2021 Past Events
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Friday, December 17, 2021
Aalekhya Malladi, Doctoral Candidate in the Graduate Division of Religion at Emory University
Ludlow 301 4:30 pm – 5:30 pm EST/GMT-5
This presentation explores the dynamic mode in which landscape, ritual and narrative co-create and shape each other in Hindu traditions. Considering several examples of pilgrimage in India, this paper delves into the way that narratives are experienced through rituals that shape and are shaped by sacred landscapes. I end with an example from my dissertation about an 18th century devotional poet, Vengamamba, who was deeply embedded in, and in turn shaped the ritual landscape of, the south Indian pilgrimage site that she inhabited.
Aalekhya Malladi is a doctoral candidate in the Graduate Division of Religion at Emory University. Her dissertation, “Devotee, Yogini, Goddess: Tarigonda Vengamamba and her Transformations,” explores the texts and the life histories of devotional poet Vengamamba (1735–1817), and conceives of a distinct female perspective on devotion and detachment. This project also examines her hagiographies and the rituals performed at her shrine, which illuminate the way that her at-times transgressive compositions and life histories have been tamed and curtailed by a hagiographical tradition that shapes her life into that of an “ideal female devotee.” She held the Fulbright-Nehru Fellowship in 2019-2020. Prior to her doctoral studies, Aalekhya received an MA from Columbia University and a BA from Rutgers University, New Brunswick.
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Wednesday, December 15, 2021
Swayam Bagaria, postdoctoral fellow and lecturer in the College Fellows Program at the University of Virginia
Ludlow 301 4:00 pm – 5:30 pm EST/GMT-5
My talk will comprise two parts. In the first part, I will introduce the audience to the interrelated issues of divinization and individuation in Hinduism. As is well known, the Hindu pantheon is composed of an innumerable number of deities but what does it mean to say that these deities are distinct or separate from each other? Are they really all that different? We may even ask a prior question, what does investing an entity with the properties of a divine being entail? The first part will guide the audience to some of the key issues that arise in the consideration of these questions. The second part will briefly explore the possibilities and limits of this idea of divinization as they emerge in the fraught, but also illuminating, context of the deification of the custom of widow burning or sati in contemporary India.
Swayam Bagaria is a postdoctoral fellow and lecturer in the College Fellows Program at the University of Virginia. He received his PhD in Socio-cultural Anthropology from Johns Hopkins University in 2020. His current book project is on the relation between popular Hinduism and ethnoreligious nationalism in India.
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Friday, December 10, 2021
Nabanjan Maitra, Assistant Professor of Instruction at the University of Texas, Austin
Ludlow, 3rd Floor Conference Room 1:30 pm – 3:00 pm EST/GMT-5
The word guru comes close to what we might call an empty signifier: a word that is used so variably and in such a diverse array of contexts that it loses all meaning. And yet, to their followers, students and devotees, gurus can signify “life, the universe and everything.” In this talk, I will present an historic case of misapprehension of the figure of the guru in order to reflect upon the guru as a sovereign figure. In examining a colonial-era court case, I will hope to reveal the lineaments of a forgotten history of monastic power in India. The figure of the guru, properly historicized, is a productive site for the understanding of an alternative vision of normative power, wielded by the monastery, that operated through the ethical self-formation of its subjects. In this historical case, we see how the medieval monastery articulated a vision of totalizing religious power that was misapprehended by the colonial state, and indeed continues to be misapprehended to this day. I argue that this misapprehension prevents us from recognizing the monastery as an enduring institution of unparalleled power, and the guru as a particular paradigm of sovereignty.
Nabanjan Maitra is Assistant Professor of Instruction at the University of Texas, Austin, where he teaches courses on the Religions of South Asia and Sanskrit. He holds a PhD in the History of Religions from the University of Chicago with a focus on Hinduism. His book project, The Rebirth of Homo Vedicus, examines the formulation and implementation of a novel form of monastic power in a medieval south India monastery. The study explains the underlying logic of ethical self-formation as the driver of the totalizing vision of power that the monastery, with the guru as its sovereign head, administered. It shows the primacy of this mode of governance in the emergence of Hinduism in the colonial period. His research and teaching attempt to situate and explicate Hinduism of the present—the local and the global—in longer histories of texts, institutions and conduct.
