundreds of ethnic groups were reclassified into fifty-five.



    Press Release: View
  • Monday, April 11, 2005 
      Olin Language Center, Room 115  Panel: Erica JiahuaYao (architecture, China): Ying Xian Liu (Winnie)(Tang Dynasty attire, China); Lela Chapman (dance, Bali). Chaired by Chiori Miyagawa also a presenter (theater, Japan).



    Press Release: View
  • Saturday, March 19, 2005 
      Olin Language Center, Room 115  Talk is Cosponsored by MooCow, a Heifer International Club Run by Bard Students.
    Lecture by Meng Zeng, formerly from China’s Heifer Project International headquarters in Chengdu, Sichuan, now a Ford Foundation International Fellow at Brandeis University’s Sustainable International Development Program at the Heller School for Social Policy and Management.

  • Tuesday, March 1, 2005 
      Blithewood  A lecture by Luodan Xu, economist and vice president, Lingnan (University) College, Sun Yatsen University. Presented by Levy Institute and Bard in China.



    Press Release: View
  • Tuesday, March 16, 2004 
      Olin Language Center, Room 115  Edward K. Y. Chen, noted economist and president of Lignan University in Hong Kong, will discuss issues surrounding growth and sustainability in China. His talk, "Is China's Hypergrowth Sustainable?", is presented by Bard in China with support from the Freeman Undergraduate Asian Studies Initiative.

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