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Thursday, November 18, 2021
Dr. Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis
Online Event 5:00 pm – 6:00 pm EST/GMT-5
In this presentation, I will discuss the way artists—primarily modern women writers—have turned to the monstrous figure of the mountain witch, or yamamba, as a way to galvanize their creativity. We begin with an overview of this ogress and her conflicting characteristics before turning to the way she has served as the egress to creativity, from medieval theater to the contemporary stage. We will consider the noh play, Yamamba, as well as the works of modern writer Ōba Minako and the choreography Yasuko Yokoshi. The talk will touch upon the recently published book Yamamba: In Search of the Japanese Mountain Witch.
Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis. Her research focuses on modern women’s writing, translation, and gender. More recently she has turned her attention to creative writing. Her debut novel, The Kimono Tattoo, was published by Brother Mockingbird Press in June 2021. That same month, Stone Bridge Press released her collection of creative responses to the yamamba, which she co-edited with Linda C. Ehrlich.
Join Zoom: https://bard.zoom.us/j/85492689001 (Meeting ID: 854 9268 9001)
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Thursday, November 18, 2021
Online Event 12:00 pm – 1:00 pm EST/GMT-5
Peace is the goal for every country, community, and, hey, family. (See, we're funny here at BGIA.) In general, peace is the absence of war and violence. Through its work on the Global Peace Index and the Positive Peace Framework, the Institute for Economics and Peace takes peace and peace building further. It focuses on strengths not deficits and individual action on creating and sustaining positive societies.
Join us on Thursday, November 18 at 12pm for an hour long Positive Peace Workshop. In this workshop, participants will learn how to better think about actions and approaches to creating peaceful societies. It will focus on policy, strategy, and implementation. If you're interested in conflict resolution, policymaking, and peace building, don't miss this virtual event. RSVP required.
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Thursday, November 11, 2021
An illustrated lecture by Astria Suparak.
Followed by a conversation between Suparak and Dawn Chan, Center for Curatorial Studies.
Avery Art Center 7:30 pm – 9:30 pm EST/GMT-5
Asian futures, without Asians is a new presentation by artist and curator Astria Suparak, which asks: “What does it mean when so many white filmmakers envision futures inflected by Asian culture, but devoid of actual Asian people?”
Part critical analysis, part reflective essay and sprinkled throughout with humor, justified anger, and informative morsels, this one-hour illustrated lecture examines over fifty years of American science fiction cinema through the lens of Asian appropriation and whitewashing. The quick-paced presentation is interspersed with images and clips from dozens of futuristic movies and TV shows, as Suparak delivers anecdotes, trivia, and historical documents (including photographs, ads, and cultural artifacts) from the histories of film, art, architecture, design, fashion, food, and martial arts. Suparak discusses the implications of not only borrowing heavily from Asian cultures, but decontextualizing and misrepresenting them, while excluding Asian contributors.
Asian futures, without Asians was commissioned by The Wattis Institute for Contemporary Arts. It’s one part of Suparak’s multipart research series of the same name, which includes videos, installations, collages, essays, publications, and other projects.
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Thursday, November 11, 2021
Onibaba (1964)
Preston 6:15 pm – 7:40 pm EST/GMT-5
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Thursday, October 28, 2021
"When a Woman Ascend the Stair" (1960)
Preston 6:15 pm – 7:55 pm EDT/GMT-4
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Wednesday, October 20, 2021
Afghanistan: 20 Years On
Online Event 6:00 pm – 7:00 pm EDT/GMT-4
President George W. Bush invaded Afghanistan in 2001, in an effort to capture and defeat Al Qaeda and its leader Osama bin Laden. Twenty years later, Joe Biden ended this "forever" war this past summer, noting that Washington achieved its goal of capturing bin Laden. Yet, the withdrawal from Afghanistan was chaotic, as thousands of Afghans scrambled to leave the country. Was withdrawal the right decision? Did the U.S. achieve its goal in Afghanistan? To answer thse questions, we'll be joined by former U.S. State Department official Annie Pforzheimer. Ms. Pforzheimer served as the Deputy Chief of Mission at the U.S. Embassy in Kabul from 2017-18. She also served as the Acting Deputy Assistant Secretary for Afghanistan. She will be joined by Bard professor Fred Hof, also an alumnus from the State Department. Via Zoom. RSVP required.
- Thursday, October 7, 2021
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Tuesday, September 21, 2021
Hua Hsu, Associate Professor of English and American Studies, Vassar College and Staff Writer, The New Yorker
Campus Center, Weis Cinema 5:00 pm – 6:30 pm EDT/GMT-4
A consideration of how various Asian American writers and artists have wrestled with questions of authority and imposture, from thirties Chinatown authors to the first generations of authors who worked under the banner of "Asian American literature" in the sixties, from contemporary manifestations of "impostor syndrome" (wherein individuals doubt their own authority--a condition psychologists have deemed unusually prevalent among Asian American students) to my own work on memoir.
Hua Hsu is an Associate Professor of English and American Studies at Vassar College, and a Staff Writer at the New Yorker. His first book, A Floating Chinaman: Fantasy and Failure Across the Pacific, was published in 2015 by Harvard University Press. In 2022, Doubleday will publish Stay True, a memoir. He is currently working on an essay collection about identity and imposture called Impostor Syndrome. He serves on the boards of the Asian American Writers' Workshop and Critical Minded, an initiative to support cultural critics of color.
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Tuesday, September 14, 2021
A Virtual Panel and Discussion with Cynthia Miller-Idriss and Kathleen Blee
Online Event 5:00 pm – 6:30 pm EDT/GMT-4
Although white supremacist movements have received renewed public attention since the 2017 violence in Charlottesville and the attack on the U.S. Capitol, they need to be placed in deeper historical context if they are to be understood and combated. In particular, the rise of these movements must be linked to the global war on terror after 9/11, which blinded counterextremism authorities to the increasing threat they posed. In this panel, two prominent sociologists, Cynthia Miller-Idriss and Kathleen Blee, trace the growth of white supremacist extremism and its expanding reach into cultural and commercial spaces in the U.S. and beyond. They also examine these movements from the perspective of their members’ lived experience. How are people recruited into white supremacist extremism? How do they make sense of their active involvement? And how, in some instances, do they seek to leave? The answers to these questions, Miller-Idriss and Blee suggest, are shaped in part by the gendered and generational relationships that define these movements.
Cynthia Miller-Idriss is Professor in the School of Public Affairs and the School of Education at American University, where she directs the Polarization and Extremism Research and Innovation Lab (PERIL).
Kathleen Blee is Distinguished Professor of Sociology at the University of Pittsburgh. If you would like to attend, please register here. Zoom link and code will be emailed the day of the event.
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Thursday, July 15, 2021
Foreign Policy in the Digital Age
Online Event 12:00 pm – 1:00 pm EDT/GMT-4
Foreign policy is among the things that the Internet has revolutionized. No longer is diplomacy confined to oak-paneled rooms and gilded corridors. This change, as New York Times reporter Mark Landler noted, “happened so fast that it left the foreign policy establishment gasping to catch up.” Author Adam Segal joins us for a conversation about how technology has changed diplomacy, geopolitics, war, and, most of all, power.
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Thursday, May 13, 2021
Calvin Cheung-Miaw (Stanford University)
Online Event 5:00 pm – 6:30 pm EDT/GMT-4
Why did people of Asian descent in the United States begin calling themselves Asian American in the late 1960s, and why did so many young Asian Americans join the movement to demand Asian American Studies on college campuses? This talk explores the activist origins of Asian American identity, with a focus on how Asian Americans thought about multiethnic and multiracial solidarity. It places the founding of Asian American Studies within the context of activist ideas about the transformation of relationships between campus and community, and asks what this history might mean for us today.
Calvin Cheung-Miaw is a PhD candidate in the Program in Modern Thought and Literature at Stanford University. He is a historian of race, who works at the intersection of intellectual history and social movement history. His dissertation, “Asian Americans and the Color-Line,” provides the first intellectual history of Asian American Studies and explores the rise and decline of Third Worldism in the United States. His writings have been published in Amerasia Journal, In These Times, and Organizing Upgrade. An article on transnational political murders during the Reagan era is forthcoming from Pacific Historical Review, and another article on Claire Jean Kim’s work is forthcoming from Politics, Groups, and Identities. In the fall he will be joining the history faculty at Duke University.
Zoom Link:
https://bard.zoom.us/j/82693205955?pwd=QlE2VTdhd1AzRTJnZkNpTEQrVXgvdz09
Meeting ID: 993 5090 7519
Passcode: 1c5EGQ
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Friday, May 7, 2021
Online Event 3:00 pm – 4:30 pm EDT/GMT-4
Since its defeat in WWII Japan has continuously been a close political ally of the United States, with local corporate media serving as a primary main tool for directing public opinion and silencing dissent. Despite media blackouts on the occupation of Palestine through the late 1990s, information on the Palestinian cause trickled in. A solidarity movement was created through individual-level communication and activism, and evolved from marginalized intellectual circles in the 1960s, to underground student activism and armed struggle in the 1970s and 80s. The long journey of solidarity from the Far East has yet to celebrate justice for Palestine, but where does it stand today?
Mei Shigenobu is a journalist, writer, and media specialist focusing on Middle Eastern issues. She holds a PhD in media studies from Doshisha University in Japan and an MA in international relations from the American University of Beirut. She is the author (in Japanese) of Unveiling the "Arab Spring"; Democratic Revolutions Orchestrated by the West and the Media (2012), From the Ghettos of the Middle East (2003), and Secrets — From Palestine to the Country of Cherry Trees, 28 years with My Mother (2002). She has worked as a live TV host for Asahi Newstar in Tokyo and currently works as a media consultant and producer of programs and documentaries for Japanese and Middle Eastern TV channels. She is the daughter of Japanese Red Army founder Fusako Shigenobu and has been featured in films such as Children of the Revolution, The Anabasis of May and Fusako Shigenobu, Adachi Masao and 27 years Without Images,and others.
Zoom Link: https://bard.zoom.us/j/88504383921?pwd=TCtmQjZEdkM2Y0VwWXgxRlpMbjBIdz09
Meeting ID: 885 0438 3921
Passcode: 752368
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Tuesday, April 27, 2021
Online Event 5:00 pm – 6:30 pm EDT/GMT-4
Emmy Catedral is an artist and writer. She presents collaborative work as The Explorers Club of Enrique de Malacca and The Amateur Astronomers Society of Voorhees. Work has been presented at the Queens Museum, The New York Historical Society, LaMama Experimental Theater Club, Primetime, Columbia University's Wallach Art Gallery and Department of Astronomy, Center for Book Arts, and Akron Art Museum, among others. Readings and performances have been presented at Recess, 601 Artspace, Wendy's Subway, The Segue Reading Series, Present Co., and other unnamed and temporarily named sites. After nearly a decade at Distributed Art Publishers where she worked with small press, independent, and nonprofit publishers, Emmy is currently the Fairs and Editions Coordinator at Printed Matter, Inc. She is also colibrarian of the bicoastal and mobile Pilipinx American Library, and is a member of the Advisory Board of The Octavia Project.
Zoom Link: https://bard.zoom.us/j/87221565355?pwd=MnhyUGZsT1daRG14a0tOOEJCejc2QT09
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Tuesday, April 13, 2021
A Conversation Between Morgan Giles and David Boyd
Online Event 5:00 pm – 6:30 pm EDT/GMT-4
Morgan Giles is a translator and critic. She has translated fiction by authors including Yu Miri, Hideo Furukawa, and Hitomi Kanehara. Her translation of Yu Miri's Tokyo Ueno Station won the 2020 National Book Award for Translated Literature and the 2019 Translators Association First Translation Prize.
David Boyd is Assistant Professor of Japanese at the University of North Carolina at Charlotte. He has translated novels and stories by Hiroko Oyamada, Masatsugu Ono, and Toh EnJoe, among others. His translation of Hideo Furukawa’s Slow Boat (Pushkin Press, 2017) won the 2017/2018 Japan-US Friendship Commission (JUSFC) Prize for the Translation of Japanese Literature. With Sam Bett, he is cotranslating the novels of Mieko Kawakami.
Zoom Link: https://bard.zoom.us/j/89128393344
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Friday, April 9, 2021
Yun Ni, Assistant Professor of English Literature,
Peking University
Online Event 12:00 pm – 1:30 pm EDT/GMT-4
In this talk the speaker will compare how medieval Chinese Buddhism and medieval English Christian mysticism deal with the relationship between the transcendent and the immanent. Specifically, the comparison centers on the ideology of visualization of the late fourth-century Chinese Buddhist monk Huiyuan 慧遠 (334–417) and the late fourteenth-century English Christian mystic Julian of Norwich (1342–1430). A thousand years apart, their articulations of the imagistic representation of the transcendent still reveal synchronic connections between Buddhist and Christian ideas about the absolute presence and necessary absence of the divine. Both religious thinkers use details related to the skin and to textiles when they address the representation of the “ineffable.” The ways they treat the boundaries between skin and textiles expose fundamental differences between the Trinity of the Christian God and the Buddha’s three bodies (the Trikāya), but the two religious writers reflect on a similar oscillation between the active generation and passive reception of mental images.
Join Zoom Meeting: https://bard.zoom.us/j/81330911036
Meeting ID: 813 3091 1036
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Meeting ID: 813 3091 1036
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Tuesday, April 6, 2021
A Talk With Richard Jean So
Assistant Professor of English and Cultural Analytics, McGill University
Online Event 5:00 pm – 7:00 pm EDT/GMT-4
This talk introduces some recent research on the history of American book publishing and racial inequality. Its main argument is, historically, the post-war period (1950-2000) invented a form of white hegemony, both in terms of who gets to
write books, as well as the kinds of stories that get told, that persists into the present. It also includes a discussion of the affordances of data and data science for the humanities, particularly the study of culture, the arts, and race.
Richard Jean So is assistant professor of English and Cultural Analytics at McGill University. His most recent book is Redlining Culture: A Data History of Racial Inequality and Postwar Fiction.
Zoom Link:
https://bard.zoom.us/j/85261488756?pwd=Q3RJTDUxNmIxL0Evb2RBMnF3UlRqZz09
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Tuesday, March 30, 2021
A Talk with Kelly Midori McCormick, Assistant Professor of History at UBC
Online Event 5:00 pm – 7:00 pm EDT/GMT-4
The Japanese photographer Yamazawa Eiko’s (1899–1995) life history can be read as explicit forms of refusal: owning her own commercial portrait studios, running a community photo school, dedicating herself to abstract still-life photography in rejection of the photo-realism boom, and destroying all of her personal archive. Focusing on the many “refusals” around which Yamazawa built her life, this talk approaches her work and life as an example of the possibilities for defiance within everyday practices. Yamazawa’s life lived as a refusal of the “categories of the dominant” within the photography world, social norms, and regulatory power of art critics and business leaders are an example of striving for a future not yet lived by women photographers in mid-20th century Japan. From acting as a mentor and model to many young women photographer-entrepreneurs to routinely destroying her personal archive of the evidence of her working process, Dr. McCormick explores how Yamazawa created the conditions necessary to make a life through photography as a woman in Japan from the 1930s to 1970s.
Join Zoom Meeting
https://bard.zoom.us/j/88678329023
Meeting ID: 886 7832 9023
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Monday, March 29, 2021
Online Event 12:00 pm – 1:00 pm EDT/GMT-4
Bodies and clothing are in exchange and influence each other. Guyanese Hindus describe this interrelationship of clothing and bodies by highlighting that during acts of consuming clothing—when it is worn or gifted—substances and energies are transferred between bodies and dress, creating mutual touch. This touch is facilitated through for example body fluids, which transform used or ‘touched’ clothing into a person’s material likeness. Clothes and other material objects are thus dwelling structures for substances and energies, which have a special capacity to ‘take on’ former consumers.
Used clothes are frequently exchanged within Guyanese Hindu families, a practice that remains relevant in the context of migration and is facilitated by the sending of ‘barrels.’ Gifts of used clothing become a means of recreating transnational families and religious communities. Additionally, gifts of clothing are not only relevant with regard to human social actors, but they furthermore materialize and visualize the relationships between people and deities, as clothes are frequently offered to deities during Hindu pujas (ritual veneration). In this talk I discuss the notions of touch and contact in the context of Guyanese transnational migration: I argue that in transnational networks, gifts of used clothing facilitate a means to literally stay in touch.
Sinah Kloß holds a PhD in Social and Cultural Anthropology from Heidelberg University, Germany. Since February 2020 she is leader of the research group “Marking Power: Embodied Dependencies, Haptic Regimes and Body Modification” at the Bonn Center for Dependency and Slavery Studies (BCDSS), University of Bonn, Germany. Her current research project discusses the sensory history of touch and body modification and the interrelation of permanence, tactility, religion and servitude in Hindu communities of Suriname, Trinidad and Guyana. Her most recent books include the edited volume “Tattoo Histories: Transcultural Perspectives on the Narratives, Practices, and Representations of Tattooing” (Routledge, 2020) and the monograph “Fabrics of Indianness: The Exchange and Consumption of Clothing in Transnational Guyanese Hindu Communities” (Palgrave Macmillan, 2016).Join via Zoom:
https://bard.zoom.us/j/82737596363?pwd=ZUpKOUNhYlpjQmwxNHFSS3llY2xkQT09
Meeting ID: 827 3759 6363
Passcode: 614305
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Wednesday, March 17, 2021
Fahad Bishara (University of Virginia)
Online Event 2:00 pm – 3:30 pm EDT/GMT-4
In this talk, Fahad Bishara charts out an Indian Ocean microhistory grounded in the voyages of a particular Arab dhow - the Fateh Al-Khayr - and the writings of its captain. It is from the deck of the dhow, he argues, that we can see the limits of political and metageographical categories like the Middle East, and we can begin to write the histories of other Arab worlds.
Fahad Ahmad Bishara is the Rouhollah Ramazani Associate Professor of Arabian Peninsula and Gulf Studies at the University of Virginia. His first book, A Sea of Debt: Law and Economic Life in the Western Indian Ocean, 1780-1950 (Cambridge University Press, 2017), won the J. Willard Hurst Prize (awarded by the Law and Society Association), the Jerry Bentley Prize (awarded by the World History Association), and the Peter Gonville Stein Book Award (given by the American Society for Legal History).
Join via Zoom:
https://bard.zoom.us/j/82970591846?pwd=ZTlyenlFcGkreUw1Z1pEeU4zeG9qdz09
Meeting ID: 829 7059 1846
Passcode: 528381
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Tuesday, March 16, 2021
We'll be in-person in NYC this fall!
Online Event 6:00 pm – 7:00 pm EDT/GMT-4
Join us to learn more about the BGIA program, our courses, internships and our in-person semester in NYC this fall.
To apply for the fall '21 semester, please visit: https://bard.studioabroad.com/index.cfm?FuseAction=Programs.ViewProgram&Program_ID=41053